Friday, March 23, 2012
It’s hard to pin down Jesus in the 1971 rock musical “Jesus Christ Superstar.” Sometimes, co-creators Andrew Lloyd Webber and Tim Rice seem to agree with Mary Magdalene, who sings “H…
SOURCE: The New York Post Subscription at 12:37AMWednesday, March 21, 2012
The new off-Broadway show “The Big Meal” is high-concept, to say the least. In just 90 minutes, playwright Dan LeFranc tracks Nicole and Sam over several generations — romance, marriag…
SOURCE: The New York Post Subscription at 10:35PMSunday, March 18, 2012
The new Broadway musical “Once” doesn’t have a swinging chandelier, tap-dancing showgirls or brand-name stars. There’s only one set — and it doesn’t levitate.
The show wins its s…
SOURCE: The New York Post Subscription at 10:54PMFriday, March 16, 2012
Violence, fantasy, jealousy, dominance and submission, death — Jean Genet’s play “The Maids” has it all!
Two sisters working as servants for a rich woman engage in elaborate role-pl…
SOURCE: The New York Post Subscription at 12:15AMAn interesting case, that Willy Loman. Cynics would say the title character of Arthur Miller’s “Death of a Salesman” is one of the biggest losers to ever grace the stage — yet actors…
SOURCE: The New York Post Subscription at 12:15AMThursday, March 8, 2012
Chicken or fish? Leno or Conan? Rent or buy? Decisions, decisions.
Theatergoers are facing an equally tough choice with “An Iliad,” a new one-man show that features two men.
Depending on…
SOURCE: The New York Post Subscription at 12:53AMTuesday, March 6, 2012
Don’t let the title throw you: This is no epic about Michelangelo and the Sistine Chapel. The subject of Tina Howe’s play “Painting Churches” is an elderly couple named Fanny and Gar…
SOURCE: The New York Post Subscription at 10:44PMMonday, March 5, 2012
Jo sure knows how to play party games. “I am your wife, and I am dying,” she snaps at her husband, Sam, during a round of 20 Questions, while their guests look elsewhere. That’s one wa…
SOURCE: The New York Post Subscription at 10:22PMSunday, March 4, 2012
There’s so much going on in the new off-Broadway show “Tribes” that it’s almost overwhelming: intellect and sentiment, love and cruelty, witty zingers and biting put-downs. But in Ni…
SOURCE: The New York Post Subscription at 10:38PMThursday, March 1, 2012
There are two ways to bring back a flop. The first is to believe the show was good but badly staged, and to have a visionary set things right.
The “Carrie” revival that opened off-Broadw…
SOURCE: The New York Post Subscription at 10:43PMWednesday, February 29, 2012
Despite what Paula Deen says, there is such a thing as too sweet. But the creators of “Rated P for Parenthood” didn’t get the memo, and their musical could send unsuspecting audiences …
SOURCE: The New York Post Subscription at 11:24PMFun fact: After graduating from NYU, playwright Leslye Headland (“Bachelorette”) briefly worked as Harvey Weinstein’s personal assistant. Now, a tyrannical tycoon looms over her bliste…
SOURCE: The New York Post Subscription at 10:41AMMonday, February 27, 2012
The best part of Katori Hall’s Broadway debut, “The Mountaintop,” was the very end, when the show really took flight. Most of the time, the 30-year-old playwright seemed constricted by…
SOURCE: The New York Post Subscription at 10:44PM‘life in this house is intolerable,” someone moans in the terrific British family drama “Rutherford & Son,” now at the Mint.
But while the home’s gloomy, Githa Sowerby’s 1912 pla…
SOURCE: The New York Post Subscription at 10:41PMThursday, February 23, 2012
If the skies had looked the way they do in Bertolt Brecht’s “Galileo,” which just opened at Classic Stage Company, the famous Italian astronomer may never have looked up a telescope. I…
SOURCE: The New York Post Subscription at 11:49PMDon’t let the author’s name throw you: Though these “Early Plays” are by Eugene O’Neill, these aren’t your grandmother’s classics.
To begin with, you can’t really call the th…
SOURCE: The New York Post Subscription at 12:42AMThursday, February 16, 2012
William Shatner makes most screen actors look like puppets with too many media-training classes.
It’s not as if he’s a great thespian like, say, Christopher Plummer — for whom Shatner…
SOURCE: The New York Post Subscription at 11:08PMAthol Fugard’s 1961 drama “Blood Knot” does the exact opposite of what writing manuals advise.
Forget about setting the tone and the plot early on to capture the audience’s attention…
SOURCE: The New York Post Subscription at 11:04PMIt had all the elements of a great thriller. A con man abuses the trust of his friends and colleagues at a big newspaper, lies about everything from his upbringing to his résumé to his sou…
SOURCE: The New York Post Subscription at 12:20AMFriday, February 10, 2012
‘the Ugly One” may be a new play, but it has the familiar vibe of a classic “Twilight Zone” episode. Translated from the German, Marius von Mayenburg’s black-humored fable about ap…
SOURCE: The New York Post Subscription at 12:56AMThursday, February 9, 2012
Poor Meena. The harried heroine of Kate Fodor’s new play, “Rx,” is in a funk, and no wonder: A published poet, she works in a soulless gray office as the managing editor for piggeries …
SOURCE: The New York Post Subscription at 12:46AMMonday, February 6, 2012
The three-piece orchestra in “Ionescopade” has barely started the overture — zany percussion, wacky noisemakers — and already the whimsy-meter is in the red.
You’d think you were a…
SOURCE: The New York Post Subscription at 12:26AMFriday, February 3, 2012
John Osborne’s “Look Back in Anger” opened in London with a huge bang in 1956, upending staid British theater and helping usher the era of “angry young men” — smart, educated, wo…
SOURCE: The New York Post Subscription at 12:38AMMonday, January 30, 2012
The new family drama “Russian Transport” isn’t edgy or groundbreaking. Rather, it’s a good old-fashioned delicacy: a solid yarn, well told.
Playwright Erika Sheffer can be guilty of …
SOURCE: The New York Post Subscription at 10:39PMSunday, January 29, 2012
Even before Oedipus asks his daughter to identify a stranger and she calls him “some jerk-off,” you know you’re in for a wink-wink take on Sophocles.
And so it goes, more or less, for …
SOURCE: The New York Post Subscription at 10:43PMThursday, January 26, 2012
Margaret Edson’s Pulitzer Prize-winning drama “Wit” offers a lucky — and brave — actress a complex, finely detailed role that’s as demanding as it is rewarding. When the play fir…
SOURCE: The New York Post Subscription at 10:25PMDaniel Talbott’s new off-Broadway play, “Yosemite,” starts off great. We’re in the woods, among leafless trees coated with a dusting of snow. A young man — he could be in his late …
SOURCE: The New York Post Subscription at 10:23PMTuesday, January 24, 2012
A lot of off-Broadway theater makes extensive use of video nowadays. In January, the Gob Squad company offered the stunt-like “Super Night Shot,” in which the actors screened footage of …
SOURCE: The New York Post Subscription at 12:01AMThursday, January 19, 2012
Few actors play villains as expertly as Kevin Spacey. His gallery of memorable bad guys includes a sadistic movie producer in “Swimming With Sharks,” a serial killer in “Seven” and a…
SOURCE: The New York Post Subscription at 12:03AMTuesday, January 17, 2012
It’s pretty clear the Roundabout company is in the theater business, because its latest Broadway show, “The Road to Mecca,” would have a hard time getting made in Hollywood.
Forget ab…
SOURCE: The New York Post Subscription at 10:25PMMonday, January 16, 2012
Over the past decade, Young Jean Lee has emerged as one of the most fascinating, unpredictable voices on the downtown scene. The Korean-American playwright mercilessly poked fun at Asian ste…
SOURCE: The New York Post Subscription at 10:26PM 
