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35,450 stories from The Guardian

Ania Magliano: Peach Fuzz review – body and soul comedy from superb SNL UK star by Brian Logan

Soho theatre, LondonThe co-host of Saturday Night Live’s Weekend Update delivers an expertly constructed set of jokes about her quest to live a more embodied lifeAfter serving an eye-catch…

SOURCE: The Guardian at 3:15pm on June 30, 2026

Michael Byrne obituary by Michael Coveney

Character actor whose decades-long career encompassed the National Theatre, war films and Coronation StreetThere were two key periods in the working life of the reliable, handsome and much-a…

SOURCE: The Guardian at 10:00am on June 30, 2026

A Midsummer Night’s Dream review – regal rockers and a fairy folk band strike up trouble by Arifa Akbar

Regent’s Park Open Air theatre, London There’s much to love in Atri Banerjee’s fun staging, in particular Titania’s musical crew and a brilliant Bottom, but some of the wonder is mis…

SOURCE: The Guardian at 10:00am on June 30, 2026

Springwood review – timely tale of British monarch’s mission to the US by Mark Lawson

Hampstead theatre, LondonRobert Lindsay excels as Franklin D Roosevelt in Richard Nelson’s fascinating retelling of King George VI’s diplomatic visit in 1939The 2012 film Hyde Park on Hu…

SOURCE: The Guardian at 9:00am on June 30, 2026

Louis CK: Ridiculous review – the troubled comedian returns … with a whimper by Jesse Hassenger

The fallen star, who was accused of sexual misconduct in 2017, is back in a Netflix special which has its moments but not enough of themLouis CK is back, again. It’s been nearly a decade s…

SOURCE: The Guardian at 4:35am on June 30, 2026

Show me the funny: essential comedy at Edinburgh fringe 2026 by Brian Logan

Elf Lyons mixes humour and heartbreak, Frank Skinner works the crowd, Kristen Schaal returns with a secret – and one man sings the same song over and over againNo fringe festival has been …

SOURCE: The Guardian at 3:35am on June 30, 2026

To mischief born: Penelope Keith was a class comic act both on and off stage by Michael Billington

The actor’s sophisticated sense of humour and natural ability to make everyone laugh were there long before her famous sitcom rolesA life in picturesPenelope Keith: the most spectacular si…

SOURCE: The Guardian at 3:51pm on June 29, 2026

Trafalgar Entertainment acquires Nicholas Hytner’s Bridge theatre by Chris Wiegand

London Theatre Company founded in 2017 by Hytner and former National Theatre colleague Nick Starr has been sold to company that owns 20-plus venues in UK and abroadThe Bridge theatre in Lond…

SOURCE: The Guardian at 9:20am on June 29, 2026

Michelle Wolf: The Best Job in the World review – motherhood, mischief and The Very Hungry Caterpillar’s menopause by Brian Logan

Watford Palace theatreThere’s plenty of devilment as the Pennsylvanian flies the flag for the magnificence of women and riffs on pregnancyThe Best Job in the World, Michelle Wolf’s touri…

SOURCE: The Guardian at 8:15am on June 29, 2026

Beyond human: Montpellier Danse festival delivers one feat after another by Sanjoy Roy

This year’s celebration of contemporary dance in the French city is bold, baffling and breathtaking, with some high-voltage performersLaunched in 1981, the pioneering Montpellier Danse fes…

SOURCE: The Guardian at 8:15am on June 29, 2026

Penelope Keith, star of The Good Life and To the Manor Born, dies aged 86 by Alexi Duggins

A familiar face on TV and the stage, Keith was made a dame in 2014 for her services to the arts and charitiesPenelope Keith – a life in pictures Penelope Keith, best known for starring in …

SOURCE: The Guardian at 7:10am on June 29, 2026

‘A privilege – and pretty terrifying’: James Norton to play Hamlet in the West End by Chris Wiegand

The Happy Valley actor is lined up as the lead in German director Thomas Ostermeier’s first Shakespearean play in EnglishJames Norton is to take on his first major Shakespearean stage role…

SOURCE: The Guardian at 7:25pm on June 28, 2026

Land of the free movers: how jookin street dancer Lil Buck’s 1776 reframes independence by Lyndsey Winship

In a collaboration with young British dancers, supported by Oxford’s new Schwarzman Centre, the Memphis dancer tackles US history’s ‘broken promise’ of equality in a performance fill…

SOURCE: The Guardian at 6:20pm on June 28, 2026

Arthur review – modern girl’s quest yields a good knight for all ages by Miriam Gillinson

Polka theatre, London Marietta Kirkbride’s enchanting take on the Arthur myth brings silliness and songs when young Grace travels back in time with Merlin the wizardHere is a sparkling new…

SOURCE: The Guardian at 4:05pm on June 28, 2026

Archduke review – twisted history goes to war for a sandwich by Mark Lawson

Royal Court Downstairs, London Hunger and TB, as much as imperialism, are triggers for the assassination that precipitated the first world war in Rajiv Joseph’s tragicomic reimagining of t…

SOURCE: The Guardian at 8:35am on June 28, 2026

Brassed Off review – stirring tale of coal and cornets moves Yorkshire audience to tears by Nick Ahad

Leeds PlayhouseIn a cavernous venue seemingly designed for a colliery-based story, Amy Leach directs Paul Allen’s adaptation of the 1996 filmIt’s odd that this most Yorkshire of stories …

SOURCE: The Guardian at 3:25am on June 27, 2026

Colossus review – masses of dancers, masses of fun in a show that goes whoosh! by Lyndsey Winship

Queen Elizabeth Hall, LondonFull of surprises, Stephanie Lake’s 2018 piece is a feat of logistics as 60 performers display split-second timingMass movement can have a walloping impact. Whe…

SOURCE: The Guardian at 12:30pm on June 26, 2026

Relics review – toxic heirloom cues hugely entertaining family clash by Arifa Akbar

Lyric Hammersmith, London Four siblings squabble over an art treasure possibly stolen by their grandfather in this riotous play by Ben OckrentBen Ockrent’s black comedy about a family in m…

SOURCE: The Guardian at 8:05am on June 26, 2026

The Surge review – a wild and haunting wake for Sinéad O’Connor by David Jays

Aviva Studios, Manchester The late singer gets a thrilling tribute from a cast of 10 dancers in Sonya Taleh’s heartfelt show‘I’m just a troubled soul who needs to scream into a mic now…

SOURCE: The Guardian at 6:00am on June 26, 2026

Pride review – solidarity between gay activists and miners in a magnificent musical by Arifa Akbar

Dorfman theatre, LondonThe director and writer of the hit 2014 film deliver a stage celebration of togetherness in the face of adversityA group of 1980s LGBTQ+ activists begin fundraising fo…

SOURCE: The Guardian at 7:15pm on June 25, 2026

Rocío Molina: Calentamiento review – an electrifying blast of punky flamenco by Lyndsey Winship

Sadler’s Wells, London Molina says she wants a show that never finishes – this one is endlessly thrilling and surprisingRocío Molina has completely redefined what flamenco can be. Some …

SOURCE: The Guardian at 4:10pm on June 25, 2026

The Truth review – Florian Zeller’s knotty comedy of deceit is a real delight by Mark Lawson

Apollo theatre, LondonStephen Mangan, Sarah Hadland, Ardal O’Hanlon and Janie Dee are seat-shakingly funny in this study of adulteryAlice and Michel must conceal their affair from possibly…

SOURCE: The Guardian at 10:40am on June 25, 2026

‘Like swimming through the air’: my thrilling role in Giselle with the Royal Ballet’s wheelchair dancers by Niamh Ní Hoireabhaird

I use a wheelchair and yearn to dance like I did when I was a kid. Could I possibly hold my own in a class run by inspirational disabled dance star Kate Stanforth and the Royal Ballet? From …

SOURCE: The Guardian at 8:30am on June 25, 2026

Hot Mess and Acid’s Reign: the romcom and queer cabaret spotlighting climate crisis by Arifa Akbar

A blooming new wave of musical theatre is exploring the plight of the planet with a playful and hopeful approachEarth is a single woman with a lot to give; Humanity is a charismatic bad boy …

SOURCE: The Guardian at 7:25am on June 25, 2026

Sinatra: The Musical review – life of a legend brims with hits but never gets under his skin by Emma John

Aldwych theatre, LondonFrank swings into the West End with a swaggering turn from Joel Harper-Jackson and plenty of style yet the script is flatOl’ Blue Eyes is back: first staged in Birmi…

SOURCE: The Guardian at 7:30pm on June 24, 2026
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