Wednesday, November 14, 2018
'I hope for better stories than these': Tracey Sinclair writes on the prevalence of violence against women as plot device in her review of She Production's devised play.
The post It’s …
SOURCE: exeuntmagazine.com at 07:49AMThursday, November 8, 2018
'Shiny baubles': Tracey Sinclair reviews Elayce Ismail's production of Dylan Thomas's radio play.
The post Review: Under Milk Wood at Northern Stage, Newcastle appeared first on Exeunt Magaz…
SOURCE: exeuntmagazine.com at 03:23AMMonday, October 29, 2018
As his first play since taking over at Live Theatre opens, the artistic director tells Tracey Sinclair about his plans for building
SOURCE: The Stage Registration at 10:20AMWednesday, October 24, 2018
Live Theatre’s artistic director Joe Douglas makes his directorial debut for the company with Clear White Light, Paul Sirett’s contemporary take on
SOURCE: The Stage Registration at 08:36AMThursday, October 18, 2018
Visions of the future: Unlimited Theatre and RashDash collaborate on a whirlwind of speculative scenarios on technology and the body.
The post Review: Future Bodies at Northern Stage, Newcas…
SOURCE: exeuntmagazine.com at 08:10AMThursday, October 11, 2018
A mountain of a man? Tracey Sinclair writes on the nuanced performances in the touring production of Katori Hall's play.
The post Review: The Mountaintop at Northern Stage appeared first on …
SOURCE: exeuntmagazine.com at 11:03AMWednesday, October 10, 2018
Loss of innocence: Tracey Sinclair reviews the first stage adaptation of Alice Sebold's novel.
The post Review: The Lovely Bones at Northern Stage appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 07:22AMSaturday, October 6, 2018
An energetic mash up of theatre and live gig, Nina Berry’s Fans is an insightful and often very funny exploration of the
SOURCE: The Stage Registration at 05:38AMFriday, September 28, 2018
Cast’s verbatim show The Last Seam may be focused on the closure of Yorkshire’s Hatfield Colliery in 2016, but its stories of
SOURCE: The Stage Registration at 08:12AMFriday, September 21, 2018
A Handmaid’s Tale for immigration, SBC Theatre’s new production Where We Began is an urgent, angry examination of the idea of home
SOURCE: The Stage Registration at 08:51AMFriday, September 14, 2018
Two men meet in a pub for a drink. The premise of Roddy Doyle’s Two Pints is remarkably simple, yet from it
SOURCE: The Stage Registration at 07:37AMWednesday, September 12, 2018
A group hug? Tracey Sinclair reviews a devised work by new North East company Circ Motif.
The post Review: The Art of Cuddling and Other Things at Alphabetti Theatre appeared first on Exeunt…
SOURCE: exeuntmagazine.com at 08:26AMSaturday, August 18, 2018
Little but hard choices: Tracey Sinclair reviews a stage adaptation of James Mitchell's TV series.
The post Review: When the Boat Comes In at South Shields Customs House appeared first on Ex…
SOURCE: exeuntmagazine.com at 09:42AMWednesday, July 18, 2018
Based on the 1963 film – with some added Cliff Richard hits thrown in – Summer Holiday is an amiable if unmemorable
SOURCE: The Stage Registration at 09:52AMFriday, June 29, 2018
Inspired by Shamira Turner, Eugenie Pastor’s real-life experiences of frequently being mistaken for one another, DoppelDanger is a surreally funny show about identity.
SOURCE: The Stage Registration at 11:53AMTuesday, June 26, 2018
A certain charm in their reliability... Tracey Sinclair reviews the latest show from the Classic Thriller Theatre Company.
The post Review: The Case of the Frightened Lady at Theatre Royal, …
SOURCE: exeuntmagazine.com at 10:14AMThursday, June 14, 2018
Fringe season is upon us, so Tracey Sinclair has canvassed theatre critics to compile this guide to how shows can maximise their chances of getting reviewed.
The post A Beginner’s Guid…
SOURCE: exeuntmagazine.com at 04:16AMTuesday, June 12, 2018
A tough act to resist: Tracey Sinclair falls for the big-hearted charm of Laurence O’Keefe and Nell Benjamin’s stage adaptation on its national tour.
The post Review: Legally Blonde The …
SOURCE: exeuntmagazine.com at 11:50AMMonday, May 28, 2018
Tracey Sinclair reviews a one man show about an ingenious stretch of coastal electric railway
The post Review: Magnus Volk’s Electric Train of Thought at Brighton Fringe 2018 appeared firs…
SOURCE: exeuntmagazine.com at 05:24AMWednesday, May 23, 2018
Brains and guts beneath glitzy excess: Sh!t Theatre's love letter to Dolly Parton is gloriously chaotic fun.
The post Review: DollyWould at The Old Market, Brighton appeared first on Exeunt …
SOURCE: exeuntmagazine.com at 01:39PMTuesday, May 22, 2018
Revived for Brighton Fringe after a well-received run at the Old Red Lion in 2014, the Dot Collective’s Brainville at Night, staged
SOURCE: The Stage Registration at 08:09AMMonday, May 14, 2018
'Mounting claustrophobia': Tracey Sinclair reviews Patrick Hamilton's classic, as part of the Brighton Fringe 2018.
The post Review: Rope at Brighton Fringe 2018 appeared first on Exeunt Mag…
SOURCE: exeuntmagazine.com at 06:49AMThursday, May 10, 2018
Fancy hats and flower arranging: Tracey Sinclair reviews comedian Simon Topping’s solo show.
The post Review: Why I Had to Leave the North at Brighton Fringe 2018 appeared first on Exeu…
SOURCE: exeuntmagazine.com at 06:57AMTuesday, May 8, 2018
A sonic pioneer: Noctium Theatre tell the story of the woman who created the Doctor Who theme tune (and much more).
The post Review: Hymns for Robots at Brighton Fringe appeared first on Exe…
SOURCE: exeuntmagazine.com at 09:22AMWednesday, April 18, 2018
Directed by Strictly Come Dancing’s Craig Revel Horwood, new musical Son of a Preacher Man is a frothy confection that revisits Dusty
SOURCE: The Stage Registration at 06:14AMThursday, March 22, 2018
It has been something of a rough journey for Sting’s debut musical The Last Ship to end up docked on Tyneside, its
SOURCE: The Stage Registration at 05:16AMTuesday, March 13, 2018
Selladoor Productions’ new adaptation of John Steinbeck’s Depression-era classic has its heart in the right place, but is hampered by a plodding
SOURCE: The Stage Registration at 08:01AMThursday, January 11, 2018
Craig Warner’s adaptation of the Patricia Highsmith novel (made famous by the Hitchcock movie), Strangers on a Train is a solid one.
SOURCE: The Stage Registration at 05:18AMMonday, December 18, 2017
Proving that there’s more to panto than celebrity casting and big budgets, Sleeping Trees’ Cinderella and the Beanstalk is small in scale
SOURCE: The Stage Registration at 11:14AMFriday, December 15, 2017
Having toured successfully last year, European Arts Company revisits its one-man production of A Christmas Carol – a show that, rather than
SOURCE: The Stage Registration at 11:27AMTuesday, November 28, 2017
Sunday night TV: Roy Marsden's touring stage adaptation of Ruth Rendell's classic thriller is solid and serviceable.
The post Review: A Judgement In Stone at the Theatre Royal Brighton appe…
SOURCE: exeuntmagazine.com at 07:18AM 
