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35,791 stories from The Guardian

Sindhu Vee: ‘Makeup, music to feel reckless, two pieces of milk chocolate – and then I go on’ by Interview By Liam Pape

The banker turned standup turned actor shares her preshow rituals, what’s behind her ‘very swanky hairstyle’ and her joke about Indian Santa ClausHow did you go from investment banker …

SOURCE: The Guardian at 10:00am on September 23, 2026

Romeo and Juliet review – Russell Kane and Natalie Casey turn love’s young dream into a midlife fling by Mark Fisher

New Vic, Newcastle-under-LymeCacophonous and comedic staging sees an experienced, older duo engage in an enthusiastic liaison rather than a rebellious first romanceAs in any production of Sh…

SOURCE: The Guardian at 7:45am on September 23, 2026

Another taste of honey: Shelagh Delaney’s long-lost play about a teenage truant is a little gem by Michael Billington

The playwright’s daughter found Catch Me Who Can after her mother’s death. Now it has become a compelling audio drama with Toby Jones and Rita TushinghamWas Shelagh Delaney a one-hit won…

SOURCE: The Guardian at 5:40am on September 23, 2026

The Guardian view on Keynes in the West End: James Graham’s latest play captures the zeitgeist | Editorial by Editorial

As the chancellor, John Healey, ponders options ahead of his first budget, the playwright’s new work offers lessons from the pastStill only 44, James Graham has become a formidable chronic…

SOURCE: The Guardian at 3:30am on September 23, 2026

Sylvia Plath Stole My Boyfriend: the 95-year-old who has turned her romance with Ted Hughes into a play by Jenny Valentish

The Yorkshire poet had a ‘magic touch’, Liz Hicklin recalls, felt by many women: ‘It was like I was blossoming’Liz Hicklin had missed the ferry that could change her life. Pelting ra…

SOURCE: The Guardian at 12:20pm on September 22, 2026

‘I cried. I shook’: Royal Ballet’s Natalia Osipova on making her fearsome, foul-mouthed acting debut by David Jays

Osipova plays the wife of formerly gay economist John Maynard Keynes in a new play. The ballerina talks about the allure of her Russian character, dismissed as a ‘frivolous, foghorn of a c…

SOURCE: The Guardian at 12:20pm on September 22, 2026

Catarina and the Beauty of Killing Fascists review – It caused fury across Europe. In the UK? Laughter and coughing by Arifa Akbar

National Theatre, LondonTiago Rodrigues’s play has incensed audiences abroad with one character’s hellfire rightwing invective. But its combination of boredom and shocks ultimately feels…

SOURCE: The Guardian at 10:15am on September 22, 2026

Nish Kumar: Angry Humour from a Really Nice Guy review – enraged and extremely funny by Anya Ryan

Hackney Empire, LondonThere is real skill in making us laugh about things that are depressing. And the gags come thick and fast in the ex-Mash Report host’s touring showNish Kumar is angry…

SOURCE: The Guardian at 3:55am on September 21, 2026

The Turn of the Screw review – Henry James’s classic ghost story with added jump scares by Arifa Akbar

Arcola theatre, LondonThe slick production and sound design of Morgan Lloyd Malcolm and Nicky Allpress’s adaptation is hampered by its own clevernessHere is Henry James’s canonical ghost…

SOURCE: The Guardian at 1:00pm on September 20, 2026

Not I review – a mouth steals the show in Rufus Norris’s strange and deeply moving take on Beckett by Arifa Akbar

Minghella theatre, ReadingSoprano Claire Booth’s mouth is isolated against a black background to capture the racing brain of a desperate woman, with added operatic flairThere is a long pre…

SOURCE: The Guardian at 8:45am on September 20, 2026

The Curious Incident of the Dog in the Night-Time review – a fun and inventive sensory assault by Mark Fisher

Birmingham RepAlex Keenan perfectly captures protagonist Chris’s bewilderment and cheeriness in Ned Bennett’s ambitious new staging The most alarming moment in Mark Haddon’s young adul…

SOURCE: The Guardian at 7:35am on September 20, 2026

Revel review – broken Barbies and a splash of Swan Lake as older dancers limber up by Róisín O'Brien

Byre theatre, St AndrewsWarm-up routines lead into a reverie about life on the stage in Company Chordelia’s funny, carefully calibrated showThe inevitable aches and sprains of an ageing bo…

SOURCE: The Guardian at 1:10pm on September 19, 2026

Twenty Thousand Streets Under the Sky review – the bell tolls for Patrick Hamilton’s lost Londoners by Chris Wiegand

Southwark Playhouse Borough, London The sequence of richly atmospheric novels about lonely souls in the capital is condensed into an engrossing play that could be more unsettlingPatrick Hami…

SOURCE: The Guardian at 5:45am on September 19, 2026

Tristan & Yseult review – Kneehigh’s lovers still soar with giddy glory by Arifa Akbar

Theatre Royal BathThis heady mix of circus mayhem, cabaret sexiness, comedy antics and medieval tragedy is utterly irresistibleKneehigh’s take on this medieval legend was first staged in 2…

SOURCE: The Guardian at 3:30am on September 19, 2026

Letter to Brezhnev review – terrific return for Merseysiders’ romance with Russian sailors by Mark Fisher

Royal Court, LiverpoolEllie Clayton and Angela Simms are superb in a funny, tender adaptation that hugs close to the 1985 filmBy some quirk of marketing, Letter to Brezhnev is always associa…

SOURCE: The Guardian at 6:55pm on September 18, 2026

Anthony Page obituary by Michael Coveney

Stage and screen director behind landmark productions of Samuel Beckett, John Osborne and Edward AlbeeAnthony Page, who has died aged 90, was one of a group of talented and individual – so…

SOURCE: The Guardian at 2:30pm on September 18, 2026

‘I want us to be loud’: Arts Council England’s new chair aims to reconnect young people with culture by Mark Brown North Of England Correspondent

In first interview since starting job – and after visiting school where arts are central – Dawn Airey says she wants to fix ‘shocking’ lack of accessOnly half of children in England …

SOURCE: The Guardian at 12:40pm on September 18, 2026

Susan Calman: Tall Tales review – comic’s first tour in 10 years is raw and riotous by Brian Logan

Perth Concert HallFaux truculent and palpably adorable, the standup is in her element exposing her supposed flaws and the unseen idiocies of her TV careerTall Tales is Susan Calman’s first…

SOURCE: The Guardian at 12:40pm on September 18, 2026

Duncan Sheik, singer and composer of Spring Awakening, dies at 56 by Adrian Horton

The musician, who went from 90s alt-pop hits to Tony-winning Broadway success, died from cardiac arrestDuncan Sheik, the singer-songwriter behind the 90s alt-pop touchstone Barely Breathing …

SOURCE: The Guardian at 12:18pm on September 18, 2026

Iron review – a real-life mother and daughter add extra dimension to prison drama by Mark Fisher

Home, ManchesterRona Munro’s understated untangling of a fractured relationship is revived with Christine and Lois MackieYou can see why they cast real-life mother and daughter Christine a…

SOURCE: The Guardian at 3:45am on September 18, 2026

Bonnie Greer obituary by Mark Lawson

Writer and critic who became known for her sharp, composed appearances on TV shows such as Late Review and Question TimeThe writing and broadcasting of Bonnie Greer, who has died aged 77, we…

SOURCE: The Guardian at 5:00pm on September 17, 2026

Million Dollar Quartet review – jumping jukebox show reignites rock’n’roll classics by Chris Wiegand

The Arts at Marble Arch, LondonElvis Presley, Johnny Cash, Carl Perkins and Jerry Lee Lewis’s 1956 get-together is respun with an unsubtle script but some vigorous performancesWith the Ar…

SOURCE: The Guardian at 1:50pm on September 17, 2026

Darkling review – Stranger Things’ Linnea Berthelsen confronts a gruesome Indian disaster by Ammar Kalia

Bush theatre, LondonTitas Halder’s coming-of-age monologue is set against the 1984 Bhopal toxic gas leak – but the poetic script doesn’t quite capture the horrorOminousness permeates D…

SOURCE: The Guardian at 11:40am on September 17, 2026

Fences review – August Wilson’s classic family drama is as smart as paint by Catherine Love

Leeds PlayhouseDaniel Bailey’s dynamic production fizzes with jazz and moments of possibility amid taut scenes of thwarted ambition and harsh realities in 1950s AmericaFive years on from t…

SOURCE: The Guardian at 8:30am on September 17, 2026

Thelma & Louise review – musical hoedown is a bland and baffling wrong turn by Arifa Akbar

Young Vic, LondonDespite a book by the original screenwriter, this stage adaptation doesn’t have the depth – or the songs – worthy of the era-defining feminist parable. And where’s t…

SOURCE: The Guardian at 8:30am on September 17, 2026
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