All stories by Michael Dale on BroadwayStars

Wednesday, December 7, 2016

BWW Review: Variety Returns To The Palace With THE ILLUSIONISTS - TURN OF THE CENTURY by Michael Dale

The Twentieth Century was only in its teens when playing Times Square's Palace Theatre was established as the pinnacle of success for vaudeville artists, so it's very appropriate that the la…

SOURCE: BroadwayWorld at 01:21AM
Sunday, December 4, 2016

BWW Review: Exhilarating and Original DEAR EVAN HANSEN Moves To Broadway by Michael Dale

While FUN HOME and HAMILTON have certainly not been the only high-quality new musicals to hit Broadway in the past two seasons, they've both displayed the kind of originality and relevance i…

SOURCE: BroadwayWorld at 11:08PM
Friday, December 2, 2016

BWW Review: Nick Cordero Leads Robert De Niro/Jerry Zaks-Directed A BRONX TALE To Broadway by Michael Dale

When the new musical based on Chazz Palminteri's autobiographical solo play, A BRONX TALE had its world premiere at New Jersey's Paper Mill Playhouse earlier this year, it boasted a solid fi…

SOURCE: BroadwayWorld at 12:48PM
Thursday, December 1, 2016

BWW Review: Teen Angels Compete For A Second Chance in RIDE THE CYCLONE by Michael Dale

For a musical about the accidental death of six teenagers and a contest to select just one of them to return to life, Brooke Maxwell and Jacob Richmond's Ride the Cyclone, mounted by MCC aft…

SOURCE: BroadwayWorld at 05:24PM
Friday, November 25, 2016

BWW Review: A TASTE OF THINGS TO COME Cooks Up Frothy Musical Fun by Michael Dale

While Debra Barsha and Hollye Levin's A TASTE OF THINGS TO COME isn't the first musical to contrast the accepted female gender roles of the 1950s with the liberated revolution of the 1960s O…

SOURCE: BroadwayWorld at 01:56PM
Wednesday, November 23, 2016

BWW Review: Bad Choices Have Lasting Impact In Nicky Silver's THIS DAY FORWARD by Michael Dale

As with their Vineyard Theatre success of five years ago, THE LYONS, in THIS DAY FORWARD, the team of playwright Nicky Silver and director Mark Brokaw display an impressive talent for packag…

SOURCE: BroadwayWorld at 01:47PM
Monday, November 21, 2016

BWW Review: Leigh Silverman and Sutton Foster Discover Fresh Nuances In Intimate SWEET CHARITY by Michael Dale

Ever since it opened in 1966 as the Broadway production that made the Palace Theatre go legit, the final scene of Neil Simon book, Dorothy Fields lyrics and Cy Coleman's music hyper-swinging…

SOURCE: BroadwayWorld at 01:27AM
Sunday, November 20, 2016

BWW Review: Jason Sudeikis Stars in CSC's Crisp and Engaging Stage Premiere of DEAD POETS SOCIETY by Michael Dale

While the work of director John Doyle has been a frequent presence at Classic Stage Company for the past few years, his tenure as the company's artistic director gets off to an impressive st…

SOURCE: BroadwayWorld at 07:48PM
Friday, November 18, 2016

BWW Review: Shakespeare Goes Hip-Hop In The Q Brothers' OTHELLO: THE REMIX by Michael Dale

To say that The Q Brothers put a new spin on OTHELLO might be too obvious a pun, but their fun and lively hip-hop retelling of Shakespeare's tragedy of racism and revenge, Othello The Remix …

SOURCE: BroadwayWorld at 01:24PM

BWW Review: The Revolutions Of The 60s Meet Laptop Activism in PARTY PEOPLE by Michael Dale

The term 'generation gap' first came into use during the 1960s, when sociologists and trend-watchers began noting the extreme differences in lifestyle, politics, fashion, music and language …

SOURCE: BroadwayWorld at 08:54AM
Tuesday, November 15, 2016

BWW Review: NATASHA, PIERRE & THE GREAT COMET OF 1812 Makes Rousing, Sexy Musical Fun Out Of 'War And Peace' by Michael Dale

No, you didn't fall asleep on the Q train on your way to Broadway's latest musical and accidentally wind up at the largest, and perhaps rowdiest Russian supper club in all of Brighton Beach.

SOURCE: BroadwayWorld at 10:11AM

BWW Review: Signature Revives Suzan-Lori Parks' Free-Form Dramatic Riff, THE DEATH OF THE LAST BLACK MAN IN THE WHOLE ENTIRE WORLD by Michael Dale

The symbolic nature of Suzan-Lori Parks' 1990 free-form dramatic riff, THE DEATH OF THE LAST BLACK MAN IN THE WHOLE ENTIRE WORLD AKA THE NEGRO BOOK OF THE DEAD is made apparent to viewers as…

SOURCE: BroadwayWorld at 01:49AM
Monday, November 14, 2016

BWW Review: Richard Nelson Concludes His Election Year Trilogy With WOMEN OF A CERTAIN AGE by Michael Dale

It can be safely assumed that the majority of playgoers filing into The Public's LuEsther Theater for the 730 opening night performance of authordirector Richard Nelson's Women Of a Certain …

SOURCE: BroadwayWorld at 02:05AM
Wednesday, November 9, 2016

BWW Review: Athol Fugard's 'MASTER HAROLD'... AND THE BOYS Has, Sadly, Not Lost Its Relevance by Michael Dale

The subject of sensitive, well-intentioned white people growing up unaware of their own privilege has been receiving more and more attention in American, but back in 1982, South African play…

SOURCE: BroadwayWorld at 04:06PM
Monday, November 7, 2016

BWW Review: Lynn Nottage's SWEAT, A Moving Labor Tragedy by Michael Dale

The doorway to the neighborhood bar designed with great detail by John Lee Beatty for director Kate Whoriskey's tense and finely-acted mounting of Lynn Nottage's hard-hitting new drama, Swea…

SOURCE: BroadwayWorld at 04:37AM
Saturday, November 5, 2016

BWW Review: Anna Deavere Smith's NOTES FROM THE FIELD; Voices From America's School-To-Prison Pipeline by Michael Dale

Placed throughout Anna Deavere Smith's revealing new theatre piece, NOTES FROM THE FIELD, are violent video clips that have become all too familiar to any American with access to YouTube.

SOURCE: BroadwayWorld at 06:46PM
Monday, October 31, 2016

BWW Review: Janet McTeer and Liev Schreiber Star In Visually Gorgeous and Emotionally Stark LES LIAISONS DANGEREUSES by Michael Dale

An older man makes it clear that he intends to have his way with a young woman who trusted him. When she struggles, he assures her that she won't be believed if she says she wasn't asking fo…

SOURCE: BroadwayWorld at 09:54AM
Sunday, October 30, 2016

BWW Review: Qui Nguyen's VIETGONE Raps Its Refugee Love Story by Michael Dale

Playwright Qui Nguyen is a tricky fellow. First he has an actor appear on stage, claiming to be him, welcoming the audience with the usual pre-show ritual about turning off cell phones and w…

SOURCE: BroadwayWorld at 03:42PM
Friday, October 28, 2016

BWW Review: William Finn and James Lapine Offer A Revised Look At FALSETTOS by Michael Dale

The fact that William Finn and James Lapine's 1992 Broadway musical FALSETTOS began as two separate one-act musicals - parts two and three of a trilogy - that premiered Off-Broadway nine yea…

SOURCE: BroadwayWorld at 06:24AM
Thursday, October 27, 2016

BWW Review: Company XIV's PARIS! Is A Big, Splashy Cavalcade of Sensuality by Michael Dale

Despite a string of bad fortune that has kept them moving from venue to venue to venue, the genius directorchoreographer Austin McCormick's Company XIV, with its distinct style mixing classi…

SOURCE: BroadwayWorld at 04:48PM
Wednesday, October 26, 2016

BWW Review: Annaleigh Ashford and Jake Gyllenhaal Star In City Center's SUNDAY IN THE PARK WITH GEORGE by Michael Dale

In Stephen Sondheim and James Lapine's 1985 Pulitzer Prize winning musical SUNDAY IN THE PARK WITH GEORGE, the 'art of making art' can be less about applying paint to a canvas as it is about…

SOURCE: BroadwayWorld at 07:24PM
Tuesday, October 25, 2016

BWW Review: David Hyde Pierce Breathes Life Into Adam Bock's A LIFE by Michael Dale

The tensest, most dramatic moments in director Anne Kauffman's premiere production of Adam Bock's A Life occur whenever designer Laura Jellinek's large unit set slowly rotates horizontally, …

SOURCE: BroadwayWorld at 01:19PM
Monday, October 24, 2016

BWW Review: Post-War Is Hell For Women in David Hare's PLENTY by Michael Dale

Those who have lived through it may agree that war is hell, but for the central character of David Hare's 1978 drama, Plenty, the excitement of confusing, distracting and demoralizing the Ge…

SOURCE: BroadwayWorld at 12:24PM

BWW Review: Nick Blaemire Leads Keen's Terrific Revival Of Jonathan Larson's Self-Portrait, TICK, TICK... BOOM! by Michael Dale

While Jonathan Larson's RENT, his 1996 East Village adaptation of Giacomo Puccini, Luigi Illica and Giuseppe Giacosa's LA BOHEME, presents a romanticized look at bohemians living in poverty …

SOURCE: BroadwayWorld at 02:34AM
Friday, October 21, 2016

BWW Review: Nathan Lane and John Slattery Lead A Raucously Funny Revival Of THE FRONT PAGE by Michael Dale

Bright bursts of light imitating the effects of flash powder photography capture the opening and closing images of all three acts of director Jack O'Brien's raucously good revival of the cla…

SOURCE: BroadwayWorld at 04:49AM
Wednesday, October 19, 2016

BWW Review: Sarah Jones' SELL/BUY/DATE Takes A Futuristic Look At Sex Work by Michael Dale

Though solo performer Sarah Jones is rightfully celebrated for her exacting skills that quickly morph herself into a seemingly limitless collection of female and male characters of diverse a…

SOURCE: BroadwayWorld at 07:45PM
Monday, October 17, 2016

BWW Review: Stephen Karam and Simon Godwin Drag THE CHERRY ORCHARD Kicking and Screaming Into The 21st Century by Michael Dale

'A New Version by Stephen Karam' is the way the text is described in the credits for director Simon Godwin's production of Anton Chekhov's 1904 classic THE CHERRY ORCHARD, now being presente…

SOURCE: BroadwayWorld at 06:06AM
Friday, October 14, 2016

BWW Review: Simon Stephens' HEISENBERG Flirts With Romantic Uncertainty by Michael Dale

If you've ever sat down with a potential lover to have a serious talk about where your relationship is and how fast it's developing, you may be pursuing a lost cause, according to German phy…

SOURCE: BroadwayWorld at 04:48AM
Tuesday, October 11, 2016

BWW Review: Alternative Comedy Hits The Main Stem In OH, HELLO ON BROADWAY by Michael Dale

Weird old people saying and doing outrageously inappropriate things have been a beloved comedy staple ever since the time Aristophanes handed a few zingers to the dirty old men and elderly a…

SOURCE: BroadwayWorld at 12:38AM
Friday, October 7, 2016

BWW Review: Sharp And Snazzy HOLIDAY INN Is An Irving Berlin Bonanza by Michael Dale

It's been said that Irving Berlin was no fan of big musical spectacles, which is why he stopped writing songs for the ZIEGFELD FOLLIES and had the intimate Music Box Theatre built so that hi…

SOURCE: BroadwayWorld at 04:04AM
Thursday, October 6, 2016

BWW Review: Peter Brook Returns To BAM With Minimalist BATTLEFIELD by Michael Dale

It was thirty years ago when British director Peter Brook and BAM Executive Producer Harvey Lichtenstein first peeked inside what was left of the Majestic Theatre on Brooklyn's Fulton Street…

SOURCE: BroadwayWorld at 10:36AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre