All stories by Mark Shenton on BroadwayStars

Friday, July 27, 2018

Diary of a theatre addict: Time for a critical reboot by Mark Shenton

I came to a belated realisation: my life was not a dress rehearsal — and it really didn’t matter if I missed a few (dozen) shows. So when it came to booking this year’s P-town trip, wh…

SOURCE: mytheatremates.com at 05:00AM

Mark Shenton: A busman’s holiday in historic Cape Cod where theatre is thriving by Mark Shenton

Provincetown, a historic town at the farthest tip of Cape Cod where the pilgrim voyagers aboard the Mayflower first made landfall in

SOURCE: The Stage Registration at 02:00AM
Wednesday, July 25, 2018

Mark Shenton: In 2018, it’s extraordinary there are still glass ceilings for diverse theatremakers by Mark Shenton

You can only be first once – so it’s amazing that there are still glass ceilings for minority theatremakers to break. From

SOURCE: The Stage Registration at 02:00AM
Tuesday, July 24, 2018

This Ain’t No Disco review at Linda Gross Theater, New York – ‘a visual and aural assault course’ by Mark Shenton

With a with a title like This Ain’t No Disco it’s tempting to reply that this ain’t no musical, either. Instead, it’s

SOURCE: The Stage Registration at 10:00PM

Playwright Mart Crowley: ‘Showbusiness is about luck – God knows, we’ve all had flops’ by Mark Shenton

After Mart Crowley found success with his groundbreaking 1968 play The Boys in the Band, about the lives of gay men in

SOURCE: The Stage Registration at 07:30AM
Friday, July 20, 2018

Mark Shenton: What does The Stage survey tell us about the future of theatre criticism? by Mark Shenton

It’s a bittersweet fact that Lyn Gardner topped the lists of both the most regularly read and most valued critics from respondents

SOURCE: The Stage Registration at 03:00AM
Wednesday, July 18, 2018

Mark Shenton: Reinterpreting ‘problematic’ classics keeps them alive by Mark Shenton

When The King and I opened at the London Palladium earlier this month, more than one critic trotted out the current favourite

SOURCE: The Stage Registration at 02:00AM
Friday, July 13, 2018

Mark Shenton: Deputising deja vu, as an understudy saves the day… yet again by Mark Shenton

Yet again, an understudy has saved the day. Only last month I was writing about how these unsung heroes embody the essential

SOURCE: The Stage Registration at 02:00AM
Wednesday, July 11, 2018

Mark Shenton: After harassment, is bullying theatre’s next big challenge? by Mark Shenton

Theatre has begun to confront its long-time problems around sexual harassment and inappropriate behaviour in the workplace. This has led to the

SOURCE: The Stage Registration at 02:00AM
Friday, July 6, 2018

Mark Shenton: Critical mix-up suggests more must be done to give credit where it’s due by Mark Shenton

The Stage was one of several publications this week that believed it had seen Ruthie Ann Miles reprise her Tony-award winning performance

SOURCE: The Stage Registration at 02:00AM
Wednesday, July 4, 2018

Director Sally Cookson: ‘Sitting among the audience is painful and absolutely terrifying’ by Mark Shenton

After making her name as a director adapting much-loved, classic stories, Sally Cookson is now bringing a contemporary novel to the stage.

SOURCE: The Stage Registration at 03:00AM

Mark Shenton: Civility is critical when it comes to debating the industry’s problems by Mark Shenton

The current culture wars of civility, or the lack of it, stretches to the White House. Donald Trump’s election victory, and the

SOURCE: The Stage Registration at 02:00AM
Friday, June 29, 2018

Mark Shenton: Hitting high notes on the high seas by Mark Shenton

I’ve just experienced my first ever ocean cruise… okay, it was only the North Sea, not trans-Atlantic, but I’m a convert to

SOURCE: The Stage Registration at 02:00AM
Wednesday, June 27, 2018

Mark Shenton: Theatre names tell us histories of creation, culture and commerce by Mark Shenton

In America, naming rights for theatres and concert halls aren’t just an honour, but something to be bought, sold and traded. In

SOURCE: The Stage Registration at 02:00AM
Tuesday, June 26, 2018

Fun Home composer Jeanine Tesori: ‘Musicals are slippery, but I love the puzzle of them’ by Mark Shenton

Jeanine Tesori has been described as ‘the most prolific and honoured female theatrical composer in history’. Now two of her hits, Fun

SOURCE: The Stage Registration at 03:00AM
Friday, June 22, 2018

Mark Shenton: What makes a theatre star? by Mark Shenton

The West End, similar to Broadway, thrives on a bit of star power. As Matt Wolf recently noted in the New York

SOURCE: The Stage Registration at 02:00AM
Wednesday, June 20, 2018

Producer Edward Snape: ‘At West End prices, the least we can do is provide a comfy seat’ by Mark Shenton

From Cromer pier to the Garrick, and Jimmy Tarbuck to Kenneth Branagh, producer Edward Snape has worked his way up to the

SOURCE: The Stage Registration at 04:00AM

Mark Shenton: Understudies embody the essence of theatre – its liveness by Mark Shenton

Chorus dancer Peggy Sawyer is told: “You’re going out there a youngster, but you’ve got to come back a star,” when she

SOURCE: The Stage Registration at 02:00AM
Tuesday, June 19, 2018

Taylor Mac: ‘Spending 24 hours on stage is the easiest part – getting the support is hard’ by Mark Shenton

Two years ago, Taylor Mac combined eight three-hour shows into a one-off event that saw the performer on stage for a full

SOURCE: The Stage Registration at 04:00AM
Friday, June 15, 2018

Mark Shenton: Like London’s airports, the West End needs more runways by Mark Shenton

Football clubs have transfer windows – specific periods throughout the year when they can sign and sell players in and out of

SOURCE: The Stage Registration at 02:00AM
Wednesday, June 13, 2018

Imperium star Richard McCabe: ‘I would much rather have been a composer’ by Mark Shenton

Whether in a supporting part or as a leading man, the Olivier and Tony award-winning actor always leaves his mark. As he

SOURCE: The Stage Registration at 03:00AM
Monday, June 11, 2018

Mark Shenton: Tony Awards underline Broadway’s struggle to house new work by Mark Shenton

While the Olivier Awards have upped the ante in the glamour stakes by relocating for the last two years to the Royal

SOURCE: The Stage Registration at 12:06PM
Friday, June 8, 2018

The Boys in the Band review at Booth Theatre, New York – ‘timeless resonance’ by Mark Shenton

It’s Gay Pride month in New York, and even the free Playbill programmes given out at every Broadway theatre have turned rainbow

SOURCE: The Stage Registration at 09:17AM

Mark Shenton: All hail the theatres supporting new musicals in the UK by Mark Shenton

The West End is dominated by musicals in terms of attendance, revenue and longevity. While plays are shoehorned into 14 or 15-week

SOURCE: The Stage Registration at 02:00AM
Wednesday, June 6, 2018

American Theatre Wing: The women behind the Tony Awards by Mark Shenton

The American Theatre Wing, launched by suffragettes, is the organisation behind the biggest night on Broadway. Mark Shenton meets its president, Heather

SOURCE: The Stage Registration at 12:00PM

The King and I star Kelli O’Hara: ‘Doing work that feels like it has a message is very satisfying’ by Mark Shenton

As the actor makes her West End debut in Bartlett Sher’s Tony award-winning revival of The King and I, she talks to

SOURCE: The Stage Registration at 03:00AM

Mark Shenton: Could making all acting awards gender-neutral backfire? by Mark Shenton

When Glenda Jackson plays King Lear or Michelle Terry plays Hamlet, it seems paradoxical that they are eligible for best female performance

SOURCE: The Stage Registration at 02:00AM
Monday, June 4, 2018

Guys and Dolls review at Kilworth House Theatre – ‘scintillating, glowing revival’ by Mark Shenton

The perfect juxtaposition of country-house charm in venue and urban sophistication in material, this joyous revival of Frank Loesser’s 1950 Broadway classic

SOURCE: The Stage Registration at 06:48AM
Friday, June 1, 2018

Mark Shenton: My top 13 West End playwrights for today by Mark Shenton

Every generation has its foremost playwrights, from George Bernard Shaw and Oscar Wilde, to Harley Granville-Barker and Terence Rattigan, John Osborne and

SOURCE: The Stage Registration at 02:00AM
Wednesday, May 30, 2018

Mark Shenton: Critics are important, but they are certainly not irreplaceable by Mark Shenton

No one can see everything: it just isn’t possible. It’s one of the reasons we need critics: they see things so that

SOURCE: The Stage Registration at 02:00AM
Friday, May 25, 2018

Mark Shenton: Would earlier start times be better for the whole of the West End? by Mark Shenton

The ‘standard’, default start time for Broadway shows used to be 8pm, with Wednesday and Saturday matinees at 2pm and Sunday matinees

SOURCE: The Stage Registration at 02:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre