Friday, October 28, 2022
The company continues its fall season with the delight that is “The Dream,” and a Christopher Rudd premiere with an all-Black cast and creative team.
SOURCE: The New York Times Subscription at 02:02PMFriday, October 21, 2022
Reflections on the fall season of New York City Ballet, which remains in transition with a new generation raring to go.
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The busy choreographer returns to the stage, maybe for the last time, in her celebrated trilogy exploring Black life.
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The choreographer Fouad Boussouf presents his mystical “Näss” at the Joyce Theater as part of the Crossing the Line Festival.
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The prolific choreographer tells a new story with two classic works at New York City Center: “In the Upper Room” and “Nine Sinatra Songs.” In that order.
SOURCE: The New York Times Subscription at 04:54PMFriday, October 14, 2022
Phelan, a principal at New York City Ballet, has gone from rising to risen with a stellar fall season that has shown her range in a string of debuts.
SOURCE: The New York Times Subscription at 01:52PMFriday, September 30, 2022
The City Center festival continued with Kyiv City Ballet, a Christopher Wheeldon duet and a daring work for Dayton Contemporary Dance Company.
SOURCE: The New York Times Subscription at 01:12PMThursday, September 29, 2022
With music by Solange and ballets by Kyle Abraham, Gianna Reisen and Justin Peck, the company’s annual fashion gala prizes costumes over dancing.
SOURCE: The New York Times Subscription at 01:21PMWith more than a half-century of work behind her, Rainer goes out swinging with “Hellzapoppin’: What About the Bees?,” which takes on themes of race and resistance.
SOURCE: The New York Times Subscription at 10:00AMFriday, September 23, 2022
The South African choreographer Robyn Orlin mixes culture and politics with the help of the stunning performance artist Albert Silindokuhle Ibokwe Khoza.
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The country’s experimental dance artists, independent and resilient, are using their skills in a new arena: war.
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This year, the Beach Sessions at Rockaway Beach features the Trisha Brown Dance Company in a program of early works.
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In “Lifted: A Gospel House Musical,” the choreographer Rennie Harris tells a tale of redemption and healing loosely inspired by “Oliver Twist.”
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This New Zealand company returns to the Joyce Theater with two New York premieres, but neither are as penetrating as “Handgame,” a vintage gem.
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Daniel Camargo’s breakout season at American Ballet Theater changed his rank from guest artist to principal. (Now, all he needs is an apartment.)
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Catherine Hurlin makes a major debut as Odette-Odile and the company presents the New York premiere of a mystical work by Alonzo King.
SOURCE: The New York Times Subscription at 01:43PMWednesday, June 29, 2022
Christopher Williams, a choreographer captivated by the otherworldly, presents the New York premieres of “Les Sylphides” and “Afternoon of a Faun.”
SOURCE: The New York Times Subscription at 01:08PMTuesday, June 21, 2022
Alexei Ratmansky’s “Of Love and Rage,” a New York premiere for American Ballet Theater, tells its story through fluent dancing bodies.
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Alvin Ailey American Dance Theater returns to Lincoln Center with an anniversary and a premiere by its resident choreographer, Jamar Roberts.
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American Ballet Theater opens its summer season at the Metropolitan Opera House with a triple cast, comic production. Where will it go next?
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English National Ballet brings Akram Khan’s “Giselle” to the Brooklyn Academy of Music, a production that prizes style over substance.
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What is the role of choreography on Broadway? Two musicals, “MJ” and “A Strange Loop,” shed light on the dancing body.
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The company’s spring season, a double whammy of Covid and injury, ended with the retirement of the principal Amar Ramasar.
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The choreographer Donna Uchizono presents “Wings of Iron,” a subtle, virtuosic exploration of the art of perseverance.
SOURCE: The New York Times Subscription at 01:37PMTuesday, May 17, 2022
The choreographer Abby Zbikowski brings her raw, genre-bending “Radioactive Practice” to New York Live Arts after a two-year delay.
SOURCE: The New York Times Subscription at 12:16PMFriday, May 6, 2022
The choreographer Silas Farley and the composer David K. Israel team up for “Architects of Time,” a premiere for the Stravinsky Festival.
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The best part? It’s not cosmetic. New York premieres by Madeline Hollander and Janie Taylor pair perfectly with a Bella Lewitzky revival.
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Live audiences return for a new platform at Danspace Project featuring Mayfield Brooks, Rashaun Mitchell + Silas Riener, Iele Paloumpis and Ogemdi Ude.
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The Japanese dance artist, joined by four collaborators, brings her evolving “Duet Project: Distance Is Malleable” to N.Y.U. Skirball.
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Ashwini Ramaswamy, whose specialty is Indian classical dance, works with two dancers from other traditions in “Let the Crows Come.”
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Martha Graham Dance Company brings two premieres and a classic to the City Center Dance Festival. The best new work? A soulful score by Jason Moran.
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