All stories by Tom Wicker on BroadwayStars

Monday, March 16, 2020

Actor Jonathan Slinger: ‘I still feel like a bit of an interloper in musical theatre’ by Tom Wicker

Eminent Shakespearean actor Jonathan Slinger has taken on some of the playwright’s weightiest roles, from Hamlet to Richard III. He talks to

SOURCE: The Stage Registration at 05:00AM
Friday, February 7, 2020

Movement director EJ Boyle: ‘When creating choreography, the steps are the last thing I do’ by Tom Wicker

With credits including the National Theatre’s Exit the King and Netflix series The Crown, as well as two shows now in the

SOURCE: The Stage Registration at 09:00AM
Tuesday, December 3, 2019

Theatremaker David Cumming: ‘I’ve always had a strong voice, now I’m branching out’ by Tom Wicker

Everything is coming together at the same time for in-demand performer and theatremaker David Cumming. Tom Wicker talks to him about developing

SOURCE: The Stage Registration at 06:33AM
Thursday, November 28, 2019

Actor Carly Mercedes Dyer: ‘Our West Side Story is shining a light on what’s happening today’ by Tom Wicker

After cutting her teeth on big West End shows such as Dreamgirls and Memphis the Musical, Carly Mercedes Dyer wanted to step

SOURCE: The Stage Registration at 12:20PM
Monday, October 21, 2019

Inside London’s new Boulevard Theatre: ‘Soho is everything: creative, provocative and international’ by Tom Wicker

A new theatre is opening in Soho this week, the brainchild of Fawn James, granddaughter of Paul Raymond, and a dream realised

SOURCE: The Stage Registration at 12:06PM
Monday, September 16, 2019

Alex Kingston: ‘I don’t want to play King Lear – let’s create new heavy hitting roles for women’ by Tom Wicker

Doctor Who and ER star Alex Kingston tells Tom Wicker about struggling to get into the ‘closed’ New York theatre scene, never

SOURCE: The Stage Registration at 10:00AM
Tuesday, August 20, 2019

Playwright Branden Jacobs-Jenkins: ‘The secret to writing? Read everything – even if you hate it’ by Tom Wicker

Pulitzer Prize finalist Branden Jacobs-Jenkins speaks to Tom Wicker about mourning Toni Morrison, his love for London and how his play Appropriate

SOURCE: The Stage Registration at 03:00AM
Tuesday, June 18, 2019

Actor Marina Sirtis: ‘You know you’re an icon when the drag queens start doing you’ by Tom Wicker

The Star Trek actor – originally from Hackney – is returning to the UK stage in a play about a former TV

SOURCE: The Stage Registration at 03:00AM
Wednesday, May 22, 2019

Climate change: can theatre help tackle the greatest threat of all? by Tom Wicker

Angry protests have led to a greater urgency over our collective response to global warming. Industry figures tell Tom Wicker what theatre

SOURCE: The Stage Registration at 07:01PM
Tuesday, March 19, 2019

Into the Woods writer James Lapine: ‘Creating a road-trip musical like Little Miss Sunshine was a fun challenge’ by Tom Wicker

Creating a musical is a little like sex, according to Tony award-winning writer and director James Lapine, possibly with his tongue in

SOURCE: The Stage Registration at 04:00AM
Wednesday, October 3, 2018

Eileen Atkins: ‘I don’t like filming, I went into the business for theatre’ by Tom Wicker

At 84, grande dame of the stage Eileen Atkins continues to seek out challenging roles in the theatre, with the latest in

SOURCE: The Stage Registration at 03:00AM
Tuesday, August 14, 2018

Director Michael Boyd and designer Tom Piper reveal the secrets of their long-running creative partnership by Tom Wicker

For more than two decades, director Michael Boyd and designer Tom Piper have worked together on a series of audacious, award-winning productions.

SOURCE: The Stage Registration at 03:33AM
Tuesday, April 10, 2018

Women in circus: ‘It’s about sisterhood and about pushing your female wildness’ by Tom Wicker

This year marks the 250th anniversary of the first modern circus, but the contribution of many female performers has been written out

SOURCE: The Stage Registration at 08:26AM
Friday, March 23, 2018

Frankenstein review at Battersea Arts Centre, London – ‘a brilliant beatbox reimagining’ by Tom Wicker

It starts with a breath, a beat and a vein pulsing in the neck. And then the ensemble for BAC Beatbox Academy’s

SOURCE: The Stage Registration at 06:09AM
Monday, March 19, 2018

Vivaldi’s The Four Seasons – A Reimagining review at Sam Wanamaker Playhouse – ‘beautiful and engrossing’ by Tom Wicker

Imagine. That’s basically the edict of the Sam Wanamaker Playhouse, with its candlelit lack of modern technology. The best shows in the

SOURCE: The Stage Registration at 06:52AM
Thursday, March 15, 2018

Acceptance review at Hampstead Theatre Downstairs – ‘relevant, but heavy-handed’ by Tom Wicker

After directing the mediocre Dry Powder on Hampstead Theatre’s main stage earlier this year, Anna Ledwich heads downstairs to helm this weightier

SOURCE: The Stage Registration at 09:58AM
Thursday, March 8, 2018

The Duchess of Malfi review at Swan Theatre, Stratford-upon-Avon – ‘Gut wrenching but unsteady’ by Tom Wicker

By the end of this production of John Webster’s Jacobean tragedy, The Duchess of Malfi, the stage is swamped in blood. Initially

SOURCE: The Stage Registration at 06:55PM
Tuesday, February 27, 2018

Garry Robson: ‘Disabled performers are doing great things – there are real stars now’ by Tom Wicker

Performing in Ramps on the Moon’s revival of Our Country’s Good, Garry Robson is a passionate advocate for disabled performers and theatremakers.

SOURCE: The Stage Registration at 09:13AM
Tuesday, February 20, 2018

Playwright Stephen Beresford: ‘I went from zero to main stage. It was a fast lesson’ by Tom Wicker

After a ‘semi-feral’ childhood in Dartmouth, Stephen Beresford has never been one for the rule book. He bypassed fringe venues and in

SOURCE: The Stage Registration at 07:30AM
Friday, February 16, 2018

The Shadow Factory review at NST City, Southampton – ‘a new state-of-the-art space’ by Tom Wicker

Nuffield Southampton Theatres opens NST City, its second, state-of-the-art venue in the heart of the city’s regenerated cultural quarter, with The Shadow

SOURCE: The Stage Registration at 05:23AM
Friday, February 2, 2018

Dry Powder review at Hampstead Theatre, London – ‘Hayley Atwell stars in a so-so satire’ by Tom Wicker

Since starring in 2013’s The Pride, Hayley Atwell has become one of the best things about the all-conquering Marvel Cinematic Universe, as

SOURCE: The Stage Registration at 04:47AM
Thursday, January 18, 2018

All’s Well That Ends Well review at Sam Wanamaker Playhouse, London – ‘blisteringly good’ by Tom Wicker

How do you tackle a Shakespeare play that people consider a problem? One answer, at least for the Globe’s outgoing artistic director

SOURCE: The Stage Registration at 04:58AM
Wednesday, January 17, 2018

A Passage to India review at Royal and Derngate Theatre, Northampton – ‘an evocative adaptation’ by Tom Wicker

When it was published in 1924, EM Forster’s A Passage to India was provocative. Now, its metaphysical musings about existence feel naive

SOURCE: The Stage Registration at 05:47AM
Tuesday, December 19, 2017

Pearl Mackie: ‘People might not know I’ve done lots of theatre before, Doctor Who was the anomaly for me’ by Tom Wicker

Pearl Mackie, who played the first openly gay Doctor Who companion, will be returning to theatre in Harold Pinter’s The Birthday Party.

SOURCE: The Stage Registration at 12:00PM
Friday, December 15, 2017

Beans review at Canal Cafe Theatre, London – ‘a wry, spry adult panto’ by Tom Wicker

This wry, spry little adult panto in the upstairs space of the Canal Cafe Theatre is a refreshing antidote to the sugary

SOURCE: The Stage Registration at 08:37AM
Wednesday, December 13, 2017

The Twilight Zone review at Almeida Theatre, London – ‘a loving pastiche’ by Tom Wicker

Everyone remembers that distinctive off-kilter pattern of notes. You’ve probably hummed them when something strange happens. That oscillating tinkle has become a

SOURCE: The Stage Registration at 06:59AM
Tuesday, December 12, 2017

Misalliance review at Orange Tree Theatre, London – ‘an entertaining revival’ by Tom Wicker

The Orange Tree Theatre isn’t doing an explicitly Christmas show this year, but there’s definitely something of the panto about Misalliance, which

SOURCE: The Stage Registration at 06:00AM
Friday, December 8, 2017

Cell Mates review at Hampstead Theatre, London – ‘fitfully enjoyable’ by Tom Wicker

Over time, Simon Gray’s Cell Mates has become most famous as the play Stephen Fry disappeared from during its West End run

SOURCE: The Stage Registration at 04:34AM
Wednesday, December 6, 2017

A Christmas Carol review at Royal Shakespeare Theatre, Stratford-upon-Avon – ‘intelligent and inventive’ by Tom Wicker

David Edgar’s adaptation of A Christmas Carol is a tale of two men: Ebenezer Scrooge and Charles Dickens. It opens on the

SOURCE: The Stage Registration at 06:41PM
Monday, November 27, 2017

Goats director Hamish Pirie: ‘I’m drawn to plays that are messy, odd and weird’ by Tom Wicker

Hamish Pirie’s latest production for the Royal Court, which examines life in Syria, features real goats, but the director has no fear

SOURCE: The Stage Registration at 07:30AM
Tuesday, November 7, 2017

Poison review at Orange Tree Theatre, London – ‘quietly unflinching’ by Tom Wicker

Bereaved, divorced parents She and He meet at the cemetery in which their son is buried. He’s received a letter about toxic

SOURCE: The Stage Registration at 05:58AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards