All stories by Richard Jordan on BroadwayStars

Friday, February 19, 2016

Richard Jordan: Why having a good programme bio could be more important than a CV by Richard Jordan

“Ignored and unthanked and uncredited washing other people’s gussets; it’s like a career in all the very worst bits of being married.

SOURCE: The Stage Registration at 06:07AM
Friday, February 5, 2016

Richard Jordan: Nicholas Lloyd Webber is a chip off the old block by Richard Jordan

Forty-eight years ago, a composing duo called Andrew Lloyd Webber and Tim Rice premiered a short musical called Joseph and the Amazing Technicolor Dreamcoat at

SOURCE: The Stage Registration at 02:00AM
Friday, January 29, 2016

Richard Jordan: Can Lazarus live up to the hype in a post-Bowie world? by Richard Jordan

Since David Bowie’s death on January 10, Lazarus, the David Bowie, Enda Walsh and Ivo van Hove musical creation, has become the most talked about

SOURCE: The Stage Registration at 02:00AM
Tuesday, January 19, 2016

Richard Jordan: Are we protecting theatres from terrorists or just slowly putting them out of business? by Richard Jordan

There is perhaps something now sadly reflective – if not heart-breaking – in the winking marquee above An American in Paris at Broadway’s Palace Theatre in

SOURCE: The Stage Registration at 02:00AM
Tuesday, January 12, 2016

Richard Jordan: Teleprompters and earpieces are changing theatre, and not necessarily for the better by Richard Jordan

Car crash theatre. That’s how a colleague described Al Pacino’s return to the Broadway stage in David Mamet’s new play, China Doll. For

SOURCE: The Stage Registration at 02:00AM
Tuesday, January 5, 2016

Richard Jordan’s 2016 theatre calendar by Richard Jordan

Happy new year and hello 2016 – From Shakespeare to Lloyd Webber, Chekhov to a crazy puppet, 2016 promises to be a

SOURCE: The Stage Registration at 02:00AM
Tuesday, December 22, 2015

Richard Jordan: My theatre highlights of 2015 by Richard Jordan

My year in theatre fittingly began and ended with two musicals: the first a revival of Assassins at the Menier Chocolate Factory; the last, Wonder.land at the National that

SOURCE: The Stage Registration at 02:00AM
Friday, December 18, 2015

Richard Jordan: Are stars still being born in theatre? by Richard Jordan

A star is born. This age-old theatrical expression has become a bit hackneyed, though its essence – the idea of someone being

SOURCE: The Stage Registration at 02:00AM
Friday, December 11, 2015

Richard Jordan: Lloyd Webber’s a savvy operator and School of Rock is the proof by Richard Jordan

There is a lot riding on Andrew Lloyd Webber’s School of Rock, the musical that premiered on Broadway this week, based on the

SOURCE: The Stage Registration at 12:02PM
Friday, December 4, 2015

Richard Jordan: Don’t let TV box theatre in by Richard Jordan

Theatres must be run as businesses. That was the driving message in last month’s BBC series of 30-minute documentaries about UK theatre.

SOURCE: The Stage Registration at 02:00AM
Friday, November 27, 2015

Richard Jordan: No one should have to live in fear of going to the theatre by Richard Jordan

In the past week, I experienced the first time I have ever been to the theatre and thought about my safety while

SOURCE: The Stage Registration at 02:40AM
Friday, November 20, 2015

Richard Jordan: Company residencies aren’t the only model for producing commercial West End theatre by Richard Jordan

The West End has changed significantly in the past two decades. Now, only four West End theatres are independent theatres, rather than

SOURCE: The Stage Registration at 02:00AM
Friday, November 13, 2015

Richard Jordan: We have a collective responsibility to prepare artists for celebrity by Richard Jordan

Last week, Asif Kapadia’s compelling documentary Amy – about singer Amy Winehouse – was released on DVD. It’s a disturbing and difficult two hours charting the singer’s

SOURCE: The Stage Registration at 02:00AM
Friday, November 6, 2015

Richard Jordan: Was Cumberbatch right to use the curtain call as a soapbox? by Richard Jordan

At the curtain call of Hamlet at the Barbican Centre, on the eve of ending its run, Benedict Cumberbatch made his nightly heartfelt speech about

SOURCE: The Stage Registration at 02:00AM
Tuesday, October 27, 2015

Richard Jordan: Why don’t theatres hold open days? by Richard Jordan

A few weeks ago, I talked to a group of theatre students about theatre producing. I asked them who their favourite playwrights

SOURCE: The Stage Registration at 05:00AM
Friday, October 16, 2015

Richard Jordan: What hope is there for modern works to become timeless? by Richard Jordan

