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1,009 stories by "Mark Fisher"

The Plot review – exploding myths in an hour of gunpowder and treason by Mark Fisher

Summerhall, EdinburghSet in purgatory, Emma Howlett’s two-hander rethinks the national intrigue with 5 NovemberNever play with matches is good advice – especially when gunpowder is invol…

SOURCE: The Guardian at 3:50pm on August 12, 2026

Mayflies review – Manchester’s Haçienda roars back to life in an Edinburgh warehouse by Mark Fisher

Rear Warehouse, Brown’s of Leith, EdinburghTwo men look back on their hedonistic past from a sobering present in Grid Iron’s adaptation of Andrew O’Hagan’s novelThe site-specific spe…

SOURCE: The Guardian at 12:50am on August 12, 2026

QFWFQ review – If On a Winter’s Night a Traveller is taken in a bold new direction by Mark Fisher

Summerhall, EdinburghGregory Nussen spins Italo Calvino’s surrealist authorial intrusions into a fascinating, playful and political showHow to adapt an unadaptable novel famed for its post…

SOURCE: The Guardian at 4:10am on August 11, 2026

Yeehaw! Bring on the tap-dancing cowgirls! How the Edinburgh Military Tattoo suddenly got cool by Mark Fisher

With its marching bands, billowing flags and precision drills, the Tattoo has never exactly been cutting edge. But now an experimental theatre-maker has been let loose on it … Dusk has set…

SOURCE: The Guardian at 12:55am on August 11, 2026

Cathy review – snappy comedy with a perfect role for Elaine C Smith by Mark Fisher

Traverse theatre, EdinburghWriter-director Eilidh Loan takes inspiration from her grandmother for this portrait of grief and religionEilidh Loan marked her arrival as a playwright with Moorc…

SOURCE: The Guardian at 8:55am on August 10, 2026

OnlyFans for Therapy review – a brave and unsettling emotional exposure by Mark Fisher

Zoo Playground, EdinburghVeering from confident to crumbling, Verona Verbakel delivers a vivid show mixing humour with traumaWe are all familiar with the cliche of the influencer narrating t…

SOURCE: The Guardian at 3:50pm on August 9, 2026

Prophets review – a mysterious tale of faith at the end of the world by Mark Fisher

Assembly Roxy, EdinburghA researcher encounters an isolated community in thrall to a mysterious religious leader in Jack MacGregor’s atmospheric but elusive dramaWhat impresses about Jack …

SOURCE: The Guardian at 2:50pm on August 9, 2026

Foriegner review – will drinking your own urine get you a US visa? by Mark Fisher

Summerhall, EdinburghSohrab Haghverdi takes pleasure at winding up the audience in a subversively funny ‘anti-comedy’ of autobiographical insight and political provocationSohrab Haghverd…

SOURCE: The Guardian at 6:20am on August 9, 2026

Water Colour review – an elegant, expertly handled study of depression by Mark Fisher

Traverse theatre, EdinburghMilly Sweeney’s award-winning two-hander about an art student and a kitchen porter draws power from its clever structure and light touchIt is rare to come out of…

SOURCE: The Guardian at 4:20pm on August 8, 2026

Supposing: review – only ancient Greek rage will suffice in our exasperating times by Mark Fisher

Traverse theatre, EdinburghA modern, secular woman is transformed into a Hellenic heroine as she sees visions of the future in Zinnie Harris’s minimalist dramaIf you found Christopher Nola…

SOURCE: The Guardian at 1:10pm on August 8, 2026

In the Black review – rewarding drama about the Faustian pact of big business by Mark Fisher

Underbelly, Bristo Square, Edinburgh Quaz Degraft draws on his knowledge of high finance for these misadventures in a material, misogynist worldYou don’t hear much about the American dream…

SOURCE: The Guardian at 1:25pm on August 7, 2026

Target Audience review – zingy satire puts media types in an apocalyptic pickle by Mark Fisher

Pleasance Courtyard, EdinburghWith characteristic wit, Dan Bishop’s comedy develops from a jolly send-up of the vacuous TV industry into a politically astute play about power‘I’ve neve…

SOURCE: The Guardian at 6:50am on August 7, 2026

Peter Gill, playwright who turned ordinary lives into extraordinary drama, dies aged 86 by Mark Fisher

Beginning his career as an actor, Gill went on to write plays including The York Realist as well as directing for the Royal Court and National TheatreTributes have been paid to the director …

SOURCE: The Guardian at 10:20am on August 4, 2026

I Can Die Too review – vibrant pop songs can’t bring actor’s tale to life by Mark Fisher

Pitlochry Festival theatre Following its star through rehearsals and squabbles with her director, this is modelled on Cocteau’s La Voix Humaine but it’s no…

SOURCE: The Guardian at 6:05am on July 17, 2026

Sweeney Todd review – Sondheim’s demon barber is still a cut above by Mark Fisher

Birmingham RepWith tremendous singing from Ramin Karimloo and Meow Meow, Joe Murphy’s superb staging of the story is full of dark gothic humourStephen Sondheim was drawn to fairytales – …

SOURCE: The Guardian at 3:30am on July 16, 2026

The Market Deeping Model Railway Club review – the absurdities of British life in miniature by Mark Fisher

Nottingham PlayhouseThe camaraderie and eccentricities of some model railway enthusiasts make for an endearing group portrait in William Ivory’s well-gauged comedyBefore the play begins, a…

SOURCE: The Guardian at 9:45am on July 12, 2026

Fun Home review – Alison Bechdel’s musical memoir feels every emotion by Mark Fisher

Royal Exchange, ManchesterA celebration of the cartoonist’s sexual awakening and queer identity as well as an investigation of darker family dynamics, this soulful show wears its heart on …

SOURCE: The Guardian at 8:40am on July 12, 2026

Lear review – this matriarchal monarch’s tragedy is personal not political by Mark Fisher

Pitlochry Festival theatreMaureen Beattie leads a modern-dress version, which focuses on family dynamics rather than the decline of Shakespeare’s mighty rulerYou know when you walk into a …

SOURCE: The Guardian at 10:15am on July 10, 2026

Calendar Girls: The Musical review – heartfelt and hilarious, with nimbly handled nudity by Mark Fisher

Stephen Joseph theatre, Scarborough This celebratory show by Tim Firth and Gary Barlow delivers emotional openness alongside cracking jokesOne of the great qualities of Calendar Girls is its…

SOURCE: The Guardian at 8:40am on July 2, 2026

The Swamp Dwellers review – this rare Wole Soyinka drama is a total revelation by Mark Fisher

Utopia theatre, Sheffield Mojisola Kareem’s excellent production makes no concessions to this 50-seat space, bringing grand historical scope to a story of Nigeria in transitionUtopia is th…

SOURCE: The Guardian at 7:40am on July 1, 2026

Inexperience review – this ‘no-contact’ romance is incredibly touching by Mark Fisher

Pitlochry Festival theatreWriter Douglas Maxwell’s playful conceit sparks a funny and superbly acted exploration of messy relationships There is a clever conceit underlying Douglas Maxwell…

SOURCE: The Guardian at 2:05am on June 20, 2026

Cry/Laugh review – did you hear the one about the town crier and the jester? by Mark Fisher

Òran Mór, Glasgow Nay Dhanak’s clownish tale follows an odd couple struggling to live up to their roles passing news from royal power to the publicWe are in a medieval world of portentou…

SOURCE: The Guardian at 1:35am on June 18, 2026

The Long Drop review – Denise Mina’s whisky-soaked tale of triple murder is horribly gripping by Mark Fisher

Citizens theatre, GlasgowThe novel is adapted with equal parts wit and horror to capture the depravity of a notorious crime in GlasgowOn the bare brick wall backing Jen McGinley’s set – …

SOURCE: The Guardian at 5:15am on June 12, 2026

Bigfoot, ‘slutfluencers’ and a David Bowie-powered gay fantasia: Edinburgh festival 2026’s must-see theatre by Mark Fisher

Plays about political extremes, religious sects, swimming the Channel and an 80th birthday party are among the highlights at this summer’s arts spectacularProducer Francesca Moody has show…

SOURCE: The Guardian at 8:05am on June 4, 2026

Once review – slick romance skips showstoppers and defies razzmatazz by Mark Fisher

Pitlochry festival theatreThis stripped-down show with a maudlin set of songs makes for the most reluctant of musicals, but this is a production that has the confidence to be silent or state…

SOURCE: The Guardian at 9:45am on May 29, 2026
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