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35,492 stories from The Guardian

Hit Machine review – slick music biz drama strikes too many false notes by Ammar Kalia

Soho theatre, LondonJosh Radnor is a music executive whose life is upended by his wayward brother, in a play about masculinity, creativity, appropriation and traumaOn paper, writer Jonathan …

SOURCE: The Guardian at 1:05pm on July 15, 2026

The Oresteia review – Simon Stone’s patchwork tragedy is a gripping and exasperating epic by Arifa Akbar

Bridge theatre, London Mary-Louise Parker gives a powerhouse performance in a three-part drama that cuts up Aeschylus’s chronology and adds shades of other playsAlthough writer-director Si…

SOURCE: The Guardian at 8:50am on July 15, 2026

Tender review – passion and dangerous promise in surreal horror romance by Arifa Akbar

Bush theatre, LondonFrancesca Amewudah-Rivers is a phenomenal presence in this queer thriller that leaves a little too much unexplainedThis strange and alluring two-hander was first performe…

SOURCE: The Guardian at 12:15am on July 15, 2026

A cathartic play unpacks the pain of heartbreak with classic breakup songs: ‘As close to a universal experience as one gets’ by Donna Lu

Heartbreak Hotel draws on the wisdom of Céline Dion, Prince and Elvis, as well as a rich repository of literature about grief and broken heartsIn 1983, the Japanese doctor Hikaru Sato diagn…

SOURCE: The Guardian at 4:50pm on July 14, 2026

Andrew Lloyd Webber says Broadway in ‘dire danger’ as Cats musical announces early closing by Owen Myers

The legendary composer warned theaters could soon meet the same fate as Hollywood’s ‘empty soundstages’Andrew Lloyd Webber has spoken out about the precarious state of Broadway in the …

SOURCE: The Guardian at 1:12pm on July 14, 2026

‘The crowd are there for the crashes’: how a play performed on a racetrack became a smash with banger racers by Kate Wyver

The Kneebone Cadillac is about a sport in which community is fostered yet collisions are encouraged. Actors, audiences and drivers explain the rushLexi Crosbie was five days old when she wen…

SOURCE: The Guardian at 12:30pm on July 14, 2026

The Jonathan Larson Project review – Rent composer’s lost songs find a glorious new home by Chris Wiegand

Southwark Playhouse Borough, LondonA lesser-known selection from the composer and lyricist’s archive is full of heart and humour, swinging between cabaret blues and pop bangersHow do you m…

SOURCE: The Guardian at 9:10am on July 14, 2026

‘True Patriots’: a traveling play honors enslaved Africans’ role in the American revolution by Melissa Hellmann

Da’ Gullah American Revolutionary Experience retells the revolutionary war from the perspective of former slavesA beam of white light illuminated actor Anita Singleton-Prather’s face. �…

SOURCE: The Guardian at 7:00am on July 14, 2026

‘I just knew it would sound incredible!’: why the Globe is giving Shakespeare some flamenco fire by Lyndsey Winship

Love’s Labour’s Lost offers a heady mix of passion and death – which makes the Spanish art form a perfect match, says director Indiana Lown-Collins. Our writer joins the theatre’s fl…

SOURCE: The Guardian at 12:40pm on July 13, 2026

Yvonne Rainer, Trio A review: watching this thrilling performance for free feels like an enormous privilege by Ben Eastham

Tate Modern, LondonWith this work, the choreographer changed the course of dance – and on its 60th anniversary, viewed by babies, tourists and passers-by, it’s as beguiling and hypnotic …

SOURCE: The Guardian at 7:20am on July 13, 2026

The man who forgot himself: life before and after total amnesia by Paula Cocozza

In 2019 Eric Lampaert woke up unable to recognise his friends, his parents, even his own name. After decades of anxiety, abandonment and bullying, was his mind just trying to shield him from…

SOURCE: The Guardian at 6:10am on July 13, 2026

Aziz Ansari review – a hugely gifted comic who makes funny look easy by Brian Logan

Royal Albert Hall, LondonShiny-suited and slick, the US standup fired off peppy and sometimes taboo-teasing gags about his cultural identity, married life and visits to a fertility clinicYou…

SOURCE: The Guardian at 1:00pm on July 12, 2026

The Market Deeping Model Railway Club review – the absurdities of British life in miniature by Mark Fisher

Nottingham PlayhouseThe camaraderie and eccentricities of some model railway enthusiasts make for an endearing group portrait in William Ivory’s well-gauged comedyBefore the play begins, a…

SOURCE: The Guardian at 9:45am on July 12, 2026

Fun Home review – Alison Bechdel’s musical memoir feels every emotion by Mark Fisher

Royal Exchange, ManchesterA celebration of the cartoonist’s sexual awakening and queer identity as well as an investigation of darker family dynamics, this soulful show wears its heart on …

SOURCE: The Guardian at 8:40am on July 12, 2026

Love’s Labour’s Lost / Much Ado About Nothing review – breezy double bill brings out the best in both by Mark Lawson

Braboeuf Manor, GuildfordElegantly stitching the plays into two parts of the same continuing story, Tom Littler’s sunny al fresco productions play every possible tragicomic noteTwo Shakesp…

SOURCE: The Guardian at 8:40am on July 12, 2026

Lear review – this matriarchal monarch’s tragedy is personal not political by Mark Fisher

Pitlochry Festival theatreMaureen Beattie leads a modern-dress version, which focuses on family dynamics rather than the decline of Shakespeare’s mighty rulerYou know when you walk into a …

SOURCE: The Guardian at 10:15am on July 10, 2026

‘It’s a national reclamation’: the 12-year festival bringing Samuel Beckett back to Ireland by Holly O'Mahony

The playwright has long been considered one of the country’s most famous exports, but not an ‘Irish writer’. An ambitious new season of plays explores his complex relationship with his…

SOURCE: The Guardian at 8:05am on July 10, 2026

Robota review – machines on the march in next-gen version of sci-fi classic by Arifa Akbar

Schwarzman Centre, OxfordHeadlong’s take on Karel Čapek’s 1920 tale of romance and robots is rife with timely debates about tech’s threat but at times the philosophical discussions dr…

SOURCE: The Guardian at 7:10am on July 10, 2026

What a clusterpuck! Race to parody hockey hit Heated Rivalry results in multiple musicals by Kate Wyver

The horny TV series has inspired a whopping four comedy shows this summer. Their makers explain why musical theatre and steamy action are such good bedfellows – and why there’s no rivalr…

SOURCE: The Guardian at 8:10am on July 9, 2026

Love You Long Time (Already) review – decades of dreams and a tour of the afterlife by Arifa Akbar

Theatre503, LondonMixing naturalism and fantasy, Katie Đỗ’s debut is conceptually inventive but flawed by over-short scenes and scant emotive appealThis debut by Vietnamese-American pla…

SOURCE: The Guardian at 11:55am on July 8, 2026

Physical Education review – boisterous, cliche-busting lesson on teen masculinity by Holly O'Mahony

Swansea Grand theatreSchool locker room banter has a sinister edge in Jonathan Houlston’s shrewd debut, which pairs the toxic tropes of Adolescence with the group dynamics of Laura Wade’…

SOURCE: The Guardian at 7:35am on July 8, 2026

Lindsey Santoro: ‘The problems I have are my own – I’ve caused them, I’m the issue!’ by Interview By Liam Pape

The standup on bad gigs at motorway service station hotels, her nan’s reviews and the pressure to be ‘prize pig’ at the Edinburgh fringeWho did you admire when you were starting out?I …

SOURCE: The Guardian at 6:00am on July 8, 2026

Jesus Christ Superstar review – Sam Ryder raises the roof in rock opera turned up to 11 by Arifa Akbar

London PalladiumThe Eurovision star leads a glittery production of Andrew Lloyd Webber and Tim Rice’s blockbuster but this booming show lacks context and clarityThis amped-up version of An…

SOURCE: The Guardian at 7:50pm on July 7, 2026

Dolly Parton musical set for Broadway this winter: ‘a dream come true’ by Owen Myers

After a run in Nashville, Dolly: A True Original Musical is set to open in New York in DecemberDolly Parton will celebrate turning 81 with the opening of a musical about her life on Broadway…

SOURCE: The Guardian at 11:07am on July 7, 2026

‘It still haunts me’: the puppet show Dracula that’s definitely not for small children by Chris Wiegand

The dreaded bloodsucker will be getting his fangs into the Edinburgh fringe this year – in a deeply creepy, liberty-taking show with a sisterly twist. We meet its directorWho is your Dracu…

SOURCE: The Guardian at 10:10am on July 7, 2026
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