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Thursday, June 12, 2025

Review: ‘The Counterfeit Opera’ on Little Island Falls Short by Corinna Da Fonseca-Wollheim

At Little Island, “The Counterfeit Opera” falls short of its wildly successful historical models.

SOURCE: The New York Times Subscription at 11:02PM

Tuesday, February 11, 2025

In Hospitals and Hospices, ‘Music as Care’ Offers a New Kind of Comfort by Corinna Da Fonseca-Wollheim

A violinist plays for her father. A singer takes requests. In hospitals and hospices, bedside performers offer a new kind of care.

SOURCE: The New York Times Subscription at 05:01AM

Monday, December 23, 2024

Kathryn Lewek Reigns as the Queen of the Night in Mozart’s ‘Magic Flute’ by Corinna Da Fonseca-Wollheim

Kathryn Lewek has made a specialty of singing the showstopping role in Mozart’s “The Magic Flute.” “It’s my security blanket,” she said.

SOURCE: The New York Times Subscription at 05:01AM

Friday, December 6, 2024

Review: William Kentridge’s Collaged Fever Dream of Shostakovich by Corinna Da Fonseca-Wollheim

Kentridge’s film played over Shostakovich’s 10th symphony at a New York Philharmonic concert led by Keri-Lynn Wilson.

SOURCE: The New York Times Subscription at 04:19PM

Sunday, October 13, 2024

Review: Philharmonic Pays Tribute to Schoenberg by Corinna Da Fonseca-Wollheim

The New York Philharmonic under Matthias Pintscher brought dramatic urgency to “Pelleas und Melisande” in commemoration of the composer’s 150th birthday.

SOURCE: The New York Times Subscription at 01:20PM

Thursday, October 26, 2023

‘Make Noise Enough’: Excavating Shakespeare’s Songs by Corinna Da Fonseca-Wollheim

In Shakespeare, music is an integral part of the action. But the First Folio, which turns 400 this year, failed to transmit how it should sound.

SOURCE: The New York Times Subscription at 11:43AM

Friday, April 9, 2021

Making Music Visible: Singing in Sign by Corinna Da Fonseca-Wollheim

A new project is producing sign language covers of 10 seminal musical works recorded by Black female artists.

SOURCE: The New York Times Subscription at 01:40PM

Wednesday, May 20, 2020

Rolf Hochhuth, Who Challenged a Pope’s Wartime Silence, Dies at 89 by Corinna Da Fonseca-Wollheim

His play “The Deputy,” from 1963, took issue with Pius XII’s stance toward Nazi atrocities and caused a furor. “The theater,” Susan Sontag wrote, “is courtroom.”

SOURCE: The New York Times Subscription at 06:36PM

Thursday, February 14, 2019

Family Guide: Kids and Culture? There’s So Much to Talk About by Alexis Soloski, Corinna Da Fonseca-Wollheim and Daniel McDermon

Arts writers for The New York Times share their strategies (snacks) and budget-friendly options (outdoor events) in a discussion about introducing children to the arts.

SOURCE: The New York Times Subscription at 04:18PM

Thursday, March 3, 2016

Reimagining ‘West Side Story’ With Voices From Across New York by Corinna Da Fonseca-Wollheim

The chorus in Carnegie Hall’s new production includes participants from its Somewhere Project, an outreach program exploring what this musical means to New Yorkers today.

SOURCE: The New York Times Subscription at 02:50PM

Friday, January 18, 2013

Debut for ‘Doubt’ at Minnesota Opera by Corinna Da Fonseca-Wollheim

John Patrick Shanley discusses how he was allowed to express a lot of feelings in the opera version of his award-winning play “Doubt,” which will have its premiere at the Minnesota Opera…

SOURCE: The New York Times Subscription at 10:57AM

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