38,678 stories from The New York Times
An overachiever who had her life mapped out hits a roadblock in Mfoniso Udofia’s haunted, surreally comic new play at LCT3.
Peck’s choreography in “Grandes Études” for the Northern Ballet shows off qualities she is known for as a ballerina: speed, virtuosity, musicality.
The show, “a live radio play,” will run during this year’s holiday season. The cast includes Andrew Rannells, Megan Hilty, Tituss Burgess, Harry Hamlin and Lisa Rinna.
Thirty-five years after the road trip movie’s release, a stage adaptation with music by Neko Case wants to be a another rallying cry for women.
Andrew Scott stars in a “Sea Wall” being captured for the screen, and “In the Heights” gets a gala revival as New York City stages approach their autumn peak.
In her play about a group of very online incels, Else Went reveals what happens to their rabid rhetoric when these people are offered love.
The president has entertained the idea of tearing down the performing arts venue. Analysts say any plan would face multiple daunting challenges.
Jennifer Archibald creates ballets for the generations who grew up on hip-hop and electronic dance music. She makes her New York City Ballet debut at the fashion gala.
The actor Jacob Ming-Trent faced numerous rejections. But in this solo play at the Public, he tells how he found redemption through the playwright’s worlds and words.
Jocelyn Bioh’s breakthrough 2017 play about cliques and colorism is just as funny — and devastating — with a sharp ensemble and direction by Whitney White.
“For a lot of South Asians, dance is the way we connect,” said a member of the U.C.L.A. team Nashaa. Our photographer captured glimpses of the team last year, from audition to competitio…
The TV series, our critic writes, gave us a slew of talented stage performers and used pop songs to help turn musical theater into mass entertainment.
Kikuchi and the film’s director, Josef Kubota Wladyka, break down five key dance sequences from the film.
The Tony- and Emmy-winning actor will portray the Devil in a new production of the 1955 musical, performing alongside Julianne Hough and Austin Scott.
The Scissor Sisters frontman is now playing Frank-N-Furter in “The Rocky Horror Show.” It suits his taste for horror and spookiness.
The position was created for the principal dancer, who is the first woman at New York City Ballet to hold a choreographic title.
Our critics recommend Molière in the Park’s “Don Juan,” “Beyond the Stardust,” “The Hope Theory,” “Pre-Existing Condition” and more.
Across the region, documentary-style works have risen to address political and economic realities.
The men’s wellness niche, and men-only spaces, come in for a skewering in Max Wolf Friedlich’s gleefully weird follow-up to “Job.”
The writer-performer takes the country and its fractious multitudes to therapy in her new multicharacter solo show in Brooklyn.
After opposing the Ukrainian war and settling in Latvia, Chulpan Khamatova now comes to New York to star in a dark comedy by Ionesco.
Joseph Herscher’s Rube Goldberg contraptions are viral hits online. A new live show adds a layer of choreographic complexity.
Robert Fairchild’s dance-theater work premiering at Fall for Dance posits that Shakespeare poured the pain of same-sex longing into “Romeo and Juliet.”
The film looks at the storied 1972 Toronto production of “Godspell,” a Rosetta Stone of funny people that featured Martin Short, Gilda Radner and Eugene Levy.
After 18 years traveling Inwood and Washington Heights, the People’s Theater welcomes a $40 million permanent address.