This year marks the 125th anniversary of Hedda Gabler. During his writing career, its playwright, Henrik Ibsen, hung a portrait of August

SOURCE: The Stage Registration at 03:00AM
Thursday, October 8, 2015

Richard Jordan: How a transfer can change a work for the better – and worse by Richard Jordan

In the same week in September, two very different transfers of productions opened in London: at the Adelphi Theatre, the Broadway Tony

SOURCE: The Stage Registration at 04:00AM
Wednesday, September 30, 2015

Richard Jordan: Can hype damage artistic development? by Richard Jordan

I recently watched Ivo van Hove’s Song From Far Away at the Young Vic – a solo work directed with a gentle

SOURCE: The Stage Registration at 04:00AM
Wednesday, September 23, 2015

Richard Jordan: Shining a light on its heroes boosts an art form’s profile, but at what cost? by Richard Jordan

One production that has been making a lot of noise recently is performance artist Bryony Kimmings’ Fake It ‘Til You Make It, created with her partner Tim Grayburn, explori…

SOURCE: The Stage Registration at 04:00AM
Wednesday, September 16, 2015

Richard Jordan: Is there still such a thing as a cult theatre show? by Richard Jordan

On September 17, Richard O’Brien’s The Rocky Horror Show – widely considered the ultimate cult musical – will celebrate the 40th anniversary

SOURCE: The Stage Registration at 04:00AM
Thursday, September 10, 2015

Richard Jordan: Where has all the Edinburgh media coverage gone? by Richard Jordan

The question to be asked in the aftermath of this year’s Edinburgh Festival Fringe and Edinburgh International Festival post-mortem is: did realigning

SOURCE: The Stage Registration at 01:00PM
Wednesday, September 2, 2015

Richard Jordan: The situation is critical for Edinburgh Fringe reviews by Richard Jordan

The question to be asked during this year’s Edinburgh Festival Fringe and International Festival post-mortem is: did realigning the dates work? Up

SOURCE: The Stage Registration at 04:00AM
Wednesday, August 26, 2015

Richard Jordan: Edinburgh is risking its comedy reputation by becoming just another tour date by Richard Jordan

More than a third – 34% – of the Edinburgh Fringe 2015 programme is comedy – the largest of any section. This has

SOURCE: The Stage Registration at 04:00AM
Wednesday, August 19, 2015

Richard Jordan: Cabaret in Edinburgh is going from strength to strength by Richard Jordan

A welcome addition to the Edinburgh Fringe has been the continued growth of cabaret, so much so that it has, for the

SOURCE: The Stage Registration at 04:00AM
Thursday, August 13, 2015

Richard Jordan: Have playwrights become marginalised at Edinburgh? by Richard Jordan

It used to be a traditional Edinburgh ritual to read the fringe programme and count how many productions of Steven Berkoff and

SOURCE: The Stage Registration at 01:00PM
Friday, August 7, 2015

Richard Jordan: Don’t knock solo shows in Edinburgh (or elsewhere) by Richard Jordan

A couple of months ago at The Globe’s Sam Wanamaker Theatre, something historic happened which went almost entirely unreported. After more 30

SOURCE: The Stage Registration at 05:00AM
Tuesday, July 21, 2015

Richard Jordan: Mobile phone rage? Pull the other one, it’s got bells on by Richard Jordan

We’ve all done it: had a busy day, got to the theatre in the evening and realised the phone battery has died.

SOURCE: The Stage Registration at 03:00AM
Thursday, July 9, 2015

Richard Jordan: Censorship by media spells a dark week for the arts by Richard Jordan

It’s been some time since a theatre production made the front page of a daily newspaper but one week ago the London Evening Standard ran a

SOURCE: The Stage Registration at 08:00AM
Friday, July 3, 2015

Richard Jordan: There’s a big difference between good acting and great acting by Richard Jordan

It takes something special to make a show truly memorable. You can tell at the time – there’s a spine-tingling, gripping and unforgettable

SOURCE: The Stage Registration at 04:00AM
Monday, June 22, 2015

Richard Jordan: ‘Lost’ work needs to be treated with due respect by Richard Jordan

Broadway can be a brutal place to produce a show. One day you are sitting on top of a few Tony nominations

SOURCE: The Stage Registration at 05:00AM
Wednesday, June 10, 2015

Richard Jordan: Why can’t the UK put on awards like the Tonys? by Richard Jordan

The 69th Tony Awards again demonstrated that, when it comes to producing an award show, America knows how to do it best.

SOURCE: The Stage Registration at 05:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre