Philly Fringe 2016 review: Wild Plum Productions’s ‘Say No More’ by Toby Zinman

A tiny, overlooked Strindberg drama with just one speaking character gets a reworking from Wild Plum Productions. Toby Zinman reviews.

Selections from the Philadelphia Women’s Theatre Festival by Toby Zinman

Toby Zinman reviews selections from the Philadelphia Women's Theatre Festival, which provided four days of new work by and about women.

Review: BREWERS FAYRE by Toby Zinman

Review: HILLARY AND CLINTON by Toby Zinman

Review: 36 VIEWS by Toby Zinman

Review: THE PLOUGH AND THE STARS by Toby Zinman

Review: UNDERGROUND RAILROAD GAME by Toby Zinman

Review: THE BALLAD OF TRAYVON MARTIN by Toby Zinman

Review: SEE WHAT I WANNA SEE by Toby Zinman

Review: THE RADICALISATION OF BRADLEY MANNING by Toby Zinman

Review: I WILL NOT GO GENTLY by Toby Zinman

Review: O MONSTERS by Toby Zinman

Review: MACHINAL by Toby Zinman

New York Review: THE CRUCIBLE by Toby Zinman

PIFA review: THE WONG STREET JOURNAL by Toby Zinman

Review: SEX WITH STRANGERS by Toby Zinman

Review: HE WHO GETS SLAPPED by Toby Zinman

Review: AN OCTOROON by Toby Zinman

New York Review: ECLIPSED by Toby Zinman

Review: AS YOU LIKE IT by Toby Zinman

Review: SMOKE by Toby Zinman

New York Review: PRODIGAL SON by Toby Zinman

Review: SPINE by Toby Zinman

Review: THE SISTERHOOD by Toby Zinman

Review: THE GOVERNMENT INSPECTOR by Toby Zinman

NY Review: SENSE AND SENSIBILITY by Toby Zinman

Review: EXIT STRATEGY by Toby Zinman

Review: HARVEY by Toby Zinman

Review: OSCAR WILDE: FROM THE DEPTHS by Toby Zinman

Review: THE PIANO LESSON by Toby Zinman

Review: A MOON FOR THE MISBEGOTTEN by Toby Zinman