38,669 stories from The New York Times
Jocelyn Bioh’s breakthrough 2017 play about cliques and colorism is just as funny — and devastating — with a sharp ensemble and direction by Whitney White.
“For a lot of South Asians, dance is the way we connect,” said a member of the U.C.L.A. team Nashaa. Our photographer captured glimpses of the team last year, from audition to competitio…
The TV series, our critic writes, gave us a slew of talented stage performers and used pop songs to help turn musical theater into mass entertainment.
Kikuchi and the film’s director, Josef Kubota Wladyka, break down five key dance sequences from the film.
The Tony- and Emmy-winning actor will portray the Devil in a new production of the 1955 musical, performing alongside Julianne Hough and Austin Scott.
The Scissor Sisters frontman is now playing Frank-N-Furter in “The Rocky Horror Show.” It suits his taste for horror and spookiness.
The position was created for the principal dancer, who is the first woman at New York City Ballet to hold a choreographic title.
Our critics recommend Molière in the Park’s “Don Juan,” “Beyond the Stardust,” “The Hope Theory,” “Pre-Existing Condition” and more.
Across the region, documentary-style works have risen to address political and economic realities.
The men’s wellness niche, and men-only spaces, come in for a skewering in Max Wolf Friedlich’s gleefully weird follow-up to “Job.”
The writer-performer takes the country and its fractious multitudes to therapy in her new multicharacter solo show in Brooklyn.
After opposing the Ukrainian war and settling in Latvia, Chulpan Khamatova now comes to New York to star in a dark comedy by Ionesco.
Joseph Herscher’s Rube Goldberg contraptions are viral hits online. A new live show adds a layer of choreographic complexity.
Robert Fairchild’s dance-theater work premiering at Fall for Dance posits that Shakespeare poured the pain of same-sex longing into “Romeo and Juliet.”
The film looks at the storied 1972 Toronto production of “Godspell,” a Rosetta Stone of funny people that featured Martin Short, Gilda Radner and Eugene Levy.
After 18 years traveling Inwood and Washington Heights, the People’s Theater welcomes a $40 million permanent address.
The Oscar-winning writer returns to Facebook with “The Social Reckoning”— and remains as optimistic as ever.
For decades, Salzburg residents dismissed the hit musical as kitsch. Now, a dedicated space aims to reconcile movie myth and local history.
The director and writer Simon Stone updated the classic work to reflect the world we live in with this Korean-language adaptation at the Park Avenue Armory.
In translating synth pop to a theatrical format in the “American Psycho” musical, Sheik matched what he did with rock in the acclaimed “Spring Awakening.”
In adapting the old plot, the director-writer Simon Stone transports the story to a modern Korea from Russia in the early 1900s.
Weary of the heartthrob label after his 1996 hit “Barely Breathing,” he pivoted to musical theater and won two Tonys for composing “Spring Awakening.”
A misanthropic middle school teacher stages a provocative student musical in this sardonic comedy.
A one-woman show about the perils of authoritarianism draws on a memoir by the Hungarian-American writer Kati Marton. Under Viktor Orban’s government, it might not have happened.
Over the summer, 40 life-size bison puppets were handmade at St. Ann’s Warehouse in Brooklyn. This weekend, they’ll stampede through New York.
