All stories by David Jays on BroadwayStars

Wednesday, March 16, 2016

'She's willing to go to the frontier': the fearless Tanya Moodie by David Jays

Rarely cast for frivolity, the star of Intimate Apparel is now seizing the role of Gertrude opposite Paapa Essiedu in the RSC’s Hamlet. She talks about going ‘cross-eyed with concentrati…

SOURCE: The Guardian at 11:03AM
Thursday, February 4, 2016

William Gaskill obituary by David Jays

Theatre director who brought Brechtian principles and puritanical rigour to his productionsProductions by the theatre director William Gaskill, who has died aged 85, were praised for their r…

SOURCE: The Guardian at 11:46AM
Thursday, October 15, 2015

Guarding Arthur Miller: when writers' estates say no by David Jays

Theatre directors and writers’ estates do not always see eye to eye. As a new generation seeks to reinterpret Arthur Miller’s work, we lift the lid on the scandals, bans and breakthrough…

SOURCE: The Guardian at 04:00AM
Sunday, August 30, 2015

Our Country’s Good review – revival of a humanist classic by David Jays

National TheatreAn expansive production of Timberlake Wertenbaker’s penal colony play bristles with hope and indignationWelcome to Australia, so far from home. In the late 18th century, Br…

SOURCE: The Guardian at 04:04AM
Tuesday, August 18, 2015

Swan Lake review –  graceful star turns can't elevate this flat staging by David Jays

Coliseum, LondonThe evil sorcerer looks as if he has escaped from a Cher tribute act and Tchaikovsky’s stirring score loses its pulse in the St Petersburg Ballet Theatre’s desperately or…

SOURCE: The Guardian at 10:20AM
Friday, June 19, 2015

Birmingham Royal Ballet: The King Dances and Carmina Burana review – a regal performance with heart and dazzle by David Jays

Birmingham HippodromeDavid Bintley’s sleek and gleaming new piece captures the moment, at the court of young Louis XIV, when classical ballet came of ageIn 1653, the teenaged Louis XIV pla…

SOURCE: The Guardian at 10:31AM
Wednesday, June 17, 2015

Smoke, mirrors and fake plastic trees: the designs of Es Devlin by David Jays

Welcome to the worlds of Es Devlin, who has dreamed up domed catwalks for Louis Vuitton and arena spectaculars for U2, and won an Olivier award for bringing The Nether’s digital landscape …

SOURCE: The Guardian at 11:32AM
Monday, May 25, 2015

Why theatre must never lose the plot by David Jays

Critics and creatives may snort at our obsession with stories, but the need to know is what keeps us alive ... and in the theatre

SOURCE: The Guardian at 05:58PM

What really goes on in the rehearsal room? by David Jays

Why are theatre rehearsal rooms such mysterious spaces? And why are dance rehearsals so different?

SOURCE: The Guardian at 05:58PM

Stage to page: do books about theatre ever live up to the real thing? by David Jays

Writing convincingly about theatre is the trickiest of arts. Does Simon Callow's prizewinning autobiography make the grade?

SOURCE: The Guardian at 05:58PM

Stage to page: do books about theatre ever live up to the real thing? by David Jays

Writing convincingly about theatre is the trickiest of arts. Does Simon Callow's prizewinning autobiography make the grade?

SOURCE: The Guardian at 05:58PM
Wednesday, May 13, 2015

Behind closed doors: what really happens in the rehearsal room by David Jays

Line by line, step by step, how do performers prepare for a show? And how does it differ in the dance and theatre worlds? David Jays watches the warm-ups for King John, A Damsel in Distress …

SOURCE: The Guardian at 12:47PM
Sunday, April 26, 2015

Les Ballets de Monte Carlo: Romeo and Juliet review – Prokofiev, puppets and a killer plinth by David Jays

London ColiseumJean-Christophe Maillot’s production is fresh and uncluttered but the lovers are sidelined in this flawed interpretation of Shakespeare’s tragedy Continue reading...

SOURCE: The Guardian at 10:00AM
Monday, April 13, 2015

Maze review – a charming and mysterious labyrinth of dance by David Jays

Margate Winter GardensFramed by looming white industrial foam walls, Jasmin Vardimon’s performance is enthralling – but falls short of its Cocteauesque inspiration Continue reading...

SOURCE: The Guardian at 09:13AM
Sunday, April 12, 2015

National Youth Dance Company review – a rewarding tour of Planet Cherkaoui by David Jays

Sadler’s Wells, LondonThe curiosity of choreographer Sidi Larbi Cherkaoui is a smart fit with NYDC’s 38 young performers in a challenging large-scale project Continue reading...

SOURCE: The Guardian at 09:27AM
Monday, February 16, 2015

Rona Munro: Manchester on a knife edge by David Jays

Scuttlers, the playwright’s latest drama, is about the gangs of street-fighting kids who terrorised 19th-century Ancoats with belts and blades“After the 2011 riots,” says Rona Munro, �…

SOURCE: The Guardian at 02:28PM
Thursday, January 8, 2015

No pity party: how ‘victim art’ dances with truth by David Jays

Twenty years ago, a critic caused a storm by declaring a dance piece ‘victim art’. Disabled dancers and choreographers who work with drug addicts and ex-prisoners reveal what has changed…

SOURCE: The Guardian at 02:30AM
Thursday, December 11, 2014

Candoco Dance Company review – smart show skips through the unsayable by David Jays

Queen Elizabeth Hall, LondonMining conversations with the disabled and non-disabled dancers, Hetain Patel’s Let’s Talk About Dis tackles physical difference with wit, guile and confidenc…

SOURCE: The Guardian at 07:11AM
Friday, November 28, 2014

Phoenix Dance Theatre mixed programme review – jolts of intrigue in modest bill by David Jays

A juicy piece by Israeli-Dutch duo Ivgi and Greben, and Darshan Singh Bhuller’s tender work about his father, are highlights in programme that plays it safe Continue reading...

SOURCE: The Guardian at 07:33AM
Friday, October 24, 2014

Carnage by candlelight: Michael Longhurst on Tis Pity Shes a Whore by David Jays

With its incest and gore, John Fords 17th-century tragedy was not an obvious choice for the director of Constellations. He explains the allure of the play and of the Sam Wanamaker Playhouse…

SOURCE: The Guardian at 11:17AM
Sunday, October 5, 2014

Blanche McIntyre: the stage director who works hard to make it all look easy by David Jays

From helming £4,000 plays straight out of Oxford, the prolific young director with a brain the size of a planet has grown bolder with each production. But what will she choose next? Continu…

SOURCE: The Guardian at 10:30AM
Monday, September 22, 2014

Fiddler on the Roof at 50 mazel tov! by David Jays

This classic musical is schmaltzy and shadowy and the role of Tevye the milkman continues to reward a star turn Continue reading...

SOURCE: The Guardian at 09:22AM
Friday, July 25, 2014

Coppélia review psycho-thriller meets mischievous romcom by David Jays

English National Ballet, LondonStriking rising talents bring added vim to this sugared-up tale of an inventor and his sexbot Almost human: why is art so obsessed with lifesize dolls? Contin…

SOURCE: The Guardian at 08:51AM
Tuesday, June 10, 2014

Elaine Cassidy at the Donmar: take control and cut the chit-chat by David Jays

Acting? It's weird. Lyndsey Turner? She's a 'grafter'. Brian Friel's Fathers and Sons? It casts her as the Hotel Inspector. Sort of. The star of TV's The Paradise on her return to the stage&…

SOURCE: The Guardian at 04:00AM
Wednesday, May 21, 2014

All My Sons review reproachful truths under a rustle of leaves by David Jays

Regent's Park theatre, LondonThis revival of Arthur Miller's 1947 war-imbued drama doesn't quite hit home, but intensifies as night fallsA plane growled over Regent's Park during the opening…

SOURCE: The Guardian at 10:46AM
Monday, April 28, 2014

Birmingham Royal Ballet review small is beautiful in a foxy triple bill by David Jays

Crescent theatre, BirminghamChoreographers Kit Holder and Alexander Whitley made their mark in this intimate space at the International Dance festival, BirminghamSmall spaces have proved the…

SOURCE: The Guardian at 11:09AM
Sunday, April 27, 2014

The Tempest Replica review inventive but constrained dance version of Shakespeare by David Jays

Sadler's Wells, LondonCrystal Pite and Kidd Pivot's take on The Tempest has an intriguing repeating structure, and probes keenly into Prospero's character, but feels somewhat held backShakes…

SOURCE: The Guardian at 12:00PM
Thursday, April 17, 2014

'Modern exile': Paul McGann and Anya Reiss on relocating Chekhov to Yemen by David Jays

The dark and panoramic Three Sisters has been relocated to the Middle East and set among British diplomats and military. The play's adapter and star explain why"The play has turned out …

SOURCE: The Guardian at 03:00AM
Thursday, February 27, 2014

Sex, solitude and soul: Rattigan's Variation on a Theme returns by David Jays

Rattigan's spin on La Dame aux Camélias was slated when it was first staged in 1958 and then vanished from view. Actor Rachael Stirling and director Michael Oakley explain why they've broug…

SOURCE: The Guardian at 11:20AM
Monday, January 6, 2014

How to name a character – raid your inbox! by David Jays

How do writers come up with character names? Some raid their emails, some plunder their school days – and some take inspiration from Psycho. Stephen Poliakoff, Abi Morgan and more talk to …

SOURCE: The Guardian at 01:25PM
Wednesday, August 14, 2013

Rosemary Vercoe obituary by David Jays

Costume designer who began her career in acting but won acclaim with her designs for the theatre and operaA baggy cardigan; a battered fedora; a starchy dress fastened high at the neck. The …

SOURCE: The Guardian at 11:55AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards