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1,029 stories by "Mark Fisher"

Penelope review – Odysseus’s other half sings of her own twists and turns by Mark Fisher

Underbelly, Cowgate, EdinburghGrace McLean brings vocal and emotional range in the central role of Alex Bechtel’s Homeric song cycleShe is the one played by Anne Hathaway in Christopher No…

SOURCE: The Guardian at 2:05am on August 27, 2026

Goodbye Dandelion review – ode to a fabulous friendship with a 50-year age gap by Mark Fisher

Underbelly, Edinburgh Maddie and Marcus Rice relate with words and songs the lessons passed on from one woman to a younger oneAn unexpected theme on this year’s Edinburgh fringe is assiste…

SOURCE: The Guardian at 3:55pm on August 24, 2026

Haribo Kimchi review – Korean snack bar serves lessons in belonging by Mark Fisher

Festival theatre studio, Edinburgh Jaha Koo cooks up street-food treats for two lucky theatregoers as he reflects on how food preserves memory and cultural identity, with the help of a snail…

SOURCE: The Guardian at 7:50am on August 23, 2026

Hang Time review – a chilling picture of the horrors of racial violence by Mark Fisher

Royal Lyceum theatre, EdinburghThree men bicker and reflect like they’re chatting at a bar – yet this grimly beautiful piece of theatre at the Edinburgh international festival won’t le…

SOURCE: The Guardian at 7:00am on August 22, 2026

Wiping My Mother’s Arse review – confusion and subterfuge in a care home by Mark Fisher

Pitlochry Festival theatreIain Heggie’s rejigged 2001 play – now ensconced in the world of voice notes and vapes – is very funny, but the lighter moments jar with some sobering subtext…

SOURCE: The Guardian at 12:35am on August 22, 2026

A History of Paper review – Shirley Henderson and Alan Cumming sing a fragile romance by Mark Fisher

Pitlochry Festival theatreOliver Emanuel’s musical love story between tenement neighbours is told via origami gifts and restaurant receiptsIt started as a BBC radio drama in 2016, and was …

SOURCE: The Guardian at 10:35am on August 21, 2026

Badgers review – the audience investigates in this true-crime podcast yarn by Mark Fisher

Traverse theatre, EdinburghMalaika Kegode delivers a supernatural story about the strange disappearance of a maudlin folk singerPlaywright and performer Malaika Kegode tops and tails this sh…

SOURCE: The Guardian at 12:55am on August 21, 2026

Little Animals review – Motherland milquetoast creates a clever climate plea by Mark Fisher

Traverse at Royal Lyceum Studio, EdinburghPaul Ready’s playwriting debut expertly utilises his bumbling acting persona to examine what is enough in our response to climate emergencyNobody …

SOURCE: The Guardian at 10:50am on August 20, 2026

Giraffe review – sparkling one-woman show stands out from the crowd by Mark Fisher

Pleasance Courtyard, EdinburghAn unlikely relationship blossoms in Abigail Weinstock’s compelling and touching solo dramaIt takes a brave writer/performer to make her character a sociopath…

SOURCE: The Guardian at 3:40pm on August 19, 2026

Robot helpers and flying houses: Edinburgh fringe tips for families by Mark Fisher

From wacky versions of The ABC Song to Quentin Blake’s eccentric Mrs Armitage, these five shows offer fun for young audiencesUnderbelly until 31 August Continue reading...

SOURCE: The Guardian at 3:00am on August 18, 2026

Tether 인연 review – romantic ceilidh skips from Scotland to South Korea by Mark Fisher

Summerhall, EdinburghLove stories ring across the generations in this charming fusion of traditional dance and music from two culturesConnections are found in surprising places. You can get …

SOURCE: The Guardian at 6:30am on August 17, 2026

The Jolly Fisherman review – last orders for an east London boozer in tense tale by Mark Fisher

Underbelly, George Square, EdinburghA real-life pub closure inspires a sensitive and subtle drama about friendship and community by John DinneenTwo years ago, it was reported that a pub in B…

SOURCE: The Guardian at 1:00am on August 17, 2026

Blackbox review – a legendary escape from slavery is told with magic tricks by Mark Fisher

Underbelly, Edinburgh The story of Henry ‘Box’ Brown, who succeeded in mailing himself out of bondage, is recounted rather than fully dramatisedHenry “Box” Brown is wrapped up in cha…

SOURCE: The Guardian at 3:15pm on August 16, 2026

Four Walls and a Roof review – fascinating tale of Brecht, the red scare and today’s émigrés by Mark Fisher

Studio Theatre, EdinburghRabih Mroué and Lina Majdalanie explore the playwright’s life, and their journey from Beirut to Berlin, in an absorbing show at the Edinburgh international festi…

SOURCE: The Guardian at 11:00am on August 16, 2026

Angels in America review – Tony Kushner’s five-hour fever dream predicts and reflects the US at 250 by Mark Fisher

King’s theatre, EdinburghPeople, ideas and scenes wash over each other in Ivo van Hove’s masterly staging at the Edinburgh international festivalCould Tony Kushner’s sprawling fever-dr…

SOURCE: The Guardian at 7:55am on August 16, 2026

The Singer review – come on feel the noise with KT Tunstall’s glowing gig theatre by Mark Fisher

Traverse theatre, EdinburghIn Cora Bissett’s highly enjoyable and accessible show, a deaf man reintroduces a busker to the joy of music‘There are other ways to listen,” says Joe (Jamie…

SOURCE: The Guardian at 12:30am on August 16, 2026

Come Back Home review – loss and love in Palestinian artist’s intriguing fringe hour by Mark Fisher

Summerhall, EdinburghFadi Murad’s unconventional drama is a collage structured with the free-form imagination of a poetLast year, a group of Scottish producers staged a four-day mini festi…

SOURCE: The Guardian at 3:45pm on August 13, 2026

Turn Your F*cking Phones Off review – a tremendous takedown of big tech by Mark Fisher

Summerhall, EdinburghHannah Maxwell quits doomscrolling and turns her attention to tech bros’ targeted assault on democracy and our smartphone-addicted complicityLast year, Hannah Maxwell …

SOURCE: The Guardian at 11:20am on August 13, 2026

As Far As We Know review – strange solo goes full pelt down the mean streets by Mark Fisher

Summerhall, EdinburghWith increasing speed, Sam Ward tells the story of a woman who finds holes in her garden – but is it just a shaggy dog story?And there is a man sitting at a desk, welc…

SOURCE: The Guardian at 3:50am on August 13, 2026

Mrs Stern Wanders the Prussian State Library review – interrogating Hannah Arendt by Mark Fisher

Traverse theatre, EdinburghAn encounter in a police cell with a Nazi officer could have been the end of the political theorist, but Jenny Lyn Bader’s play has little feel for the dramaticT…

SOURCE: The Guardian at 1:20am on August 13, 2026

The Plot review – exploding myths in an hour of gunpowder and treason by Mark Fisher

Summerhall, EdinburghSet in purgatory, Emma Howlett’s two-hander rethinks the national intrigue with 5 NovemberNever play with matches is good advice – especially when gunpowder is invol…

SOURCE: The Guardian at 3:50pm on August 12, 2026

Mayflies review – Manchester’s Haçienda roars back to life in an Edinburgh warehouse by Mark Fisher

Rear Warehouse, Brown’s of Leith, EdinburghTwo men look back on their hedonistic past from a sobering present in Grid Iron’s adaptation of Andrew O’Hagan’s novelThe site-specific spe…

SOURCE: The Guardian at 12:50am on August 12, 2026

QFWFQ review – If On a Winter’s Night a Traveller is taken in a bold new direction by Mark Fisher

Summerhall, EdinburghGregory Nussen spins Italo Calvino’s surrealist authorial intrusions into a fascinating, playful and political showHow to adapt an unadaptable novel famed for its post…

SOURCE: The Guardian at 4:10am on August 11, 2026

Yeehaw! Bring on the tap-dancing cowgirls! How the Edinburgh Military Tattoo suddenly got cool by Mark Fisher

With its marching bands, billowing flags and precision drills, the Tattoo has never exactly been cutting edge. But now an experimental theatre-maker has been let loose on it … Dusk has set…

SOURCE: The Guardian at 12:55am on August 11, 2026

Cathy review – snappy comedy with a perfect role for Elaine C Smith by Mark Fisher

Traverse theatre, EdinburghWriter-director Eilidh Loan takes inspiration from her grandmother for this portrait of grief and religionEilidh Loan marked her arrival as a playwright with Moorc…

SOURCE: The Guardian at 8:55am on August 10, 2026
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