All stories by Ernest Kearney on BroadwayStars

Tuesday, April 21, 2026

Theater Review: AMERIKA OR, THE MAN WHO DISAPPEARED (Open Fist Theatre / Circle X Theatre, Atwater Village Theatre) by Ernest Kearney

KAFKA IN AMERICA— AND LOST AT SEA Striking visuals adrift in an overlong adaptation Who isn’t familiar with Franz Kafka (1883–1924), the tormented Czech writer? Or The Metamorphosis, K…

SOURCE: Stage and Cinema at 02:50AM
Sunday, April 19, 2026

Theater Review: ENGLISH (Wallis Annenberg Center, Beverly Hills) by Ernest Kearney

LOST IN TRANSLATION— AND INTENTION Pulitzer winner that provokes, puzzles, and occasionally frustrates. Is it a scream into a void or a play? English, by Sanaz Toossi, won the 2023 Pulitze…

SOURCE: Stage and Cinema at 09:42PM
Tuesday, April 14, 2026

Theater Review: WHAT PRICE FREEDOM (Moving Arts Theatre, Los Angeles) by Ernest Kearney

FOUNDING FATHERS, FOUND WANTING A promising historical premise undone by uneven writing What Price Freedom, by Tony Blake, having its world premiere at Moving Arts Theatre, recounts one of t…

SOURCE: Stage and Cinema at 05:05AM
Thursday, March 26, 2026

Theater Review: JESUS CHRIST SUPERSTAR (Nocturne Theatre in Glendale) by Ernest Kearney

SUPERSTAR STILL RISES Nocturne Theatre's high-concept staging proves that even a familiar rock opera can still feel fresh, fierce, and electrifying First, a Biblical passage…"Jesus Christ …

SOURCE: Stage and Cinema at 11:01PM
Saturday, March 21, 2026

Theater Review: SEX, LIES AND HAROLD PINTER by Ernest Kearney

CIVILITY ON THE BRINK OF CHAOS Jack Heller's polished production reveals Pinter's menace, even if it could use a bit more disorder First, a joke: "How many Harold Pinters does it take to cha…

SOURCE: Stage and Cinema at 02:54PM
Thursday, February 26, 2026

Theater Review: RICHARD III (A Noise Within) by Ernest Kearney

A GENDER-FLUID RICHARD III ROOTED IN HISTORY AND PERFORMANCE TRADITION A commanding central performance anchors a sharp, theatrically confident staging The Tragedy of Richard the Third, Will…

SOURCE: Stage and Cinema at 08:32PM
Wednesday, February 11, 2026

Opera Review: ABDUCTION FROM THE SERAGLIO (Pacific Opera Project) by Ernest Kearney

MOZART MEETS THE FINAL FRONTIER Pacific Opera Project boldly goes where singspiel has gone before Begin with Wolfgang Amadeus Mozart's 1789 complex and comic singspiel Die Entführung aus …

SOURCE: Stage and Cinema at 11:15PM
Sunday, February 1, 2026

Theater Review: POETRY FOR THE PEOPLE: THE JUNE JORDAN EXPERIENCE (Fountain Theatre) by Ernest Kearney

POETRY AS ACTIVISM, MEMORY, AND INVITATION A moving, participatory tribute to June Jordan that insists poetry still matters June Jordan was a seminal feminist poet and essayist who"beyond ge…

SOURCE: Stage and Cinema at 03:00AM
Saturday, January 31, 2026

Theater Review: GILDED SPINDLE (Stephanie Feury Studio Theatre) by Ernest Kearney

ZANDER RAPHAEL SPINS PUPPETRY INTO GOLD Gilded Spindle offers Shannon L. Reagan's retelling of the Rumpelstiltskin tale with a slight #MeToo twist. While the talents and artistry of Reagan, …

SOURCE: Stage and Cinema at 02:17PM

Theater Review: KIND STRANGER … A MEMORY PLAY (Zephyr Theatre) by Ernest Kearney

Kind Stranger … A Memory Play, conceived and performed by Rick Simone-Friedland is successful as a historical rendering of Playwright Tennessee Williams' life. It is also successful as a r…

SOURCE: Stage and Cinema at 01:00AM
Saturday, January 24, 2026

Theater Review: THE TRAGEDY OF HAMLET (Eddie Izzard; International Tour; Hollywood’s Montalbán) by Ernest Kearney

A SOLO HAMLET BUILT ON PRECISION AND VELOCITY Inside the White-Box World of Izzard: One Performer, Twenty-Two Roles, No Safety Net Suzy Eddie Izzard"formerly known as Eddie Izzard until 2023…

SOURCE: Stage and Cinema at 06:21PM
Wednesday, January 21, 2026

Theater Review: KID GLOVES (Skylight Theatre) by Ernest Kearney

A MURDEROUSLY FUN MUSICAL SEND-UP OF KIDS-TV STARDOM Nathan Wang and Matthew Leavitt turn wholesome childhood icons into gleeful chaos" fast, filthy, and ridiculously entertaining. Sets are …

SOURCE: Stage and Cinema at 01:57AM
Friday, December 12, 2025

Theater Review: CHILDREN OF THE WINTER KINGDOM " A BONKERS HOLIDAY FANTASY (Actors’ Gang in Culver City) by Ernest Kearney

A HOLIDAY PANTO THAT KNOWS WHAT IT'S DOING The Actors' Gang offers a family-friendly fairy tale with teeth Children of the Winter Kingdom " The Bonkers Adventures of Holly and Spruce, now fr…

SOURCE: Stage and Cinema at 01:59AM
Friday, November 21, 2025

Theater Review: AN INSPECTOR CALLS (Theatre 40) by Ernest Kearney

THE PAST IS NEVER DEAD " IT RINGS THE DOORBELL Priestley's prophetic 1945 masterpiece glows with fierce clarity at Theatre 40 Masquerading as one of those staid drawing room mysteries Agatha…

SOURCE: Stage and Cinema at 09:39PM
Thursday, November 13, 2025

Theater Review: BLUEBEARD'S CASTLE: A MEDIEVAL MUSICAL THRILLER (Odyssey Theatre) by Ernest Kearney

Bluebeard's Castle, A Medieval Musical Thriller by Russian director and playwright Sofia Streisand, making her U.S. debut at the Odyssey Theatre Ensemble, displays immense ambition that achi…

SOURCE: Stage and Cinema at 01:45AM
Tuesday, November 11, 2025

Theater Review: GOLDEN AGE (Force of Nature Productions at Sawyer’s Playhouse in North Hollywood) by Ernest Kearney

SUPER ZEROES UNITE! Aging heroes, flat jokes, and laughs that need life support Golden Age by Thomas J. Nisuraca is the roughest of rough theatre. Staged by Force of Nature Productions and d…

SOURCE: Stage and Cinema at 04:14AM
Friday, October 24, 2025

Theater Review: CYMBELINE (Antaeus Theatre Company in Glendale) by Ernest Kearney

THANKS TO ANTAEUS, CYMBELINE RIDES AGAIN Who knew Cymbeline could gallop? Director Nike Doukas's new staging at Antaeus Theatre Company turns one of Shakespeare's most notoriously unwieldy p…

SOURCE: Stage and Cinema at 03:17AM
Friday, October 17, 2025

Theater Review: TALES FROM THE BEYOND (Write Act Repertory) by Ernest Kearney

A MILD CASE OF THE CREEPS Ah, Halloween " All Hallows' Day, Allhallowtide, Jack-o'-lanterns, the madcap lads of West Hollywood, the troops of pint-sized witches, Iron Men and Disney princess…

SOURCE: Stage and Cinema at 02:59AM
Friday, October 3, 2025

Theater Review: DANNY BOY (The Actors Company) by Ernest Kearney

INTO THE WORDS Entering The Other Space at the Actors Company Theatre Complex, I was immediately taken by Fritz Davis's well-crafted video projections cast on Joel Daavid's set of three wall…

SOURCE: Stage and Cinema at 10:41AM
Sunday, September 28, 2025

Theater Review: THE NIGHT OF THE IGUANA (Boston Court) by Ernest Kearney

OH, WHAT A NIGHT Tennessee Williams' The Night of the Iguana (1961) may be viewed as the finish of a journey the playwright began twenty years earlier with The Glass Menagerie (1944). The on…

SOURCE: Stage and Cinema at 02:51AM
Sunday, September 14, 2025

Theater Review: SUNDAY ON THE ROCKS (Falco Productions at The Actor’s Company) by Ernest Kearney

A GEM OF A PRODUCTION FOR THERESA REBECK'S DAZZLING SUNDAY ON THE ROCKS Solid. Diamond Solid. Strength and luster. That is what's most striking about Sunday on the Rocks by playwright Theres…

SOURCE: Stage and Cinema at 06:39PM
Wednesday, September 10, 2025

Theater Review: FLY ME TO THE SUN (Fountain Theatre) by Ernest Kearney

FLY ME TO THE SUN… AND LEAVE ME THERE I confess, playwright Brian Quijada was an unknown quantity to me, and after attending Fly Me to the Sun at the Fountain Theatre, I was of the mind th…

SOURCE: Stage and Cinema at 05:22PM
Wednesday, August 27, 2025

Theater Review: ACHILLES IN ARCADIA (Skylight Theatre) by Ernest Kearney

ACHILLES' HEEL IN ARCADIA There is a misunderstanding of critics among some circles, a sense that they are all cast in the mold of Ellsworth Toohey, the sniveling, Machiavellian art critic f…

SOURCE: Stage and Cinema at 05:09AM
Thursday, August 14, 2025

Theater Review: MONA LISA MISSING! (Eastwood Stage) by Ernest Kearney

A MASTERPIECE OF MUSICAL MISCHIEF In 1911, the Louvre was the largest building in the world, containing more than a thousand rooms, spread out over 45 acres and housing over a quarter millio…

SOURCE: Stage and Cinema at 09:00AM
Tuesday, August 12, 2025

Theater Review: THE TIME MACHINE (Broadwater) by Ernest Kearney

TIME IS OUR FRIEND A Victorian inventor travels thousands of years into the future, only to discover that humanity has evolved"and devolved"into two radically different species. The 14/48 Ho…

SOURCE: Stage and Cinema at 09:35AM
Saturday, August 2, 2025

Theater Review: OUT THERE (Broadwater) by Ernest Kearney

Let there be no mistaking it, Mark Vigeant is so funny that if he was performing on an amphitheater set up in front of Mount Rushmore, after the first five minutes milk would be shooting out…

SOURCE: Stage and Cinema at 03:05PM
Sunday, July 27, 2025

Theater Review: ICE CREAM BLONDE (Actors Company) by Ernest Kearney

DEAD BLONDES TELL NO TALES " EXCEPT THIS ONE Conspiracy theories have surrounded the death of actress and restaurateur Thelma Todd since 1935, when her lifeless body was discovered in a gara…

SOURCE: Stage and Cinema at 01:36PM

Theater Review: BETSY & PATTY FIND OUT (The Broadwater) by Ernest Kearney

WAITING FOR COWDOT Normally, a surfeit of hyphens in any production assures trouble ahead, but Aaron Francis, the writer-director-designer-producer of this subversive, potent indictment of t…

SOURCE: Stage and Cinema at 03:02AM
Sunday, July 20, 2025

Theater Review: DOLORES (Stephanie Feury Studio Theatre) by Ernest Kearney

A KNOCK AT THE HEART With her staging of Dolores, Edward Allan Baker's two-woman drama about domestic violence, director Stephanie Feury"at the theatre that bears her name"has placed on disp…

SOURCE: Stage and Cinema at 04:06PM
Saturday, July 19, 2025

Theater Review: 5:45 (Little Theatre at Actors Company) by Ernest Kearney

OFFTIME Abi Watkinson's one-woman show 5:45 is a poor receptacle for a great deal of talent"one that feels underdeveloped and not fully thought through. The trouble starts with the title. A …

SOURCE: Stage and Cinema at 05:58PM

Theater Review: DOG OF CARNAGE (Broadwater Studio) by Ernest Kearney

A TAIL OF LOVE ON A LEASH Playwright Benjamin Schwartz and director Natalie Nicole Dressel, in league with actors Callie Ott and Spencer Weitzel, have served up in Dog of Carnage one of the …

SOURCE: Stage and Cinema at 05:01PM

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off