All stories by Not Exactly Billington on BroadwayStars

Friday, November 1, 2019

‘Feels fresh & is performed with conviction’: ONE UNDER – Touring by Not Exactly Billington

Winsome Pinnock’s 2005 play One Under has been revived in a co-production by Graeae and Theatre Royal, Plymouth, now touring the UK.

Linked From mytheatremates.com at 12:00PM
Wednesday, October 30, 2019

‘It is with a heavy heart that you have to leave the characters behind’: A TASTE OF HONEY – Touring by Not Exactly Billington

Bijan Sheibani’s production of A Taste Of Honey is entertaining without being flashy, showcasing Shelagh Delaney’s text in all its humour, honesty and melancholia.

Linked From mytheatremates.com at 02:00PM
Saturday, September 28, 2019

‘Engaging, warm & thought-provoking’: MY BEAUTIFUL LAUNDRETTE – Touring by Not Exactly Billington

In a co-production with Belgrade Theatre Coventry, Everyman Theatre Cheltenham and Leeds Playhouse, Nikolai Foster and the Curve company’s adaptation of My Beautiful Laundrette has shone a…

Linked From mytheatremates.com at 09:00AM
Friday, September 20, 2019

‘A masterpiece in theatrical storytelling’: WAR HORSE – Touring by Not Exactly Billington

The National Theatre production of Michael Morpurgo’s novel War Horse is both the most visceral depiction of war I’ve seen on stage and a masterpiece in theatrical storytelling.

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Friday, September 6, 2019

‘Brings a freshness to the piece’: GREASE – Touring by Not Exactly Billington

Nikolai Foster’s 2016 production of Grease returns to Curve as part of a major tour, and, while it doesn’t quite have the pizzazz of three years ago, the show remains a solid, thoughtful…

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Monday, September 2, 2019

‘Prescient time for a revival’: THE ENTERTAINER – Touring by Not Exactly Billington

The Entertainer is an interesting state-of-the-nation play, and although a period piece, it’s undeniably a prescient time to revive it.

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Friday, August 9, 2019

‘A community production that balances balanced whimsy & grit’: BOLLYWOOD JANE – Leicester by Not Exactly Billington

Making use of the intimate studio space, director Siobhán Cannon-Brownlie recreates the indie movie theatre setting of the play, while a cast of locals dive head-first into the dazzling wor…

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Sunday, July 7, 2019

‘Absorbing family comedy’: THE END OF HISTORY – Royal Court Theatre by Not Exactly Billington

What’s so great about Jack Thorne’s play The End of History (as well as his consistently interesting use of stage directions) is that it has made me pause to think but is all wrapped up …

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Friday, July 5, 2019

‘Irresistibly moving & thought-provoking’: THE COLOR PURPLE – Leicester by Not Exactly Billington

Celie’s journey from despair to belief, love and hope is, in T’Shan Williams’ hands, a believable and rewarding experience in The Color Purple.

Linked From mytheatremates.com at 09:00AM
Wednesday, June 5, 2019

‘I never tried to do anything before’: Three works by Kenneth Lonergan by Not Exactly Billington

Kenneth Lonergan’s 2009 play The Starry Messenger has opened at the Wyndham’s starring Matthew Broderick and Elizabeth McGovern. Longergan’s work has enjoyed a series of Tony-nominated…

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Tuesday, June 4, 2019

#ReadaPlayaWeek: Texts from Tarell Alvin McCraney, Roy Williams, Olwen Wymark, Michaela Coel & Kenneth Lonergan by Not Exactly Billington

Not Exactly Billington has set themselves a challenge to read a new (to them) playtext every week. In May, their #ReadaPlayaWeek titles included Tarell Alvin McCraney’s The Brothers Size, …

Linked From mytheatremates.com at 12:00PM
Saturday, May 25, 2019

‘This message really packs a punch’: MATTHEW BOURNE’s ROMEO & JULIET – Touring by Not Exactly Billington

Matthew Bourne’s Romeo and Juliet is a wakeup call to the conscious and unconscious abuse of children and adolescents – psychological, sexual, physical – that plagues our society.

Linked From mytheatremates.com at 10:00AM
Thursday, May 16, 2019

‘Once more shaking the bones of theatreland’: DEATH OF A SALESMAN – Young Vic by Not Exactly Billington

This production of Death of a Salesman will become the stuff of legend, hopefully setting a precedent for future ‘classic’ revivals.

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Thursday, May 2, 2019

#ReadaPlayaWeek: Texts from Valerie Windsor, Rose Leiman Goldemberg, Maureen Duffy & Claire Luckham by Not Exactly Billington

Not Exactly Billington has set themselves a challenge to read a new (to them) playtext every week. In April, the #ReadaPlayaWeek titles included Valerie Windsor’s Effie’s Burning, Rose L…

Linked From mytheatremates.com at 11:00AM
Tuesday, April 30, 2019

‘A blistering attack on the politics of the era’: TOP GIRLS – National Theatre by Not Exactly Billington

I’m coming to Caryl Churchill’s Top Girls (1982) afresh. Well, sort of. I read the play a few years ago, but I’ve not seen it and wasn’t born until 10 years after its original produc…

Linked From mytheatremates.com at 07:00AM
Saturday, April 20, 2019

‘Memorable & playful’: CAPTAIN CORELLI’S MANDOLIN – Touring by Not Exactly Billington

Following Melly Still’s moving and visually stunning production of The Lovely Bones last year, I had high hopes for her latest literary adaptation, Louis de Bernières’ Captain Corelli…

Linked From mytheatremates.com at 01:00PM
Thursday, April 11, 2019

‘A celebration of friendship, tradition & heritage’: BARBER SHOP CHRONICLES – Touring by Not Exactly Billington

Barber Shop Chronicles is a celebration of friendship, tradition and heritage. Ellams skilfully toes the line between sentiment, gaucheness, sincerity and wit while exploring issues of racia…

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Thursday, April 4, 2019

#ReadaPlayaWeek: Texts from Lisa Evans, Marie Laberge, Owen Sheers & Adam Barnard by Not Exactly Billington

Not Exactly Billington have set themselves a challenge to read a new (to them) playtext every week. In March, their #ReadaPlayaWeek titles included Lisa Evans' Stamping, Shouting and Singing…

Linked From mytheatremates.com at 10:00AM
Thursday, March 28, 2019

‘It’s all first rate stuff’: THE COMEDY ABOUT A BANK ROBBERY – Touring by Not Exactly Billington

And, as with all their previous productions, Mischief Theatre’s The Comedy About A Bank Robbery proves exactly why their triumph is so deserved.

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Wednesday, March 27, 2019

‘Light-hearted & giddily enjoyable’: EDMOND DE BERGERAC – Birmingham by Not Exactly Billington

Alexis Michalik’s play (translated by Jeremy Sams) detailing the fictionalised writing process behind Cyrano, impishly titled Edmond de Bergerac, receives its English premiere in Roxana Si…

Linked From mytheatremates.com at 10:00AM
Thursday, March 21, 2019

‘Pretty perfect family entertainment’: THE WORST WITCH – Touring by Not Exactly Billington

I’m delighted to say that Emma Reeves’ new stage adaptation loses none of The Worst Witch’s gleeful mayhem and enchantment.

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Tuesday, March 19, 2019

‘The joy is in meeting the characters’: JESUS HOPPED THE ‘A’ TRAIN – Young Vic Theatre by Not Exactly Billington

The joy of Stephen Adly Guirgis’ Jesus Hopped the ‘A’ Train is in meeting his characters: watching them perform to each other; hearing their patois and verbal brio; exude a charisma wh…

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Wednesday, March 6, 2019

‘A sure-fire hit’: THE GIRL ON THE TRAIN – Touring by Not Exactly Billington

The Girl on the Train is contemporary, both in its subject and staging. There is a strong balance between a suspenseful whodunit that drives the play and a psychological element about memory…

Linked From mytheatremates.com at 09:00AM
Monday, March 4, 2019

#ReadaPlayaWeek: Laura Wade’s Breathing Corpses, Superhoe by Nicôle Lecky & more by Not Exactly Billington

It’s a #ReadaPlayaWeek: featuring Laura Wade’s Breathing Corpses; Adult Child/Dead Child (1987) by Claire Dowie; Thatcher’s Women by Kay Adshead; and Superhoe by Nicôle Lecky.

Linked From mytheatremates.com at 01:00PM
Saturday, March 2, 2019

‘Only marginally entertaining’: SHIPWRECK – Almeida Theatre by Not Exactly Billington

Anne Washburn’s latest offering, Shipwreck, is a marathon play at the Almeida Theatre that takes direct aim at the Trump Administration.

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Friday, March 1, 2019

‘I am utterly beguiled’: AMERICAN IDIOT – Touring by Not Exactly Billington

Having seen the ways that people can come together in a crisis in the uplifting Come From Away last week, this week brought a more anarchic and nihilistic view of post-9/11 America from Amer…

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Tuesday, February 19, 2019

‘Surely this is the epitome of contemporary theatre’: THE UNRETURNING – Touring by Not Exactly Billington

Frantic Assembly’s production of Anna Jordan’s play The Unreturning about three different men returning from (or amidst) war is a startling delve into the pull and promise of home, and t…

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Thursday, February 14, 2019

‘Raises important issues about modern attitudes to love, sex & gender’: HOME, I’M DARLING – West End by Not Exactly Billington

How far would you go to achieve domestic perfection? What even is domestic perfection? Is our happiness shaped by or confounded by traditional gender roles? These are the questions Laura Wad…

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Wednesday, February 6, 2019

#ReadaPlayaWeek 2019 returns by Not Exactly Billington

For three years, #ReadaPlayaWeek was a, well, weekly feature of our blog. Starting out as a way to familiarise myself more with the canon, long-established and establishment writers were a r…

Linked From mytheatremates.com at 01:00PM
Tuesday, January 22, 2019

‘Extraordinary study of belief’: OUR LADY OF KIBEHO – Northampton by Not Exactly Billington

Katori Hall teams up once again with director James Dacre to present the extraordinary Our Lady of Kibeho, a study on belief that is at once universal and deeply personal, while also scrutin…

Linked From mytheatremates.com at 10:00AM
Saturday, January 5, 2019

‘Anaïs Mitchell has instigated something special’: HADESTOWN – National Theatre by Not Exactly Billington

Anaïs Mitchell has instigated something special, and I hope, and expect, Hadestown to evolve further throughout the years, as each new version creates its own musical and mythological tradi…

Linked From mytheatremates.com at 08:00AM

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2019-2020 BROADWAY SEASON
Oct 06: Slave Play
Feb 01: The Minutes
TBA: Blue