All stories by Sarah L. Kaufman on BroadwayStars

Monday, July 6, 2020

Some day, we’ll hit the dance floor again. And it will be glorious. by Sarah L. Kaufman

The joy of social dancing is now tempered by the fear of contagion.

Linked From Washington Post at 06:24AM
Wednesday, July 1, 2020
Monday, June 22, 2020

The future of the performing arts is digital. Marquee TV has a major head start. by Sarah L. Kaufman

To survive this pandemic and beyond, dance, theater and opera need to get online fast, according to the new streaming platform for the arts.

Linked From Washington Post at 08:06AM
Friday, June 5, 2020

The George Floyd protest dance that went viral by Sarah L. Kaufman

Krumper’s in-your-face stomping forges an unlikely connection with the LAPD.

Linked From Washington Post at 12:32PM
Wednesday, May 27, 2020

How Natalia Makarova changed the ballet world with this landmark production by Sarah L. Kaufman

“It was exhausting,” the Russian ballerina recalls of her overhaul of “La Bayadere” for ABT in 1980.

Linked From Washington Post at 12:48PM
Monday, May 11, 2020

Inside one of the few places where dancers still perform, founded by a glamorous disco impresario by Sarah L. Kaufman

In southern India, a commune devoted to Odissi dance keeps a 2,000-year-old art alive despite the pandemic.

Linked From Washington Post at 07:54AM
Tuesday, May 5, 2020

Camels, monkeys and lions at the ballet: Marius Petipa was just getting started by Sarah L. Kaufman

A new documentary explores the savvy showman behind the art form’s most famous choreographer

Linked From Washington Post at 07:32AM
Wednesday, April 29, 2020

In ballet, conductors are the dancers’ guardian angels by Sarah L. Kaufman

“The dancer’s fate is in the hands of the conductor,” one ballerina says of the hidden heroes of the art form.

Linked From Washington Post at 08:03AM
Wednesday, April 22, 2020

The first great Zoom music video has arrived by Sarah L. Kaufman

How the band Thao and the Get Down Stay Down created “Phenom,” helping us get down while staying home.

Linked From Washington Post at 12:24PM

4 ways to reconnect with dance, theater, opera — and joy — during your self-quarantine by Sarah L. Kaufman

These digital outlets offer the joys of organized, musical humanity.

Linked From Washington Post at 11:18AM
Tuesday, April 14, 2020

Mark Morris, one of the world’s leading choreographers, takes dance to Zoom by Sarah L. Kaufman

The dancemaker retools himself as a filmmaker as his dancers rehearse in their hallways, making entrances and exits through bathroom doors.

Linked From Washington Post at 09:32AM
Tuesday, March 24, 2020

How dancers cope when they can’t dance: They improvise by Sarah L. Kaufman

The magical properties of a ramen spoon, a tennis ball and a yoga mat.

Linked From Washington Post at 07:42AM
Friday, March 6, 2020

Martha Graham dancers are marvelous, but the message is mixed in Kennedy Center program by Sarah L. Kaufman

In “EVE Project,” the empowerment theme would have been better served by focusing on choreographer’s very best works.

Linked From Washington Post at 03:24PM
Friday, February 21, 2020

This ballerina played the role of a stripper, and she owned it by Sarah L. Kaufman

Washington Ballet’s Sona Kharatian creates an indelible, sophisticated character in Balanchine’s “Slaughter on Tenth Avenue.”

Linked From Washington Post at 03:42PM

Hervé Koubi was raised to keep quiet about the past. His dances tell a different story. by Sarah L. Kaufman

The French Algerian choreographer takes on toxic masculinity and gender cliches in “Boys Don’t Cry,” coming to Dance Place on Feb. 29 and March 1.

Linked From Washington Post at 08:42AM
Wednesday, February 12, 2020

A ‘Giselle’ that whirls with unusual lyricism by Sarah L. Kaufman

At the Kennedy Center, Hee Seo shines in American Ballet Theatre’s production.

Linked From Washington Post at 03:54PM
Thursday, February 6, 2020

Ballet dancers have weird and quirky pre-show rituals that would put any sports star to shame by Sarah L. Kaufman

“Anything to avoid the thought of the 3,000 people,” says one dancer, explaining why superstitions persist backstage.

Linked From Washington Post at 08:03AM
Wednesday, February 5, 2020

The tragic beauty of Alvin Ailey’s politically charged dance programs by Sarah L. Kaufman

Jamar Roberts’s “Ode” somehow manages to show the depth of loss to gun violence, as well as communal unity.

Linked From Washington Post at 05:54PM
Monday, February 3, 2020

J-Lo and Shakira shake off boundaries, put on a ferocious master dance class at the Super Bowl by Sarah L. Kaufman

Our dance critic reviews the pop stars’ dazzling halftime performance.

Linked From Washington Post at 11:18AM
Friday, January 31, 2020

National Ballet of Canada gets it right: In ‘The Sleeping Beauty,’ it’s what’s inside that counts by Sarah L. Kaufman

Rudolf Nureyev’s opulent and deeply moving production dazzles at the Kennedy Center.

Linked From Washington Post at 02:12PM
Wednesday, January 29, 2020

National Ballet of Canada dazzles with exhilarating energy at the Kennedy Center by Sarah L. Kaufman

Mixed bill includes Ratmansky’s meditation on Soviet society, “Piano Concerto #1,” the finale of his Shostakovich Trilogy.

Linked From Washington Post at 03:54PM
Thursday, January 23, 2020

A ‘Swan Lake’ with echoes of ‘The Crown’ at the Kennedy Center by Sarah L. Kaufman

Matthew Bourne’s Windsor-inspired take on the classic ballet returns, with a snarling corgi, cellphones and all the thunderous, shirtless male swans of his 1995 original.

Linked From Washington Post at 03:36PM
Tuesday, December 10, 2019

Storytelling is the key ingredient in the year’s best dance works by Sarah L. Kaufman

Works by Mark Morris, Pam Tanowitz, Monica Bill Barnes and more.

Linked From Washington Post at 08:42AM
Friday, November 22, 2019

Cheap wine and cheese puffs are only the beginning of this ‘Happy Hour’ by Sarah L. Kaufman

Monica Bill Barnes & Company performance is part dance performance, part vaudeville act.

Linked From Washington Post at 04:33PM
Friday, October 25, 2019

Washington Ballet opens its new season with three eye-catching, yet incomplete premieres by Sarah L. Kaufman

The company performs new works by Jessica Lang, Annabelle Lopez Ochoa and John Heginbotham at Harman Hall.

Linked From Washington Post at 03:03PM
Friday, October 18, 2019

Janet Jackson hired her as a backup dancer. Instagram made her a star. by Sarah L. Kaufman

How teenagers Kidathegreat, Kaycee Rice, Taylor Hatala and others are changing how we see and think about dance in the digital age.

Linked From Washington Post at 02:48PM

Touring with a star used to be a dancer’s dream. Now it’s all about getting social media followers. by Sarah L. Kaufman

How teenagers Kidathegreat, Kaycee Rice, Taylor Hatala and others are changing how we see and think about dance in the digital age.

Linked From Washington Post at 10:33AM
Thursday, October 10, 2019

Parents, you’re enrolling your little ones in the wrong kind of dance class by Sarah L. Kaufman

The best choice? A box of scarves. And no rules.

Linked From Washington Post at 02:42PM
Wednesday, October 9, 2019

Mariinsky Ballet’s ‘Paquita’: Glittering dancing but a skimpy story by Sarah L. Kaufman

Viktoria Tereshkina dazzles in the three-hour ballet, yet its plot doesn’t merit such a long exploration.

Linked From Washington Post at 06:36PM
Friday, October 4, 2019

‘Merce Cunningham at 100’: Beautiful but missing a spark by Sarah L. Kaufman

Compagnie Centre National de Danse Contemporaine performs “Beach Birds” and “BIPED” at the Kennedy Center.

Linked From Washington Post at 07:03PM
Friday, September 27, 2019

The crazy, joyful, uninhibited moves of the choreographer who is changing how we see dance by Sarah L. Kaufman

Ryan Heffington, who created the moves in “Chandelier” and the “Transparent” musical finale, wants to shake your world. And you.

Linked From Washington Post at 10:06AM

All that Chat

2019-2020 BROADWAY SEASON
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Feb 01: The Minutes
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