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“300 el x 50 el x 30 el,” the Belgian troupe FC Bergman’s ambitious theatrical installation, will open BAM’s Next Wave festival with an elaborate set that recreates a rural settlemen…
This musical may lack the 1989 movie’s nihilism, but the gags still work and the songs are great — who are we to quibble?
We spoke to three actors and a playwright — Gregg Mozgala, Bonnie Milligan, Solea Pfeiffer and Noah Diaz — who are taking big shots this season.
Michael John LaChiusa’s delicate new musical starts in Depression-era California and follows two people across six decades.
The Cyndi Lauper and Harvey Fierstein musical, in which the drag queen Lola saves a provincial shoe factory, makes an Off Broadway return at the spacious Stage 42.
After reporting on the Creede Repertory Theater last summer, our writer returned for her vacation and took stock as the company restarted indoor performances.
In her new autobiographical solo play, the actress Jade Anouka recounts the joys and fears of falling for a woman after her marriage to a man ends.
The splashy show, an example par excellence of what makes modern French musicals distinctive, begins a run at Lincoln Center.
Robert Quillen Camp’s play, about an antiracist discussion group, starts out naturalistically, but then pivots, with bloody abandon, to the absurd.
A gleefully juvenile show about the Belgian star, from the writer Timothy Haskell, barrels through his life and oeuvre using toy action figures.
The camp reimagining of the maritime blockbuster revs up into increasing absurdity and Celine Dion songs.
Angela Hanks’s new comedy is set in Santa Fe, N.M., where five women of color have traveled for some fancy R&R laced with New Age spirituality.
A three-day retrospective will shine a spotlight on the group’s most daring projects.
Honoring Pride, Juneteenth and the Fourth of July, the festival features Idina Menzel and Tonya Pinkins alongside poets, fire artists and marching bands.
Championing collaboration and digital projects, Mia Yoo is forging her own path at the experimental theater incubator.
The protagonist of this new play by Michael McKeever steps gingerly out of grief’s stasis and into the unknown.
With its production of “The Orchard,” juxtaposing the human and the virtual, the Arlekin Players continue taking creative leaps.
The playwright Trish Harnetiaux’s new show, set entirely in a car, follows a family of travelers. It bravely, if not entirely satisfyingly, explores alternate realities.
Anchuli Felicia King’s play about an internet firewall belongs to multiple genres all at once.
In her new comedy, Ana Nogueira spins zippy fun out of a fairly conventional story about a friendship strained by resentment.
Taylor, 79, first performed her solo play “Ann,” about the former governor of Texas, in 2010. Now, she’s saying goodbye to the white suit.
Jaquel Spivey graduated from college last May. Now he’s making his Broadway debut as the star of Michael R. Jackson’s Pulitzer Prize-winning musical, “A Strange Loop.”
Known for portraying the luckless Theon Greyjoy on “Game of Thrones,” the British actor shares the items that are helping him prep for his Broadway debut.
Barry Manilow and Bruce Sussman’s musical chronicles the story of the Comedian Harmonists, a sextet of Jews and gentiles in Weimar-era Germany.
A stage version of Antoine de Saint-Exupéry’s classic of children’s literature lands on Broadway but remains stubbornly earthbound.
Laiona Michelle’s tribute show, now at New World Stages, is more an impressionistic portrait for those familiar with the singer’s life and career.
Billy Porter brings a heavy-handed touch as the director and adapter of this 1997 musical about prostitutes and pimps in Manhattan’s bad old days.
Joshua Harmon’s ambitious new play toggles between a contemporary Jewish family facing growing antisemitism and their relatives during World War II.
Two years into the pandemic, this festival, which has gone virtual for now, abjures traditional theatricality and performance.
Ricky Ian Gordon’s “Intimate Apparel” and “The Garden of the Finzi-Continis” are premiering in New York almost simultaneously.
The actor reflects on continuing the Off Broadway revival’s hot streak, and fighting against the stereotypes facing Asian American actors.