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35,886 stories from The Guardian

Standup Jon Richardson on turning his dark teenage diaries into a tearjerking memoir: ‘I couldn’t sugarcoat those years’ by Brian Logan

While facing grief, illness and a very public breakup, the comic reached for his diaries – and found a happy kid who spiralled into despair. Inspired by a Nobel laureate, he wrote a frank,…

SOURCE: The Guardian at 12:55am on October 21, 2026☆⚑

TS Eliot’s Murder in the Cathedral review – gather in wonder at David Suchet’s excellent archbishop by Mark Lawson

St John the Divine church, London The poet’s 1935 verse drama has its eccentricities but the meticulous star plays Thomas Becket with a Shakespearean relishA striking example of site-speci…

SOURCE: The Guardian at 8:55am on October 20, 2026☆⚑

Getting Ziggy with it: David Bowie’s alter egos inspire dance show that will transform his songs by Chris Wiegand Stage Editor

Subject to Change: A Dance for David Bowie will explore how the musician ‘practised a form of artistic reincarnation’, says choreographer Marcos Morau‘Let’s dance,” sang David Bowi…

SOURCE: The Guardian at 4:45am on October 20, 2026☆⚑

Royal Exchange boss unveils new plays two years after damaging censorship row by Mark Brown North Of England Correspondent

Selina Cartmell announces season including Stockport-set version of Phaedra myth by Simon StephensA theatre boss has promised to channel the “pioneering spirit of Manchester” and be “b…

SOURCE: The Guardian at 1:35am on October 20, 2026☆⚑

Listen for Lanny: can Max Porter’s mythic tale be heard in this woodland? by Kate Wyver

Every sun-dappled object is an instrument as composer Dom Coyote and sound designers Elena Peña and Dave Price conjure trip-hop-inspired rhythms in the Mendips for a new stage adaptationThe…

SOURCE: The Guardian at 12:30am on October 20, 2026☆⚑

Kevin Bridges review – steamroller standup is a joy but what’s with the £10 cloakroom charge? by Brian Logan

Hammersmith Apollo, LondonIn his tour Here If You Need Me, the comic makes laugh-out-loud look easy with jokes about conjugal argy-bargy, smutty downloads – and a bit of politicsIs there a…

SOURCE: The Guardian at 11:40am on October 19, 2026☆⚑

After 25 years, Australian dance star Lucy Guerin bows out of the company she founded by Tim Byrne

The choreographer has said goodbye to Lucy Guerin Inc by dancing in public for the first time in 13 years - which she has found ‘incredibly confronting’If there is one thing the professi…

SOURCE: The Guardian at 10:35am on October 19, 2026☆⚑

‘A vigorous apologist for a cruel emperor’: Is Caryl Churchill’s explosive new play about Trump and his press officers? by Michael Billington

From Thatcherism to global crisis to an ever-online world, she has chronicled our race to the abyss. Now she’s written a play about a blond-wigged voicepiece for an un-named, strongman rul…

SOURCE: The Guardian at 3:05am on October 19, 2026☆⚑

Other Desert Cities review – Julia Louis-Dreyfus and Ed Harris shine in timely Broadway revival by Juan A Ramírez

Hudson Theatre, New YorkAllison Janney and Joe Keery co-star in a powerful drama about a family reunion turned political minefieldJust in time for the holidays, Jon Robin Baitz’s family re…

SOURCE: The Guardian at 12:01am on October 19, 2026☆⚑

Dance Is Not for Us review – desire and defiance as one revolutionary mover sweats it all out by Lyndsey Winship

Barbican, LondonOmar Rajeh performs out of frustration, resistance and a need to connect in this stream-of-consciousness solo at Dance Umbrella festivalIn August 2019, Omar Rajeh sat in his …

SOURCE: The Guardian at 2:05pm on October 18, 2026☆⚑

Bristol Old Vic tackles arts ‘emergency’ by bringing the theatre into classrooms by Jamie Grierson

Amid financial pressures on household and school budgets, the theatre company is expanding access with free plays Six young actors step into the spotlight as a reverent silence descends on t…

SOURCE: The Guardian at 9:50am on October 18, 2026☆⚑

Twelfth Night review – Mathew Horne oozes arrogance as a brilliantly buttoned-up Malvolio by Mark Fisher

Crucible, SheffieldThe yellow stockings are as funny as ever – yet a haunting, folky live score casts a dream-like uncertainty over Shakespeare’s tangled romanceYou can picture Mathew Ho…

SOURCE: The Guardian at 7:35am on October 18, 2026☆⚑

‘Shakespeare was a Black woman’: the playwright’s under-recognized connection to Black culture by Kaitlyn McNab

A new Washington DC exhibition examines how Toni Morrison, Maya Angelou and more used the Bard’s work to help tell their own stories“William Shakespeare was a black woman.” In 1985, Ma…

SOURCE: The Guardian at 5:00am on October 18, 2026☆⚑

A moment that changed me: I was heading for disaster on the Greek version of Strictly. Then instinct kicked in by Victoria Hislop

I was gripped by fear, aching all over – and still recovering from cancer treatment. But Dancing With the Stars was a joyous celebration of survivalIt was an invitation I accepted in a mom…

SOURCE: The Guardian at 6:50am on October 17, 2026☆⚑

Mao’s Last Dancer Li Cunxin on his long-awaited follow-up: ‘I don’t think my publisher expected it to take 14 years!’ by Tim Byrne

As The Lucky Son picks up where Cunxin’s 2003 memoir left off, the renowned Chinese Australian ballet dancer reflects on sacrifices made by his wife, his years at a stockbroker, and his su…

SOURCE: The Guardian at 6:50am on October 17, 2026☆⚑

Finding the groove: what’s the best genre of music to dance to? by Lyndsey Winship

What is it about music that makes even non-professionals want to hit the dancefloor, and is it disco, funk or even classical that does it best? Four leading choreographers discuss their theo…

SOURCE: The Guardian at 6:50am on October 17, 2026☆⚑

The Penelopiad review – move over, Odysseus! Margaret Atwood lets Penelope’s maids run riot by Catherine Love

York Theatre RoyalAtwood’s adaptation of her own novella is revived with Amelia Bullmore as a wry Penelope but it’s the eight-strong chorus who pull the story’s threadsAfter a summer o…

SOURCE: The Guardian at 1:25am on October 17, 2026☆⚑

Always on pointe: the bold and beautiful Ballet Black – in pictures by All Photographs By Tristram Kenton

It’s a quarter of a century since the company celebrating black and Asian ballet dancers was founded. With an autumn tour in full swing, step back in time through their striking shows Cont…

SOURCE: The Guardian at 11:25am on October 16, 2026☆⚑

Some Woman review – Anne-Marie Duff is wholly believable but this twisty drama is not by Arifa Akbar

Dorfman theatre, LondonThe far-fetched plot turns and some underdeveloped characters undermine the powerful messages about prejudice in Helen Edmundson’s playOpposing forces tug against ea…

SOURCE: The Guardian at 10:20am on October 16, 2026☆⚑

From a VR gay sauna to the gothic pile that inspired Cluedo – Fierce festival storms back by Lyndsey Winship

Venues across BirminghamAs Britain’s longest-running live art festival returns, get ready for late-night artist dinners, a show in a swimming pool and Faye Driscoll’s incredible rotating…

SOURCE: The Guardian at 7:10pm on October 15, 2026☆⚑

Balloon Girl review – tech tycoon swirls with tragic teen parachutist in a crackling, time-travelling climate romp by Arifa Akbar

Sherman theatre, Cardiff Hannah McPake’s high-wire drama pokes fun at tech bro machismo, reality TV and Musk-style Martian escapes – think A Christmas Carol in spaceThis show takes local…

SOURCE: The Guardian at 1:45pm on October 15, 2026☆⚑

‘The world is falling apart’: Dominic Cooke plans boldly political first season at Almeida by Helena Horton

Exclusive: London theatre’s new artistic director working with David Tennant and Caryl Churchill as he wrestles with Britain’s decline – and with smart glassesA spate of highly politic…

SOURCE: The Guardian at 5:05am on October 15, 2026☆⚑

Baby review – Pearl Mackie is meticulous as an abuse survivor by Holly O'Mahony

Brixton House, London Gurpreet Kaur Bhatti’s compassionate solo play follows a young mother’s struggle to get life back on track after time behind barsPlenty of abuse survivors don’t g…

SOURCE: The Guardian at 9:40pm on October 14, 2026☆⚑

The Cherry Orchard review – Kristin Scott Thomas makes a modern matriarch in trad, earthy Chekhov by Arifa Akbar

Harold Pinter theatre, LondonThis Ranevskaya feels of our time but Conor McPherson’s plain-speaking adaptation, co-starring Stephen Mangan, doesn’t always hit you emotionallyThere have b…

SOURCE: The Guardian at 7:40pm on October 13, 2026☆⚑

Ian McKellen to star in UK premiere of ‘mixed reality’ play – but not in person by Helena Horton

Audiences in Manchester will be asked to wear smart glasses for An Ark, which debuted in New York this yearIan McKellen will star in a groundbreaking new play that gets its UK premiere in Ma…

SOURCE: The Guardian at 1:10pm on October 13, 2026☆⚑
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