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A co-production with Northern Stage, Common Wealth’s I Have Met the Enemy (and the Enemy Is Us) is a bold and passionate
Northern Stage and Common Wealth have created a new production with residents of Byker in Newcastle. The creators tell Tracey Sinclair how
Moveable Feast’s new touring production, Terror From The Skies, is a skilfully executed solo show by artistic director Matthew Bellwood that uses
Rosa Postlethwaite’s one-woman show Composed is a spiky, fractured, insinuating thing. An examination of both what it is to work in theatre
Following a successful run for its locally relocated The War of the Worlds, the latest offering from Northern Stage’s NORTH programme is
Big-hearted musical The Dolly Mixtures returns to The Customs House three years after its well-received premiere, staged as part of the theatre’s
Newcastle’s Alphabetti Theatre founder and artistic director Ali Pritchard tells Tracey Sinclair about his search for a venue, moving towards longer runs
From the start, Open Clasp has sought to engage disenfranchised women. Co-founder and artistic director Catrina McHugh tells Tracey Sinclair how the
A childhood love of theatre has led Chris Durant to one of the most high-profile jobs in technical theatre at leading North
Lizi Patch’s new play Down to Zero is a smartly written relationship drama, unusual in that it centres the experience of a
Following a successful run for Bacon Knees and Sausage Fingers (which he co-wrote and co-starred in), Steve Byron returns to Alphabetti Theatre
Live Theatre associate artist Kema Sikazwe’s autobiographical solo piece mixes gig theatre with memoir. Utilising his talents as a rapper and singer,
'Freed from traditional confines': Tracey Sinclair, self-proclaimed 'dance ignoramus', reviews a double bill from BalletBoyz.
The post Review: BalletBoyz: Them & Us at Northern Stage app…
'Alan Bennett with funkier hair': Tracey Sinclair reviews a one-man show about political factionalism and punk music at Live Theatre's Elevator Festival.
The post Review: It’ll Be Alt-Righ…
Taking it seriously: Tracey Sinclair reviews David Edwards' demystifying verbatim show about the realities of living with OCD.
The post Review: Bizarre Love Triangle at Northern Stage appear…
Mining the past: Tracey Sinclair writes on the nuanced portrayal of a 'fragile ecosystem' of men in Beth Steel's mining drama.
The post Review: Wonderland at Northern Stage, Newcastle appea…
Keep the faith: Tracey Sinclair reviews the The Letter Room's uplifting, music-filled performance about overcoming depression.
The post Review: No Miracles Here at Northern Stage, Newcastle …
Strange meeting: Tracey Sinclair reviews Gary Kitching and Steve Byron's two-hander about men left behind by social systems.
The post Review: Bacon Knees and Sausage Fingers at Alphabetti Th…
Is shyness an affliction? Or, in a world where we compulsively expose our inner selves to strangers on a daily basis, can
Season's greetings: Tracey Sinclair reviews a warm-hearted quartet of short plays from emerging writers.
The post Review: Christmas Crackers at Live Theatre, Newcastle appeared first on Exeu…
While it may not have the slick glossiness of Northern Stage’s festive centrepiece, Newcastle’s other production of A Christmas Carol certainly wins
Northern Stage’s A Christmas Carol is an energetic, slick take on a classic, enlivened by a toe-tapping jazz-inspired soundtrack and bold design.
Real stories: Tracey Sinclair on Open Clasp's nuanced, heartfelt play looking at life after prison, based on the story of its real-life mother and daughter cast.
The post Review: don’t…
'I hope for better stories than these': Tracey Sinclair writes on the prevalence of violence against women as plot device in her review of She Production's devised play.
The post It’s …
'Shiny baubles': Tracey Sinclair reviews Elayce Ismail's production of Dylan Thomas's radio play.
The post Review: Under Milk Wood at Northern Stage, Newcastle appeared first on Exeunt Magaz…
As his first play since taking over at Live Theatre opens, the artistic director tells Tracey Sinclair about his plans for building
Live Theatre’s artistic director Joe Douglas makes his directorial debut for the company with Clear White Light, Paul Sirett’s contemporary take on
Visions of the future: Unlimited Theatre and RashDash collaborate on a whirlwind of speculative scenarios on technology and the body.
The post Review: Future Bodies at Northern Stage, Newcas…
A mountain of a man? Tracey Sinclair writes on the nuanced performances in the touring production of Katori Hall's play.
The post Review: The Mountaintop at Northern Stage appeared first on …
Loss of innocence: Tracey Sinclair reviews the first stage adaptation of Alice Sebold's novel.
The post Review: The Lovely Bones at Northern Stage appeared first on Exeunt Magazine.
An energetic mash up of theatre and live gig, Nina Berry’s Fans is an insightful and often very funny exploration of the