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Ever behind the curve, I present 10 of my top moments in a theatre over the last ten years (plus a few bonus extra ones because whittling down this list was hard, and it will probably be dif…
A Kander & Ebb premiere in the West End you say? Curtains makes its bow at the Wyndham’s Theatre and I had an arrestingly good time with it.
Not too much more to say about Amélie the Musical, now in London at The Other Palace, other than book now for un moment merveilleux.
Teenage Dick at the Donmar Warehouse does extremely well in dealing with disability but I think we’re kidding ourselves if we’re yet in a place where this would happen organically.
Inua Ellams’ relocation of Chekhov’s Three Sisters to the Biafran Civil War proves devastatingly effective at the National Theatre.
Not much festive cheer around at the Royal Court, but plenty of grimly insightful writing in Gurpreet Kaur Bhatti’s A Kind of People.
Because nothing says Merry Christmas like a stage mum going off the rails! Gypsy offers a different festive treat at Manchester’s Royal Exchange.
As light as a madeleine and as frivolous as a macaron, Sandy Wilson’s The Boy Friend proves a festive treat at the Menier Chocolate Factory.
No doubt about it, Nikolai Foster’s production of West Side Story for Curve Leicester is damn close to musical theatre perfection.
Jonathan Groff and Darren Criss elevate Glee star Lea Michele’s first holiday album Christmas in the City.
A musical theatre album with a difference, RE:arrangement – An Album by Nick Barstow is refreshingly bold.
Luke Evans’ debut album At Last is full of emphatic pop covers and his powerful voice at full stretch, not always a winning combination.
There’s much to like about Dear Evan Hansen at the Noël Coward Theatre, not least a brilliant lead performance from Sam Tutty.
Really, in the end, Mary Poppins is the kind of production full of uncomplicated fun that can’t help but
uplift the soul in the most delightful way.
A genuinely updated I Love You, You’re Perfect, Now Change is a really rather lovely thing at the newly renamed Chiswick Playhouse.
This amiable revival of Soho Cinders makes for an alternative festive treat at the Charing Cross Theatre.
New musical The Green Fairy is a bold experience at the Union Theatre, featuring the unmissable, almighty voice of Julie Atherton.
The densely poetic On Bear Ridge offers a thoughtful experience at the Royal Court, with Rhys Ifans and Rakie Ayola on fine form.
I’ve long admired Jon Robyns and his new album Musical Direction reflects on his career so far beautifully, as well as suggesting what fun lies ahead.
Set in the world of competitive enduance tickling, Tickle the Musical proves a rather good-natured, sweet thing at the King’s Head Theatre.
Irish Coffee marks the 100th anniversary of Eva Perón’s birth with a fascinating look at her legacy at the Calder Bookshop & Theatre.
Some cracking choreography and two barnstorming lead performances make Gentlemen Prefer Blondes a musical treat at the Union Theatre.
Karaoke nights can offer moments of real insight into something of what our aspirational society has become and it is this rich seam of potential that Annie Jenkins mines with her new play K…
A pleasure to see Zoë Wanamaker and Zrinka Cvitešić onstage but they deserve a much better play than Two Ladies at the Bridge Theatre.
A rare foray into the world of dance saw me catch the highly atmospheric Outwitting the Devil from the Akram Khan Company and Heartbeat of Home at the Piccadilly Theatre.
In the space of just three shows, Out of the Forest Theatre has indisputably become a no-questions-asked do-what-you-can must-see company for me and so by extension, for you too. Now it is t…
The strange but spellbinding Anna Bella Eema makes for an intriguing trip to the Arcola Theatre.
Big doesn’t always mean better, size does matter, it’s not how big it is it’s what you do with it – whatever the pun, Big the Musical is a severe disappointment at the Dominion Theat…
Arrows & Traps’ queer noir take on The Strange Case of Jekyll & Hyde is a contemporary adaptation that speaks to the ages at the Brockley Jack Theatre.
British theatre’s determination to adopt Florian Zeller as one of its own continues unabated as the Kiln Theatre’s production of The Son transfers into the Duke of York’s for the autum…
Lindsay Duncan and Alex Jennings prove entirely watchable in Hansard, a sharp new play at the National Theatre.