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Carrie Coon torches the screen contemporary version of a costume drama
Maybe my love for this movie is mostly because it’s a rock-and-roll act of writing
A crafty sci-fi thriller that fans of the genre will find compelling
The scariest thing I can think of, outside of a talking octopus that walks on land, is mental decline
On a rainy day with nothing better to do, You Should Have Left will prove serviceable enough for non-discerning viewers
Taking place entirely within the cockpit of a hijacked commercial airliner, this minimalist performance piece benefits greatly from a high-level of sustained tension.
An A-rate tale of flawed, kindhearted humans doing their best to be as good as they possibly can.
Back in the summer of 2008, a group of skaters decided to go on an adventure.
A moving tale of a delayed coming of age
While not an unwelcome addition to a now decade-long odyssey of travelers Rob Brydon and Steve Coogan, this final entry feels a bit flatter than its predecessors; a bit perfunctory.
It works so hard to invoke so many influences that it dilutes itself from being as memorable or as effective as it so clearly wants to be.
Above all dumb political concerns, this is a “humans being hunted” movie, and it’s a pretty good one.
SNATCHERS is the next in a current wave of splatterfests with a social conscience, and it’s a top-tier entry.
What is it about the world of Batman that enchants me so?
Ritchie is celebrating a welcome return to form, complete with bullets, Brits, and enough creative uses of the word “cunt” to make your grandmother shake her head in shame
Maybe one day I’ll be able to scrape its rancid essence from my memory entirely.
A high concept, a solid design, and more than a few creepy moments rooted in existential terror, but struggles to fill a feature-length run-time