All stories by Tony Frankel on BroadwayStars

Wednesday, June 12, 2019

Theater Review: MACBETH (Oregon Shakespeare) by Tony Frankel

FOUL AND FAIR Shakespeare’s Macbeth, or The Tragedy of Macbeth, is typically dated to the years immediately following the coronation of James I as King of England in 1603. James, who was…

SOURCE: Stage and Cinema at 03:04AM
Thursday, June 6, 2019

Theater Review: SUCKER PUNCH (Coeurage Theatre at Tiger Boxing Gym in West Hollywood) by Tony Frankel

A PUNCH IN THE GUT Raw as realism requires, good plays about boxing are more than just Rocky slugfests. Like Clifford Odets’ seminal Golden Boy, they transform an atavistic popular distr…

SOURCE: Stage and Cinema at 04:01PM
Tuesday, June 4, 2019

Theater Review: HARVEY (Laguna Playhouse) by Tony Frankel

YOU’RE GETTING TO BE A RABBIT WITH ME Whatever happened to all the imaginary friends we had as kids? Did they all end up in some limbo where they started making friends with each other, or…

SOURCE: Stage and Cinema at 08:02PM

Theater Review: ANNA IN THE TROPICS (Open Fist Theatre Company in Los Angeles) by Tony Frankel

HAS TOLSTOY EVER BEEN SO HOT? In his Pulitzer Prize-winning play, Anna in the Tropics, Nilo Cruz created the role of striking, velvet-voiced, Cuban Lothario Juan Julian, a lector who is hir…

SOURCE: Stage and Cinema at 03:29AM
Monday, June 3, 2019

Theater Preview: THE LAST FIVE YEARS (After Hours Theatre Company in West Hollywood) by Tony Frankel

A PERFECT FIT Jason Robert Brown’s The Last Five Years is contextually brilliant: it is a two-character musical that starts at the end of a five-year relationship for the woman, Cathy, but…

SOURCE: Stage and Cinema at 07:15PM

Theater Review: BRONCO BILLY – THE MUSICAL (World Premiere at Skylight Theatre) by Tony Frankel

BILLY BOY OH BOY Meet Billy, an ex-con sharpshooter who is living his American Dream in 1979. This optimistic showman, romantic, and visionary has encouraged a fraternity of castaways — a …

SOURCE: Stage and Cinema at 03:40AM
Thursday, April 25, 2019

Theater Preview: DIE, MOMMIE, DIE! (Los Angeles Theatre Works at UCLA) by Tony Frankel

SHE’S BA-A-A-CK AND SHE’S FA-A-A-ABULOUS Charles Busch’s play Die, Mommie, Die! is equal parts Greek comic-tragedy and Hollywood kitsch — a melodramatic campy cult classic in the vei…

SOURCE: Stage and Cinema at 04:53PM
Monday, April 22, 2019

Dance Review: GRIMM TALES (Ballet Austin) by Tony Frankel

BEST WHEN IT’S GRIM GRIMM Born in Austin and now living in New York City, artist Natalie Frank created 75 works based on the stories of Jacob and Wilhelm Grimm. Using gouache and chalk pas…

SOURCE: Stage and Cinema at 08:42PM
Thursday, April 18, 2019

Theater Review: FALSETTOS (National Tour) by Tony Frankel

NOT ONE FALSE NOTE The musical masterpiece Falsettos follows Marvin, an appealing, brainy, anxious, obsessive, wealthy Jewish gay man who struggles to create a tight-knit family out of his …

SOURCE: Stage and Cinema at 01:15PM
Tuesday, April 16, 2019

Theater Review: EVERYTHING IS ILLUMINATED (Ensemble Theatre Company in Santa Barbara) by Tony Frankel

SOME, NOT ALL, IS ILLUMINATED Sadly, not everything is illuminated in British playwright Simon Block’s fascinating but problematic adaptation of Jonathan Safran Foer’s best-selling novel…

SOURCE: Stage and Cinema at 12:50PM
Monday, April 15, 2019

Los Angeles Theater Review: TINY BEAUTIFUL THINGS (Pasadena Playhouse) by Tony Frankel

CHICKEN SOUP FOR THE THEATER Well, there certainly is nothing wrong with good advice. And there’s plenty of that in the structurally unconventional Tiny Beautiful Things, Nia Vardalos’s …

SOURCE: Stage and Cinema at 09:17PM
Wednesday, March 27, 2019

Theater Review: NOTES FROM THE FIELD (ZACH Theatre | Kleberg Stage in Austin, TX) by Tony Frankel

GRACE NOTES Now on the Kleberg Stage in Austin, TX, Anna Deavere Smith’s powerful, engrossing and resonant solo play — Notes from the Field — has been updated for four actors by ZACH�…

SOURCE: Stage and Cinema at 03:13AM
Tuesday, March 26, 2019

Los Angeles Theater Review: ROALD DAHL’S MATILDA THE MUSICAL (5-Star Theatricals in Thousand Oaks) by Tony Frankel

A VAULTING MATILDA Imagine Annie with psychokinetic powers, Nancy Drew as a mind-reader, or Cinderella acting as her own fairy godmother. Self-empowerment fuels this upbeat, knock-down, pell…

SOURCE: Stage and Cinema at 02:21AM
Thursday, March 21, 2019

Theater Review: DIANA (LA Jolla Playhouse) by Tony Frankel

photos by Little Fang Up Here La Jolla Playhouse 2910 La Jolla Village Dr in La Jolla ends on September 6, 2015 for tickets, call (858) 550-1010 or visit La Jolla Playhouse

SOURCE: Stage and Cinema at 12:53AM
Wednesday, March 20, 2019

Theater Review: INCOGNITO (Son of Semele) by Tony Frankel

BRAIN CRAMPS One of the brainiest plays since, well, British playwright Nick Payne’s other brainy play, Constellations, Incognito (2014) contains Payne’s usual assortment of short scenes…

SOURCE: Stage and Cinema at 09:43PM

Theater Review: THE WOLVES (Echo Theater Company) by Tony Frankel

TEEN THE DEVIL AND THE DEEP BLUE SEA I’m not really sure if director Alana Dietze could have done anything more with The Wolves, a dramatically inert slice-of-life one act that follows an …

SOURCE: Stage and Cinema at 01:37PM
Tuesday, March 19, 2019

Theater Review: ACCIDENTAL DEATH OF AN ANARCHIST (The Actors’ Gang in Los Angeles) by Tony Frankel

ACCIDENTAL DEATH OF A PLAY Anarchy is not chaos. The former means “without law” and the latter means “without form.” This is an important distinction to consider in a play that inten…

SOURCE: Stage and Cinema at 07:55PM
Monday, March 18, 2019

CD Review: RENT (Original Soundtrack of the Live Television Event) by Tony Frankel

TOO BAD THEY DIDN’T RAISE THE RENT Rent has a romantic history: Jonathan Larson, its author and composer, died suddenly of an aortic aneurysm on Jan. 25, 1996, 10 days before his 36th birt…

SOURCE: Stage and Cinema at 05:29PM

Theater Review: CATS (National Tour, 2019) by Tony Frankel

KITTY LITTER If I had my way, the slogan for Cats would be changed from “Now and Forever” to “Not Now, Not Ever.” Even when I saw the show back in the early 80s and again in the earl…

SOURCE: Stage and Cinema at 02:49PM
Sunday, March 17, 2019

CD Review: THE MUSIC OF HARRY POTTER AND THE CURSED CHILD (Imogen Heap) by Tony Frankel

HARRY POTTER AND THE RECYCLED RECORDING ENGINEER Jack Thorne’s immensely popular two-part play, Harry Potter and the Cursed Child, has taken up residence in London, New York, and Melbourne…

SOURCE: Stage and Cinema at 05:25PM
Friday, March 15, 2019

Theater Review: NO, NO, NANETTE (Candlelight Pavilion Dinner Theater in Claremont) by Tony Frankel

A YES AND NO NANETTE When the 1925 musical No, No, Nanette was revised and remounted in 1971, it was predicted to be a flop by folks in the Biz, but it was the buzz of the season with nostal…

SOURCE: Stage and Cinema at 03:58AM
Tuesday, March 12, 2019

Los Angeles Theater Review: ESCAPE FROM GODOT (YARD Theater) by Tony Frankel

WE’RE STILL WAITING You’re watching a play but you have no idea what’s happening. There is no plot, the dialogue is gobbledygook, and characters are filled with despair, yet you are to…

SOURCE: Stage and Cinema at 08:06PM
Thursday, March 7, 2019

Theater Review: THE JUDAS KISS (Boston Court) by Tony Frankel

LOVE CONQUERS COMMON SENSE My takeaway about Oscar Wilde in David Hare’s intellectually stimulating but overly static play of ideas, The Judas Kiss, now at Boston Court, is this: The liter…

SOURCE: Stage and Cinema at 03:58AM
Thursday, February 28, 2019

Theater Review: THE CRIPPLE OF INISHMAAN (Antaeus Theatre) by Tony Frankel

CRIPPLE THE FUN Funny and heartbreaking, Martin McDonagh’s The Cripple of Inishmaan is nothing less than a slalom run of emotional ups and downs and plot twists and turns. Antaeus Theatre�…

SOURCE: Stage and Cinema at 02:12AM
Tuesday, February 26, 2019

Theater Review: WITNESS UGANDA (The Wallis) by Tony Frankel

WITNESSING UGANDA IS AMAZING, EVEN THOUGH THE SHOW NEEDS WORK Griffin is a young black New York actor in search of more than a career. When he is kicked out of his church choir because he’…

SOURCE: Stage and Cinema at 02:36AM
Thursday, February 21, 2019

Theater Review: LIGHTS OUT: NAT “KING” COLE (Geffen Playhouse in Westwood) by Tony Frankel

UNFORGETTABLE AND FORGETTABLE AT THE SAME TIME Well, here’s a show that, while it doesn’t defy description, is nonetheless perplexing. As with Matthew Borne’s Cinderella, now playing a…

SOURCE: Stage and Cinema at 08:16PM
Thursday, February 14, 2019

Theater Review: MINNIE’S BOYS (Musical Theatre Guild at the Alex Theatre) by Tony Frankel

BOY OH BOYS With a fun and intermittently funny score by Hal Hackady (lyrics) and Larry Grossman (music), perky, adorable, enterprising direction by J. Scott Lapp, and some shining performan…

SOURCE: Stage and Cinema at 02:12AM
Friday, February 8, 2019

Los Angeles Theater Review: TWO TRAINS RUNNING (The Matrix Theatre) by Tony Frankel

RUNNING ON FULL After producer Sophina Brown’s celebrated production last year of King Headly II — one of ten dramas of the late August Wilson’s 2oth-century chronicle The Pittsbur…

SOURCE: Stage and Cinema at 01:37PM
Monday, February 4, 2019

Theater Review: TITANIC (Candlelight Pavilion Dinner Theater in Claremont) by Tony Frankel

A MORE INTIMATE TITANIC MADE EPIC It’s telling that the 1997 musical Titanic won Tony Awards for each nomination — Best Musical, Peter Stone’s book, Maury Yeston’s sc…

SOURCE: Stage and Cinema at 02:45AM
Thursday, January 31, 2019

Theater Review: HELLO, DOLLY! (National Tour) by Tony Frankel

BUCKLEY BUCKLES A BIT, BUT DOLLY DEFINITELY DELIVERS To start with, let’s agree to never say “Goodbye, Dolly.” Thornton Wilder’s genius for the common touch isn’t just a golden leg…

SOURCE: Stage and Cinema at 08:37PM
Sunday, January 27, 2019

Theater Review: SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (South Coast Rep) by Tony Frankel

IT COULD HAVE BEEN MURDER Stephen Sondheim’s Sweeney Todd: The Demon Barber of Fleet Street is a musical that never fails to impress, no matter how many times it’s been seen. It te…

SOURCE: Stage and Cinema at 07:56PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre