All stories by Richard Jordan on BroadwayStars

Wednesday, June 10, 2015

Richard Jordan: Why can’t the UK put on awards like the Tonys? by Richard Jordan

The 69th Tony Awards again demonstrated that, when it comes to producing an award show, America knows how to do it best.

SOURCE: The Stage Registration at 05:00AM
Friday, May 22, 2015

Richard Jordan: Put your trust in the material and you can successfully revive a flop by Richard Jordan

“Musicals do not get written – they get rewritten.” It’s a familiar expression in musical theatre production. But tinkering with a musical

SOURCE: The Stage Registration at 10:00AM
Tuesday, April 28, 2015

Richard Jordan: The National Theatre had the right idea with Tessa Ross, but the wrong person by Richard Jordan

The resignation of Tessa Ross as chief executive of the National Theatre has seen many directors declare that producing theatres should be

SOURCE: The Stage Registration at 04:00AM
Monday, April 13, 2015

Richard Jordan: How Sunny Afternoon triumphed against the odds at the Olivier Awards 2015 by Richard Jordan

They say lightning doesn’t strike twice but when it comes to the Olivier Awards, it certainly has seemed to. Watching the Oliviers as a kid growing up in

SOURCE: The Stage Registration at 09:21AM
Thursday, April 9, 2015

Richard Jordan: Do the 2015 Olivier Awards nominations really reflect London theatre? by Richard Jordan

More than ever, this year’s Olivier Award nominations reflect the change since the Society of London Theatre, and its strong commercial membership, reviewed

SOURCE: The Stage Registration at 05:00AM
Tuesday, March 24, 2015

Richard Jordan: Don’t let cast recordings become a thing of the past by Richard Jordan

I received a gift recently that seems incredibly rare in 2015: the new CD studio cast recording of a West End musical,

SOURCE: The Stage Registration at 05:00AM
Thursday, March 12, 2015

How to take your show around the world by Richard Jordan

The idea of getting your work performed internationally is an ambition held by many in theatre, but producing overseas is a complex

SOURCE: The Stage Registration at 10:00AM
Tuesday, February 24, 2015

Richard Jordan: We’re caught in the crossfire of class war by Richard Jordan

Recently the issue of class has featured heavily in the media’s entertainment reporting, especially surrounding the awards season. I started in the

SOURCE: The Stage Registration at 05:25AM
Tuesday, February 10, 2015

Mister Producer: Why aren’t we doing more to support supporting actors? by Richard Jordan

Over the past few weeks, I have seen some fantastic theatre productions that all share a crucial factor for their success: the work of their supporting actors. They are the glue behind any p…

SOURCE: The Stage Registration at 04:00AM
Tuesday, January 27, 2015

Mister Producer: Attacks on free speech threaten to dampen our appetite for risk by Richard Jordan

Question: how do you turn a lousy movie script into a multi-million dollar blockbuster? Answer: cast Tom Cruise in it. That’s a long-running joke around Hollywood. However, as these pa…

SOURCE: The Stage Registration at 04:00AM
Tuesday, January 13, 2015

Mister Producer: A culture of revivals endangers the future of new writing by Richard Jordan

In my last column I asked if 2014 had been one of the best years for play productions over the past decade. I believe that it was, and already underway in 2015 are West End…

SOURCE: The Stage Registration at 04:00AM
Wednesday, December 31, 2014

Mister Producer: The best shows of 2014, and what we can learn from the worst by Richard Jordan

Let’s face it, 2014 wasn’t a great year for British musicals. Stephen Ward and I Can’t Sing! both made undeserved early exits. The arrival of Made in Dagenham offers reassurance that t…

SOURCE: The Stage Registration at 07:00AM
Tuesday, December 16, 2014

Mister Producer: Craig Ferguson bows out of CBS’ The Late Late Show by Richard Jordan

It’s a question you hear a lot over the festive season: what happened to…? A few weeks ago a UK colleague asked me if I knew whatever happened to Scottish actor and comedian Craig Fe…

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Tuesday, December 2, 2014

Mister Producer: Why don’t we have a National Musical Theatre? by Richard Jordan

Why do musicals often get treated as second-class citizens in the theatre industry? South Pacific, Next to Normal, Urinetown – these shows fearlessly tackle issues such as race, toleran…

SOURCE: The Stage Registration at 04:00AM
Tuesday, November 18, 2014

Mister Producer: Here’s what Simon Cowell can teach you about promoting your next show by Richard Jordan

For the many thousands of pounds often spent on marketing and press for a production, one has to admire Shakespeare’s Globe for its recent coup. Posters for its production of John Ford…

SOURCE: The Stage Registration at 04:00AM
Tuesday, November 4, 2014

Mister Producer: A salute to small theatres with the guts to stage work about big issues by Richard Jordan

I love the fact that theatre can blindside you on an idle Wednesday afternoon. I found myself at the Bush Theatre a couple of weeks ago watching Chris Thompson’s new play Albion, for …

SOURCE: The Stage Registration at 04:00AM
Tuesday, October 21, 2014

Mister Producer: Should theatres adopt the film classification system? by Richard Jordan

British readers may not be aware of US-style TV drug advertising. These pharmaceutical promotions invariably come with the sort of rapidly-spoken disclaimers you might recognise from financi…

SOURCE: The Stage Registration at 04:00AM
Tuesday, October 7, 2014

Mister Producer: Have critics been brainwashed into praising Lindsay Lohan’s Speed-the-Plow performance? by Richard Jordan

After weeks of speculation in the media about Lindsay Lohan’s impending disaster in David Mamet’s Speed-the-Plow, the production opened last week at London’s Playhouse Theatr…

SOURCE: The Stage Registration at 04:00AM
Tuesday, September 23, 2014

Mister Producer: Paines Plough’s pop-up Roundabout theatre revives the spirit of the RSC’s mobile auditorium by Richard Jordan

Regular readers of this column will know I grew up in Norwich where I discovered my interest in the theatre attending performances at the Norwich Theatre Royal, Arts Centre and Playhouse. Th…

SOURCE: The Stage Registration at 06:40AM
Tuesday, September 9, 2014

Mister Producer: The death of listings is a worry for fringe theatre by Richard Jordan

Every evening, lights are going down in theatres and different audiences are all having unique and individual experiences watching performances. It’s a thrilling idea, and to choose which …

SOURCE: The Stage Registration at 04:00AM
Tuesday, August 26, 2014

Mister Producer: A culture of abandonment will rob us of great theatre by Richard Jordan

We live in a society increasingly driven by a cycle: consume, discard, repeat. And while this consumerism is usually applied to material things, it risks spreading into theatre too, potentia…

SOURCE: The Stage Registration at 12:43PM
Tuesday, August 19, 2014

Mister Producer: What starts in Edinburgh today becomes its legacy tomorrow by Richard Jordan

There is an underpass called Potterrow by Bristo Square in Edinburgh. When asked what has been one of my defining moments of this year’s Edinburgh Fringe it’s walking through this underp…

SOURCE: The Stage Registration at 11:20AM
Wednesday, August 6, 2014

Mister Producer: Holding Israeli artists to account for their government is absurd by Richard Jordan

Before August 1, 2014, few people had heard of The City. It was simply one of 2,700+ Edinburgh Fringe shows, a non-political musical theatre production playing at the Underbelly. Today, it h…

SOURCE: The Stage Registration at 08:34AM
Tuesday, July 29, 2014

Mister Producer: Let’s not bash musical comebacks by Richard Jordan

Last June, my colleague Mark Shenton wrote a blog about the return of the new production of Les Miserables to Broadway. One reader responded to his article: How sad that with all of the reso…

SOURCE: The Stage Registration at 12:37PM
Wednesday, July 23, 2014

Mister Producer: Towards a greater artistic accessibility? by Richard Jordan

“When was the last time you met a new play that was so smart it made your head spin? Not in years, huh? Well, get ready to reel, New York. Anne Washburn’s downright brilliant “Mr&#…

SOURCE: The Stage Registration at 04:00AM
Tuesday, July 8, 2014

Mister Producer: Lindsay Lohan – the new Madonna, or a gimmick? by Richard Jordan

So it’s official: Lindsay Lohan will be the latest US film star treading the West End boards at the Playhouse Theatre in David Mamet’s Speed the Plow this autumn. The last big US…

SOURCE: The Stage Registration at 04:00AM
Tuesday, June 17, 2014

Mister Producer: Michael White: the last of the impresarios by Richard Jordan

“The most famous man nobody has ever heard of”. That’s the description given to legendary theatre and film producer Michael White in Gracie Otto’s moving and affectiona…

SOURCE: The Stage Registration at 11:01AM
Tuesday, June 3, 2014

Mister Producer: Tony Awards: will the underdog win? by Richard Jordan

In October last year, the Tony Award’s focus was centred upon four new musicals: Bullets Over Broadway, based on the Woody Allen movie directed by Susan Stroman; Rocky, adapted from the Sy…

SOURCE: The Stage Registration at 08:14AM
Wednesday, May 21, 2014

Mister Producer: Ushers: the smartest people in the room by Richard Jordan

Who are the most important people in the theatre? The actor and the writer are obvious answers, but a close third, alongside the backstage team that run the production, are the ushers, yet t…

SOURCE: The Stage Registration at 05:53AM
Tuesday, May 6, 2014

Mister Producer: Lessons to learn from X-Factor musical’s flop by Richard Jordan

This week’s closure of I Can’t Sing, the X-Factor musical, makes it one of the biggest failures in West End history. As the most anticipated new musical of the season, its rapid …

SOURCE: The Stage Registration at 05:52AM
Tuesday, April 22, 2014

Mister Producer: Look to the future: what theatre can learn from movie awards by Richard Jordan

If there is ever any argument as to whether, in 2014, cinemas are still necessary, the BAFTA and Oscar multi-award winning feature Gravity demonstrates why they most definitely are. Here is …

SOURCE: The Stage Registration at 09:32AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre