All stories by Rex Reed on BroadwayStars

Monday, December 19, 2016

In ‘Fences,’ Denzel Washington and Viola Davis Lead the Year’s Best Ensemble by Rex Reed

In this particularly dreary year of second-rate everything, 'Fences' is something special.

SOURCE: The New York Observer at 01:45PM
Thursday, December 15, 2016

Brilliant Ben Platt Elevates the Mediocre ‘Dear Evan Hansen’ by Rex Reed

It's Ben Platt who earns the affectionate audience responses, not the Evan Hansen created in the one-note, one-dimensional pop tunes.

SOURCE: The New York Observer at 03:15PM

Good-Intentioned but Overrated, ‘La La Land’ Reeks of Mothballs by Rex Reed

When it comes to the overpraised, overrated and disappointingly mediocre 'La La Land', I’m out on a limb with a saw in my hand.

SOURCE: The New York Observer at 03:02PM
Friday, December 9, 2016

‘A Bronx Tale’ Is a Surprising Delight, Guaranteed to Entertain by Rex Reed

'A Bronx Tale' on Broadway, with take-home tunes, a first-rate cast and lively choreography, clicks like a new Rolex.

SOURCE: The New York Observer at 12:48PM
Tuesday, November 22, 2016

‘Sweet Charity’ Revival, Starring Sutton Foster, Is Middling Mediocrity by Rex Reed

This new Off-Broadway revival of 'Sweet Charity' stars the brassy but lackluster Sutton Foster. Mediocre is its middle name.

SOURCE: The New York Observer at 12:03PM
Friday, November 18, 2016

‘Dead Poets Society’ Finds New Life Off Broadway by Rex Reed

The latest in a long line of dust-offs is the current production of 'Dead Poets Society' off Broadway.

SOURCE: The New York Observer at 10:29AM
Wednesday, November 9, 2016

With ‘Sweat’, Pulitzer Prize-Winner Lynn Nottage Hits Another Nerve by Rex Reed

Lynn Nottage's 'Sweat' is an evening of sobering, well-crafted food for thought.

SOURCE: The New York Observer at 11:00AM
Wednesday, November 2, 2016

‘Les Liaisons Dangereuses’ With Liev Schrieber Is Too Tame to Titillate by Rex Reed

I’ve seen excellent productions of Les Liaisons Dangereuses, including five movies. This is not one of them.

SOURCE: The New York Observer at 10:30AM
Wednesday, October 26, 2016

Stop the Presses: Old, Tired ‘The Front Page’ Limps Back to Broadway by Rex Reed

Broadway's 'The Front Page', with John Goodman and Nathan Lane, is directed with forced energy that makes it feel phony as a wooden nickel.

SOURCE: The New York Observer at 10:45AM

Not Much of ‘A Life:’ Adam Bock’s Off-Broadway Bore is Dead on Arrival by Rex Reed

'A Life' makes not one lick of sense. It’s only 85 minutes long with no intermission but seems like a week at hard labor.

SOURCE: The New York Observer at 10:33AM
Wednesday, October 12, 2016

The Irving Berlin Jukebox Musical ‘Holiday Inn’ is as Sweet as a Sugar Plum by Rex Reed

'Holiday Inn' is a nice, entertaining, totally derivative but heartfelt musical eggnog without much originality but plenty of energy.

SOURCE: The New York Observer at 11:00AM
Wednesday, October 5, 2016

All the Ways to Love ‘All the Ways to Say I Love You’ by Rex Reed

It’s always thrilling to watch veteran actress Judith Light wear one of the many masks of comedy and tragedy in the trunk of theatrical disguises she uses to enchant, mesmerize and grip he…

SOURCE: The New York Observer at 11:49AM
Wednesday, August 3, 2016

‘Five Nights in Maine’ Is Inconsequential, Despite the Superb Dianne Wiest by Rex Reed

A pair of superb central performances by Dianne Wiest and David Oyelowo bookmark 'Five Nights in Maine', a slight but poignant drama.

SOURCE: The New York Observer at 04:53PM
Wednesday, July 13, 2016

‘Equals’ Is a Sci-Fi Hat Tip to ‘Romeo and Juliet’ by Rex Reed

Drake Doremus’ new film Equals is a futuristic Romeo and Juliet knockoff set in a cold, dystopian society called The Collective.

SOURCE: The New York Observer at 03:30PM
Tuesday, July 5, 2016
Thursday, June 23, 2016
Tuesday, June 14, 2016
Wednesday, June 8, 2016

The Genius Behind ‘Genius’ by Rex Reed

Michael Grandage’s directorial debut focuses on the personal and professional relationship between legendary editor Maxwell Perkins and Thomas Wolfe.

SOURCE: The New York Observer at 10:14PM

Taking the Joy Out of Joyce by Rex Reed

'Himself and Nora' is an exercise in atonal somnambulism.

SOURCE: The New York Observer at 11:50AM
Thursday, June 2, 2016
Thursday, May 26, 2016

The Trials of Oscar Wilde by Rex Reed

A glorious new production of 'The Judas Kiss' runs through mid-June at the Brooklyn Academy of Music.

SOURCE: The New York Observer at 04:21PM
Wednesday, May 11, 2016

‘Waitress’ is a Blue Plate Disaster by Rex Reed

Rex Reed reviews the theater.

SOURCE: The New York Observer at 08:25PM
Thursday, May 5, 2016
Sunday, May 1, 2016
Friday, April 22, 2016
Thursday, April 14, 2016
Thursday, March 24, 2016

‘She Loves Me’ Is the Show of the Season by Rex Reed

Rex Reed's theater reviews.

SOURCE: The New York Observer at 10:42PM
Thursday, March 17, 2016
Wednesday, March 16, 2016
Thursday, March 10, 2016

Unlikely Pair: Two Plays About Sports That Are Quite Worth Seeing by Rex Reed

Rex Reed reviews 'Red Speedo' and 'The Royale.'

SOURCE: The New York Observer at 12:19PM
Thursday, March 3, 2016

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre