Tuesday, November 28, 2017
Sunday night TV: Roy Marsden's touring stage adaptation of Ruth Rendell's classic thriller is solid and serviceable.
The post Review: A Judgement In Stone at the Theatre Royal Brighton appe…
SOURCE: exeuntmagazine.com at 07:18AMTuesday, November 21, 2017
Ageing disgracefully: this Ayckbourn comedy's best days are behind it.
The post Review: How The Other Half Loves at the Theatre Royal Brighton appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 06:28AMMonday, October 30, 2017
The Chocolate Cream Poisoner: Tracey Sinclair reviews the second show in the Theatre Royal Brighton's Out of Hours season.
The post Review: The Sorrowful Tale of Sleeping Sidney at the Theat…
SOURCE: exeuntmagazine.com at 03:00AMTuesday, October 24, 2017
"A female Alan Bennett with the voice of an angel": Tracey Sinclair reviews Catherine Ireton's touring one-woman show about little acts of bravery.
The post Review: For all the fires not yet…
SOURCE: exeuntmagazine.com at 12:48PMWednesday, October 18, 2017
"A well-deserved second wind": Tracey Sinclair reviews English Touring Theatre's revival of Sam Holcroft's Ayckbourn-esque 2015 comedy.
The post Review: Rules For Living at the Theatre Royal…
SOURCE: exeuntmagazine.com at 10:07AMTuesday, October 3, 2017
"More than mere monster": Tracey Sinclair reviews Neil Bartlett's "fresh and relevant" staging of Jean René Lemoine's radical, one-man reworking of the Medea myth.
The post Review: Medea (W…
SOURCE: exeuntmagazine.com at 03:02AMTuesday, September 26, 2017
Remarkably fresh, depressingly relevant: Tracey Sinclair sees the contemporary parallels in Gore Vidal's 1960 political thriller about a hard-fought race for The White House.
The post Review…
SOURCE: exeuntmagazine.com at 10:44AMFriday, September 15, 2017
Baggy where it should be tight, and flat where it should sparkle: Tracey Sinclair reviews the touring production of Ira Levin's thriller
The post Review: Deathtrap at the Theatre Royal Brigh…
SOURCE: exeuntmagazine.com at 06:40AMThursday, August 31, 2017
Undemanding musical distraction: Tracey Sinclair on a touring adaptation of the movie romcom.
The post Review: The Wedding Singer appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 04:46AMWednesday, August 30, 2017
Nostalgia-tinged: Tracey Sinclair reviews The Wedding Singer in Brighton as part of its UK tour.
The post Review: The Wedding Singer at the Theatre Royal Brighton appeared first on Exeunt M…
SOURCE: exeuntmagazine.com at 08:54AMFriday, August 25, 2017
Following a tour of UK cathedrals, Antic Disposition brings Richard III to one of London’s oldest churches. The historic setting makes a
SOURCE: The Stage Registration at 05:41AMFriday, August 18, 2017
Guts and glitter: Tracey Sinclair reviews the touring production of Harvey Fierstein and Jerry Herman's musical.
The post Review: La Cage aux Folles at Theatre Royal Brighton appeared first …
SOURCE: exeuntmagazine.com at 09:42AMThursday, July 27, 2017
Rattles along like high heels on a city sidewalk: Tracey Sinclair reviews Tori Scott performing in Brighton.
The post Review: Thirsty at the Marlborough Theatre, Brighton appeared first on …
SOURCE: exeuntmagazine.com at 06:19AMSaturday, June 3, 2017
Properly unsettling: Tracey Sinclair reviews Ester Natzijl's disconcerting work at the Brighton Fringe.
The post Review: WATCHING, Ceci n’est pas de deux at the Brighton Fringe appeared fi…
SOURCE: exeuntmagazine.com at 03:44AMTuesday, May 30, 2017
A small gem: Tracey Sinclair reviews Jack Rooke's debut solo show at the Brighton Fringe.
The post Review: Good Grief at The Old Market, Brighton appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 08:29AMFriday, May 26, 2017
Fizzing with wit and invention: Tracey Sinclair reviews The Hiccup Project's performance at the Brighton Festival.
The post Review: May-We-Go-Round? at Brighton Festival appeared first on E…
SOURCE: exeuntmagazine.com at 07:44AMThursday, May 25, 2017
Kneehigh’s revival of its hit Tristan and Yseult – premiering at the Brighton Festival before touring – is a vibrant, vivid whirlwind
SOURCE: The Stage Registration at 06:13AMTuesday, May 23, 2017
Cabaret star Meow Meow brings her engaging, eclectic style to the Brighton Festival for this specially commissioned song cycle on the history
SOURCE: The Stage Registration at 06:00AMMonday, May 22, 2017
Nudity made mundane: Tracey Sinclair reviews a night that's midway between burlesque show and literary salon.
The post Review: Naked Girls Reading featuring Burlexe at the Brighton Fringe a…
SOURCE: exeuntmagazine.com at 07:00AMFriday, May 19, 2017
Penned in the Margins’ No Dogs, No Indians – a Brighton Festival world premiere – is an ambitious if sprawling examination of
SOURCE: The Stage Registration at 11:51AMTuesday, May 16, 2017
Underpinned with a fury at the injustice of it all: Tracey Sinclair is completely won over by Jonny Donahoe and Paddy Gervers' musical about 'Rich Bastard Tories'.
The post Review: Jonny &…
SOURCE: exeuntmagazine.com at 11:21AMThursday, May 11, 2017
Tracey Sinclair reviews Tamara Saulwick's meditation on modern death as part of the Brighton Festival.
The post Review: Endings at the Old Market, Brighton appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 04:56AMWednesday, May 10, 2017
Kat Francois’ Raising Lazarus skilfully blends the personal and political. The show takes the form of a poignant look at her family’s
SOURCE: The Stage Registration at 06:12AMTuesday, April 25, 2017
Despite a slightly muddled production, Tracey Sinclair finds that Arthur Miller's The Crucible remains as compelling and relevant as ever.
The post Review: The Crucible at the Theatre Royal …
SOURCE: exeuntmagazine.com at 10:12AMFriday, April 21, 2017
More than a greatest hits medley: Tracey Sinclair reviews Split Britches's revisiting of over three decades of work.
The post Retro(per)spective at the Marlborough Theatre, Brighton appeare…
SOURCE: exeuntmagazine.com at 06:54AMThursday, March 23, 2017
While many people might envision celebrating their 85th year with a sherry and a nice sit down, Ray Cooney is marking his
SOURCE: The Stage Registration at 07:21AMMonday, March 20, 2017
"I find myself getting up...and saying my piece". Tracey Sinclair writes on her unexpectedly personal response to 'Working Class Dinner Party', hosted by performance artists Scottee, Selina …
SOURCE: exeuntmagazine.com at 04:49AMThursday, January 5, 2017
The first collaboration between long-running show Holiday on Ice’s producers Stage Entertainment and Olympic champion Christopher Dean, Believe is billed as a
SOURCE: The Stage Registration at 05:57AM 
