Monday, April 20, 2026

Cassie Workman: You Are Here review – a remarkable standup on a crumbling world by Alexandra Neill

Melbourne international comedy festivalThis show is an extended metaphor about modern capitalism told through a young boy’s battle with a sentient shopping mall. If that sounds weird, that…

SOURCE: The Guardian at 09:06AM

‘Fisk really changed my life’: Aaron Chen on leaving Australia for the US and his meteoric rise by Dee Jefferson

The gently offbeat comedian is a beloved presence on Australian TV, but he’s now relocated to New York and made his first Hollywood film. He reflects on ‘a big time of growing up’ Get …

SOURCE: The Guardian at 09:06AM

Wayne McGregor: Alchemies review – this spellbinding dancing will make you swoon by Lyndsey Winship

Royal Opera House, LondonIncredible physical facility is married to expressive lyricism in this triple bill by the Royal Ballet’s ever adventurous resident choreographer. You never know wh…

SOURCE: The Guardian at 09:06AM

‘She’d been drinking with Julie Walters. I heard a crash’: Victoria Wood’s genius – by her friends, fans and actors by Interviews By Emma John

Dazzling performer, brilliant writer, maddening perfectionist, Easter Egg hunt maestro … on the 10th anniversary of Wood’s death, those who knew her best celebrate the shy introvert who …

SOURCE: The Guardian at 09:06AM

Do You Come from Gomorrah? review – Frank McGuinness’s blistering portrait of abuse and prejudice by Helen Meany

Abbey, DublinAn unnamed narrator recollects a 1970s childhood of institutional brutality and sectarianism in this allusive memory play Language is twisted and slippery in Frank McGuinness di…

SOURCE: The Guardian at 09:06AM
Sunday, April 19, 2026

Fallen Angels review – Rose Byrne is utterly delightful in Noël Coward comedy revival by Juan A Ramírez

Todd Haimes Theatre, New YorkRose Byrne and Kelli O’Hara are comic gems in a pitch-perfect revival that sparkles like champagne Fallen Angels has appeared only twice on Broadway since its …

SOURCE: The Guardian at 08:00PM

Ruby Wax: Absolutely Famous review – a candid return to her most revealing celebrity interviews by Brian Logan

Richmond theatre, LondonArchive footage and fresh commentary shed light on the craft and chaos of interrogating big names such as OJ Simpson and Donald Trump What are these shows, in which v…

SOURCE: The Guardian at 12:24PM

Gush review – Jessica Hardwick is superb as a mother-to-be surfing a maelstrom of emotions by Mark Fisher

Traverse theatre, EdinburghJess Brodie’s monologue about life on the brink of parenthood is both witty and gripping There are few transitions in life more profound than becoming a parent. …

SOURCE: The Guardian at 12:24PM

Sexual harassment is rife on comedy circuit and women lack protections, MPs told by Amelia Hill

Women using informal warning systems to protect themselves and others, comedian tells equalities committee Sexual harassment and abuse on the comedy circuit is persistent and under-reported,…

SOURCE: The Guardian at 12:24PM

Struggling theatres must ‘programme their way out’, says Young Vic director by Lanre Bakare Arts and Culture Correspondent

Nadia Fall calls for bold thinking as she announces new shows including anti-Trump version of Thelma & Louise Theatres facing financial difficulty can only prosper by “programming thei…

SOURCE: The Guardian at 12:24PM

One Flew Over the Cuckoo’s Nest review – Aaron Pierre makes a mesmerising McMurphy by David Jays

Old Vic theatre, LondonDirector Clint Dyer brings a fresh political focus to Ken Kesey’s story of disempowerment but the relentless misogyny of the text feels retrograde When Randle P McMu…

SOURCE: The Guardian at 12:24PM

Phil Ellis: Bath Mat review – Taskmaster goof celebrates his midlife failures by Brian Logan

The Stand Comedy Club, GlasgowThe northerner finds the funny in banalities with this raucous compendium of all-in-it-together bants Phil Ellis has been watching Netflix specials, and has not…

SOURCE: The Guardian at 12:24PM

Avenue Q review – provocative puppets return for a feast of filth and fun by Arifa Akbar

Shaftesbury theatre, LondonTwenty years since its West End debut, the sweetly subversive musical returns with a few tweaks and a lot of heart The trigger warning “puppet nudity” does not…

SOURCE: The Guardian at 12:24PM

Christine Baranski to make West End debut alongside Richard E Grant in Hay Fever by Chris Wiegand

Tony award-winning actor will play lead role of Judith Bliss in Noël Coward’s comedy at Wyndham’s theatre in London Christine Baranski is to make her West End debut alongside Richard E …

SOURCE: The Guardian at 12:24PM

Give theatre choreographers and movement directors their own awards, says union group by Chris Wiegand Stage Editor

‘If we celebrate the impact of physical storytelling, we must acknowledge the artists behind it,’ says Equity body, calling out the lack of movement categories in major awards Choreograp…

SOURCE: The Guardian at 12:24PM

Huw Fyw review – take a sentimental journey around a war veteran’s living room by Gareth Llŷr Evans

Dance House, CardiffTudur Owen’s Welsh-language play about a second world war veteran is unashamedly heartfelt and anchored by very fine performances This play by Tudur Owen tells the stor…

SOURCE: The Guardian at 12:24PM

‘Packaging evil into something funny’: is making fun of Trump now just ‘clownwashing’? by Matthew Cantor

As the president’s second term has wrought new horrors, comedians reflect on whether humor can still ‘deflate the strongman’s image’ During Donald Trump’s first term, as his lies d…

SOURCE: The Guardian at 12:24PM

Heart Wall review – grief knocks a family karaoke reunion off-key by Arifa Akbar

Bush theatre, LondonSecrets are exposed during a pub singalong as Franky returns home to find her parents divided in Kit Withington’s drama You can hear this play before you enter the audi…

SOURCE: The Guardian at 12:24PM

Ronin review – Yukiko Masui’s swordplay choreography is exhilarating in its cut and thrust by Sanjoy Roy

The Place, LondonThis audiovisually immersive, anime-inspired dance piece is full of stylishly fluid movement and thrilling fights and face-offs Some contemporary dance can make you feel l…

SOURCE: The Guardian at 12:24PM

The Center Will Not Hold review – a compelling conversation between US dance styles by Lyndsey Winship

Sadler’s Wells, LondonTap, waacking, jookin’, footwork and jit are among the traditional, street and club styles that come together as Michelle Dorrance showcases a startling array of fo…

SOURCE: The Guardian at 12:24PM
Thursday, April 16, 2026

Proof review – Ayo Edebiri struggles but Kara Young soars in Broadway revival by Richard Lawson

Booth Theatre, New York The Bear star and Don Cheadle are lost in a new take on David Auburn’s family drama but a standout performance from the two-time Tony winner does some heavy lifting…

SOURCE: The Guardian at 10:00PM
Wednesday, April 15, 2026

The Fear of 13 review – Adrien Brody and Tessa Thompson lead sturdy, safe Broadway transfer by Richard Lawson

James Earl Jones theatre, New York There’s a strong emotional pull to this fact-based story of injustice, but on stage it’s all a little too polite to truly soar If the meat and potatoes…

SOURCE: The Guardian at 11:00PM
Monday, April 13, 2026

‘Death star’ chandeliers and disco dancefloors: making this year’s most dazzling theatre shows by Miriam Gillinson; Photography By David Levene

On productions ranging from Les Liaisons Dangereuses to John Proctor Is the Villain, an army of technical wizards help ensure London’s stage productions are believable and spectacular What…

SOURCE: The Guardian at 12:36PM

Dear Jack, Dear Louise review – wartime courtship by letter delivers intimate love story by Arifa Akbar

Arcola theatre, London Writer Ken Ludwig’s heartfelt and funny romcom draws the audience into every step of Jack and Louise’s developing affection, their longing deepened by physical sep…

SOURCE: The Guardian at 12:36PM

My Uncle Is Not Pablo Escobar review – colourful Latinx bank drama loses sting by Anya Ryan

Brixton House, London Five writers contribute fizzing ideas aplenty to this play exploring questions of Latinx identity in Britain, while also attempting to deliver an undercover drama There…

SOURCE: The Guardian at 12:36PM

Joz Norris: You Wait. Time Passes review – weird, unhinged, inadequate, and other pointers to artistic character by Brian Logan

Soho theatre, London In his latest show, the comedian energetically distils his approach to pursuing futile creative choices with philosophy and silly jokes thrown in How do you know that yo…

SOURCE: The Guardian at 12:36PM

Enter stage right: the Olivier awards 2026 arrivals – in pictures by Guardian Stage

Cate Blanchett, Rachel Zegler, Bryan Cranston and a host of stars arrive for the Olivier awards, marking their 50th anniversary, at the Royal Albert Hall in London Continue reading...

SOURCE: The Guardian at 12:36PM

PCK Dance: Into the Light review – future moves towards a low-key apocalypse by Lyndsey Winship

The Place, London This double bill from choreographers James Pett and Travis Clausen-Knight features fluent steps, tension and expression, but their expressed human connection to an AI-drive…

SOURCE: The Guardian at 12:36PM

Walking Shadow by Greg Doran review – Shakespeare’s healing power by Michael Billington

After the death of his husband, Antony Sher, the former RSC director embarks on a quest to see every First Folio This is really two books in one. The first part consists of the diaries writt…

SOURCE: The Guardian at 12:36PM

‘I want to thank my amazing husband, who doesn’t exist!’ – Olivier awards’ best quotes by Guardian Stage

Spouses real and imaginary, parents and passersby were thanked in the acceptance speeches – while host Nick Mohammed joked about Andrew Lloyd Webber’s ride home Olivier awards 2026: full…

SOURCE: The Guardian at 12:36PM

Riki Lindhome: Dead Inside review – a gobsmacking comedy about fertility by Brian Logan

Soho theatre, LondonThe unassuming US comedian and musician turns her journey to motherhood into a witty, bittersweet and beautifully judged show ‘I know this show can be uncomfortable,”…

SOURCE: The Guardian at 12:36PM

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off