All stories by Neil Norman on BroadwayStars

Monday, February 20, 2017

Eva Yerbabuena: Apariencias review at Sadler’s Wells – ‘uncompromising intensity’ by Neil Norman

Eva Yerbabuena is the living embodiment of the phrase “dynamite comes in small packages”. Her compact, formidable form contains enough explosive energy

SOURCE: The Stage Registration at 08:48AM
Friday, February 10, 2017

Masurca Fogo review at Sadler’s Wells, London – ‘infused with a sunny sensuality’ by Neil Norman

Masurca Fogo (Fiery Mazurka) might be retitled Sex on the Beach. The myriad cavortings and mischievous couplings on the rocky seashore set

SOURCE: The Stage Registration at 07:20AM

Neil Norman: It’s time the dance world gave us all a good laugh by Neil Norman

Where are all our comedy ballets? The operatic tradition – opera buffa – is festooned with amusing works from Rossini to Offenbach.

SOURCE: The Stage Registration at 02:00AM
Thursday, February 2, 2017

German Cornejo’s Tango Fire review at Peacock Theatre, London – ‘still smoulders’ by Neil Norman

There is nothing coy about tango. A stranger to political correctness it derives from an era (and place) where men were men

SOURCE: The Stage Registration at 06:52AM
Monday, January 30, 2017

Les Enfants Terribles review at Barbican Theatre – ‘a sensuous staging’ by Neil Norman

Send in the clones. Javier de Frutos splits the characters into multiples in Philip Glass’s operatic interpretation of Jean Cocteau’s 1929 novel

SOURCE: The Stage Registration at 05:43AM

Lucy Carter, lighting designer: ‘I use light to create the ebb and flow of emotion’ by Neil Norman

Award-winning lighting designer Lucy Carter is rarely restricted in her art. Though best known for her collaborations with choreographer Wayne McGregor, she

SOURCE: The Stage Registration at 05:00AM
Monday, January 23, 2017

Wayne McGregor’s Woolf Works review at Royal Opera House, London – ‘a classic’ by Neil Norman

If for nothing else, Woolf Works will be remembered for bringing back to the Covent Garden stage the fabulous Alessandra Ferri at

SOURCE: The Stage Registration at 07:15AM
Saturday, January 21, 2017

Strictly Come Dancing – The Live Tour review at Barclaycard Arena Birmingham by Neil Norman

It’s all about the Balls. Without missing a beat, the former shadow chancellor has embraced his inner showman and gone from bully

SOURCE: The Stage Registration at 05:36AM
Friday, January 13, 2017

Whispers review at Sadler’s Wells, London – ‘intriguing, if mystifying’ by Neil Norman

  The chittering of cicadas in the dark; the intermittent growl of approaching thunder. Mossoux Bonte’s latest work, Whispers, explores the effect

SOURCE: The Stage Registration at 08:40AM
Thursday, January 5, 2017

The Mad Hatter’s Tea Party review at the Roundhouse, London – ‘superbly athletic’ by Neil Norman

One of Royal Ballet supremo Kevin O’Hare’s more inspired ideas was to commission Kate Prince’s hip-hop version of Alice for the Linbury

SOURCE: The Stage Registration at 09:24AM
Thursday, December 22, 2016

The Sleeping Beauty review at Royal Opera House, London – ‘a banquet of a ballet’ by Neil Norman

With contributions from no fewer than four choreographers the Royal Ballet’s Sleeping Beauty certainly gives you more bang for your bucks. Marius

SOURCE: The Stage Registration at 04:58AM
Friday, December 16, 2016

English National Ballet’s The Nutcracker at London Coliseum review – ‘flirts with the dark side’ by Neil Norman

English National Ballet’s festive offering is a Nutcracker of a different colour. Unlike the Royal Ballet’s majestically comforting production, Wayne Eagling’s version

SOURCE: The Stage Registration at 08:33AM

Matthew Bourne’s The Red Shoes review at Sadler’s Wells, London – ‘built to last’ by Neil Norman

Don’t you just love it when footwear fits perfectly? Matthew Bourne and The Red Shoes were made for each other. Hans Christian

SOURCE: The Stage Registration at 05:47AM
Wednesday, December 7, 2016

Up and Down review at the London Coliseum – ‘inventive but limited’ by Neil Norman

The Eifman cometh. Celebrating 40 years as founder of Russia’s leading contemporary dance company, Boris Eifman enters the mouth of madness once

SOURCE: The Stage Registration at 06:33AM
Thursday, November 24, 2016

The Nutcracker review at Royal Opera House – ‘fresh and reinvigorated’ by Neil Norman

Nutcrackers come and Nutcrackers go but the Royal Ballet’s version is a hardy perennial. Peter Wright’s version of Lev Ivanov’s original 1892

SOURCE: The Stage Registration at 05:41AM
Tuesday, November 22, 2016

Cloud Gate 2 review at Sadler’s Wells, London – ‘impenetrable’ by Neil Norman

Conformity, uniformity and anonymity are not words that spring to mind when thinking of the spectacular productions by Cloud Gate Dance Theatre

SOURCE: The Stage Registration at 09:53AM
Wednesday, November 16, 2016

James Wilton Dance’s Leviathan review at the Place, London – ‘extraordinary’ by Neil Norman

There is certainly no blubber on James Wilton’s dance work inspired by Herman Melville’s novel Moby-Dick. It opens with a lone female

SOURCE: The Stage Registration at 07:14AM
Friday, November 11, 2016

Wayne McGregor’s Chroma/Multiverse/Carbon Life review – ‘a revelation’ by Neil Norman

Has it really been 10 years since Wayne McGregor’s appointment as the Royal Ballet’s resident choreographer? Was it a decade ago that

SOURCE: The Stage Registration at 05:25AM
Thursday, November 10, 2016

Quint-essential: Five New Ballets review at the Peacock Theatre – ‘spirited dancing’ by Neil Norman

Of the five new pieces on display here only one is not created around the traditional boy/girl relationship. For a new company

SOURCE: The Stage Registration at 08:30AM
Friday, October 7, 2016

Steven Berkoff: ‘New plays don’t have the audacity and daring that they used to’ by Neil Norman

As two of his rarely seen plays arrive at Trafalgar Studios, the iconoclastic playwright, actor and director talks to Neil Norman about

SOURCE: The Stage Registration at 09:00AM
Monday, October 3, 2016

Sophie Don: ‘It’s unlikely I will be a ballerina, but not because I’m transgender’ by Neil Norman

Every step of the gender reassignment process takes Sophie Don, who is training at Lynton Academy of Dance, closer to her dream

SOURCE: The Stage Registration at 02:00AM
Monday, September 19, 2016

Spotlight: Phil Eddolls, set designer by Neil Norman

Phil Eddolls doesn’t like labels. “I just work in theatre,” he says. Having designed sets for theatre, ballet, site-specific performances and at

SOURCE: The Stage Registration at 05:00AM

How Crime and Punishment backstage crew coped with the challenges of open-air theatre by Neil Norman

Turning Fyodor Dostoyevsky’s philosophical murder novel Crime and Punishment into a musical is a big ask. Yet that is what director-adapter Phil

SOURCE: The Stage Registration at 05:00AM
Friday, April 15, 2016

Liam Scarlett: ‘I am a bit of a control freak’ by Neil Norman

On my way up in the Royal Opera House lift to meet Liam Scarlett, I encounter dancer Steven McRae. Currently in rehearsal

SOURCE: The Stage Registration at 05:00AM
Thursday, March 17, 2016

Aletta Collins: ‘Too many women in dance are not recognised’ by Neil Norman

Rat Scabies is dancing around a rehearsal room in Southwark. The former drummer with punk group the Damned, Scabies is warming up

SOURCE: The Stage Registration at 10:00AM
Wednesday, December 30, 2015

2015 year in review: Dance by Neil Norman

Innovation, inspiration and perspiration characterised the year in dance. It was a year of inevitable departures and untimely deaths. It was the

SOURCE: The Stage Registration at 05:00AM
Friday, December 18, 2015

Tamara Rojo: ‘I became a dancer because I needed to disappear’ by Neil Norman

Now in her fourth year as principal dancer and artistic director of English National Ballet, Tamara Rojo has handled her roles with

SOURCE: The Stage Registration at 09:00AM
Sunday, September 20, 2015

Hofesh Shechter: ‘It may work and it may not. But it will always be a surprise’ by Neil Norman

There can’t be many choreographers whose name inspires an entire festival of work. In fact, there aren’t any. With one honourable exception:

SOURCE: The Stage Registration at 10:54AM
Saturday, September 12, 2015

The top of the Trocks: not just a drag act but a class act by Neil Norman

It sounds like a film by Mel Brooks: Swan Lake – Men in Tutus. Les Ballets Trockadero de Monte Carlo is an

SOURCE: The Stage Registration at 08:06AM
Thursday, July 9, 2015

Neil Norman: The unique challenges of writing about dance by Neil Norman

I try to avoid reading the programme notes before seeing a ballet, especially a new one. In the cases of contemporary works

SOURCE: The Stage Registration at 01:00PM
Sunday, April 26, 2015

Javier de Frutos: ‘I am a writer, but without words’ by Neil Norman

Javier de Frutos is having a salad for lunch. For some reason this takes me by surprise. I expected him to be

SOURCE: The Stage Registration at 05:00AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards