38,438 stories from The New York Times
A performance artist, dancer, choreographer, videographer, filmmaker and curator, he was a central figure in the downtown Manhattan experimental arts scene.
Paul Lightfoot and Sol León brought their blend of stretched balletic line and idiosyncratic gesture to London with a new work inspired by daily ballet class exercises.
For the Public Theater’s Shakespeare in the Park, the director Saheem Ali presents a strangely low-energy version of the tragedy.
The final curtain is coming down on two Tony Award-winning performances, a reboot of a 1980s musical and one of the best plays in August Wilson’s American Century Cycle.
Hunted by slavers, the abolitionist escaped briefly to Britain and Ireland. A new show at the Irish Arts Center combines his speeches with performances by local students.
The supernatural mixes with secular modernity, family dynamics and feminism in a new London production of “Under the Shadow.”
For her Broadway debut, the comedian hired a trainer, read lines with her daughter and, when she needed it most, was saved by improv.
After his 2014 musical failed on Broadway, the musician is bringing a revised version of it to the Metropolitan Opera for a limited run this week.
Since her mother’s death, Emma Dante has used the stage as a space to dive into her Sicilian roots — and the contradictions of family life.
New York City Ballet ended its season on a positive note with “Coppélia,” but the repertory tipped too heavily into unimportant ballets.
Our chief theater critic, Helen Shaw, shares her highlights of the Tony Awards on Sunday in New York City.
Many of the winning plays and musicals are still onstage, and some are closing soon. Here’s a guide to help you navigate the field and find tickets.
Many of the winning plays and musicals are still onstage, and some are closing soon. Here’s a guide to help you navigate the field and find tickets.
The long-running sketch comedy show proved its power during the Tony Awards on Sunday, with Lorne Michaels and several former stars grabbing the spotlight.
Scott Rudin is a lead producer of “Death of a Salesman,” but he kept a low profile this awards season after a four-year hiatus prompted by bullying allegations.
Thousands of people contributed their Broadway favorites of the season ahead of the Tony Awards. Here’s how their votes stacked up.
A crowd that included Daniel Radcliffe, Cole Escola and Carrie Coon celebrated with whiskey ice cream at Rockefeller Center and show tunes at the Carlyle hotel.
Pink brought sincerity and punk energy as the host, musical numbers by “Cats,” “Ragtime” and “Chicago” popped, and Maya Rudolph and Cole Escola mined comic gold.
The Broadway revival of “Salesman” led with six Tony Awards. “Schmigadoon!” won best new musical, and “Ragtime” and “Liberation” also took home major prizes.
The knowing, and loving, musical theater satire won the coveted award of the night.
As Coalhouse Walker Jr. in “Ragtime,” Henry belts out emotional solos that have prompted mid-show standing ovations.
Arthur Miller’s classic won the same award in 1984, 1999 and 2012.
