38,468 stories from The New York Times
American Ballet Theater’s artistic director, Susan Jaffe, teams up with the régisseur Susan Jones for a new staging of the comic romp.
A new musical based on the 2014 movie “Pride” trades restrained sentimentality for all-in emotion and flamboyance.
A winter revival of the Richard Greenberg drama will star David Corenswet, Yvonne Strahovski and François Arnaud.
The Milly Rock, haunting flamenco and falling bodies: The Lincoln Center Contemporary Dance Festival delivers quality with nary a pointe shoe in sight.
Sharp performances from Maryann Plunkett and the other cast members lend weight and texture to Erica Murray’s play, even when the script becomes predictable.
New York in June is a bonanza of Off and Off Off Broadway productions. Here’s our guide to shows we recommend, many in the city’s coziest spaces (and closing soon).
Hollywood actors in starry plays, skittish investors and gate-keeping theater owners have all contributed to an unusually tough climate for song-and-dance shows.
Istanbul’s many tango schools, clubs and skilled dancers have won the city recognition, even among Argentine maestros, as a global tango destination.
Miranda is co-writing the musical — his first since “Hamilton” — with Eisa Davis. It’s based on “The Warriors” film and novel.
In allocating the borough’s discretionary budget entirely to cultural projects, Brad Hoylman-Sigal said he wanted to send a message to President Trump about the need to keep arts funding.
Students from Georgia and Arizona won the top prizes at the ceremony, which was hosted by Bowen Yang and celebrates excellence in high school musical theater.
Lincoln Center Theater, basking in the glow of its Tony-winning “Ragtime” run, plans revivals of two more well-known titles this season.
Across the country, audiences will find an abundance of Shakespeare, exciting new plays, and musicals and regional repertories in bucolic settings.
Pioneer Winter’s works expand ideas about who gets to be a professional dancer. In “Apollo,” his muses are older dancers, who are like living archives.
“Kenrex” reimagines a notorious killing in Skidmore, Mo. Jesse McKinley wrote about the play — and the crime — after getting a tip from his son.
After 38 years in a tent, Hudson Valley Shakespeare opens one of the most spectacular outdoor performance spaces in the country.
Each June, students from around the country come to New York for the Jimmy Awards. We tagged along for a day of their intensive musical-theater residency.
Billy Porter and Wayne Brady make a tender pair in Robert O’Hara’s revival of the Harvey Fierstein-Jerry Herman musical farce.
The “Law & Order: SVU” actress “was really scared” about starring in “Every Brilliant Thing.” Who does she look to for inspiration? The Knicks, of course.
Stearns, a longtime principal at American Ballet Theater, has stepped down. He talks about being pushed to leave and the pains and boons of growing older.
Anna D. Shapiro revives Eric Bentley’s play about the House Un-American Activities Committee’s investigation of the entertainment industry.
The show, which revisits the story of a marmalade-loving bear, plans to open next April at the Hirschfeld Theater in New York.
Sharleen Chidiac, a choreographer and the effervescent lead singer of Voyeur, looks at ambition and freedom in her hybrid new work: a punk musical.
Performers were tested by the unexpected during a ballet production in Turkey.
Thanks to a $50 million grant, a new festival has been born. Kyle Abraham helps to curate the first edition, which is part of the center’s Summer of Dance.
