Close Login Box
With new rules on funding, the government has taken a further step in controlling arts in the country, prompting an outcry in Budapest.
Amusing monologues and oddball encounters enliven T. Adamson’s overstuffed play that follows two friends on a very long car ride.
“Anything Can Happen in the Theater: The Musical World of Maury Yeston” is an old-fashioned revue that ably showcases the Tony-winning songwriter.
A memorable character actor on stage and screen, Mr. Aiello won an Academy Award nomination for his role in Spike Lee’s 1989 film.
Two Berlin productions find different types of comedy in the great 17th-century playwright’s works.
Lucas Hnath’s cunning new ghost story, about a psychic and her client, is a twisty yarn that won’t unravel.
He won theater’s top prize for his performance in “The Invention of Love,” one of numerous Broadway roles.
Previews, openings and some last-chance picks.
He specialized in one-character dramas, portraying luminaries like Emily Dickinson, John Barrymore, Lillian Hellman, Zelda Fitzgerald and Isak Dinesen.
Harry Hamlin and Stefanie Powers bring a measure of glamour to a patchy two-hander about three sibling pairs and one downed airplane.
At the Park Avenue Armory, Odon von Horvath’s 1937 drama gets a rare and physically overwhelming staging.
Video projections help set the mood for an admirable adaptation of the Brazilian writer’s fragmented novel about a woman chafing against society’s restrictions.
The star of “Hadestown” shares what he watched, read and listened to last weekend.
One was in “Game of Thrones.” One is still in high school. They all act and play instruments. And in a new show they portray scrappy Dubliners creating a band.
Donja R. Love’s powerful play balances tenderness and fury to explore how H.I.V. has become a ”hidden emergency” in the black community.
A Los Angeles institution has a new home. Join us for a behind-the-scenes tour.
At the new Cirque Mechanics show, the revolving ring, rotating ladders and spinning swings might not thrill, but the performers do.
Samuel D. Hunter’s creaky play about the downsizing of the American West features terrific performances by Judith Ivey and Edmund Donovan.
Stephen Adly Guirgis’s bumpy, vibrant and expansive comic drama about a women’s homeless shelter features a cast of 18 (or 19, counting the goat).
The $21 million musical will be hoping for a new home after the Shubert Organization made way for Hugh Jackman and ‘The Music Man.’
An excursion into the Theater of Lists at St. Ann’s Warehouse proves to be both original and exasperating.
The busy character actor was also known for “Benson,” “Boston Legal” and several Broadway roles.
This cryptic play at the Brick Theater examining a certain kind of mythological American noir is wonderfully flabbergasting, and often genuinely creepy.
In addition to his acclaimed turn as Roy Cohn on Broadway, he was known for his work in “Norma Rae,” “Slaughterhouse-Five” and other films.
In its sixth year on Broadway, “The Illusionists” serves up familiar routines, but two smaller shows deliver egghead charm and brainy sleight-of-hand.
Alanis Morissette’s “ironic” fury finds a perfect Broadway musical setting in Diablo Cody’s fiery indictment of, well, everything.
A roundup of events in every borough, from the Radio City Christmas Spectacular in Manhattan to the annual Holiday Train Show in the Bronx.
Jennifer Tipton, a lighting designer who works in dance, theater and opera, is this year’s recipient of the award from the Baryshnikov Arts Center.
The genre has long been seen as minor in the French capital, but a string of English-language productions is creating a pleasingly upbeat dynamic.
George Eastman’s Off Broadway play is lifted by its direction and performances, but often feels like a cornball sitcom.
Inua Ellams’s energizing, globe-traveling play considers the barber’s chair as the black man’s confessional.