Tuesday, May 31, 2022
The company’s spring season, a double whammy of Covid and injury, ended with the retirement of the principal Amar Ramasar.
SOURCE: The New York Times Subscription at 03:20PMThursday, May 19, 2022
The choreographer Donna Uchizono presents “Wings of Iron,” a subtle, virtuosic exploration of the art of perseverance.
SOURCE: The New York Times Subscription at 01:37PMTuesday, May 17, 2022
The choreographer Abby Zbikowski brings her raw, genre-bending “Radioactive Practice” to New York Live Arts after a two-year delay.
SOURCE: The New York Times Subscription at 12:16PMFriday, May 6, 2022
The choreographer Silas Farley and the composer David K. Israel team up for “Architects of Time,” a premiere for the Stravinsky Festival.
SOURCE: The New York Times Subscription at 11:55AMWednesday, May 4, 2022
The best part? It’s not cosmetic. New York premieres by Madeline Hollander and Janie Taylor pair perfectly with a Bella Lewitzky revival.
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Live audiences return for a new platform at Danspace Project featuring Mayfield Brooks, Rashaun Mitchell + Silas Riener, Iele Paloumpis and Ogemdi Ude.
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The Japanese dance artist, joined by four collaborators, brings her evolving “Duet Project: Distance Is Malleable” to N.Y.U. Skirball.
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Ashwini Ramaswamy, whose specialty is Indian classical dance, works with two dancers from other traditions in “Let the Crows Come.”
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Martha Graham Dance Company brings two premieres and a classic to the City Center Dance Festival. The best new work? A soulful score by Jason Moran.
SOURCE: The New York Times Subscription at 02:21PMThursday, March 31, 2022
The choreographer Alice Ripoll and 10 dancers from Rio de Janeiro combine youthful abandon with an exploration of social injustice in “Cria” at BAM Fisher.
SOURCE: The New York Times Subscription at 02:46PMFriday, March 25, 2022
The incandescent “L’Allegro, il Penseroso ed il Moderato” returns to Brooklyn, leaving you as breathless as ever.
SOURCE: The New York Times Subscription at 02:14PMTuesday, March 22, 2022
The choreographer Nai-Ni Chen died in December. Now her company takes its next steps, beginning with a season at New York Live Arts.
SOURCE: The New York Times Subscription at 02:23PMThursday, March 17, 2022
In “A Pandemic Notebook,” the choreographer Karole Armitage presents her final program of new works. And, with Jock Soto, she returns to the stage.
SOURCE: The New York Times Subscription at 02:34PMWednesday, March 16, 2022
Lauren Lovette, a former principal with New York City Ballet, has been named the resident choreographer of the Paul Taylor Dance Company.
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Tiler Peck, a principal dancer at New York City Ballet, directs her own evening as part of City Center’s inaugural Artists at the Center series.
SOURCE: The New York Times Subscription at 02:23PMThursday, March 3, 2022
Wednesday, March 2, 2022
The season saw more farewells, from principals Teresa Reichlen and Gonzalo Garcia, along with a rush of talent from the recently promoted.
SOURCE: The New York Times Subscription at 11:54AMWednesday, February 23, 2022
Thursday, February 17, 2022
After 22 years, Teresa Reichlen, a “low-key” Hitchcock blonde, steps into her next chapter: motherhood and running a gallery.
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Miami City Ballet’s production of Alexei Ratmansky’s enthralling “Swan Lake” brings a beloved work into crisp, clean and musical focus.
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A new work by the Ailey veteran Jamar Roberts shared a program with revivals by Pam Tanowitz and Kyle Abraham.
SOURCE: The New York Times Subscription at 02:14PMFriday, January 28, 2022
Justin Peck’s “Partita,” set to Caroline Shaw’s Pulitzer-Prize winning composition, opened New York City Ballet’s winter season at Lincoln Center.
SOURCE: The New York Times Subscription at 01:01PMSome dancers recoiled at the prospect of volunteering their services at this year’s Super Bowl halftime show: “You can’t make a living off of exposure.”
SOURCE: The New York Times Subscription at 12:29PMMonday, January 24, 2022
A crew of corps de ballet members, six women and one man, head into the delayed winter season with a new rank: soloist.
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The Northern Irish choreographer Oona Doherty looks at despair through an ethereal lens at the Irish Arts Center.
SOURCE: The New York Times Subscription at 02:36PMWednesday, January 12, 2022
The choreographer continues his research into African American worship and the Black Shakers in “Power” at the Brooklyn Academy of Music
SOURCE: The New York Times Subscription at 11:51AMFriday, December 24, 2021
Justin Peck takes over choreographic duties in the Steven Spielberg adaptation of the 1957 musical in which words, not bodies, rule the screen.
SOURCE: The New York Times Subscription at 09:00AMThursday, December 16, 2021
Darla Hoover is to be chair of faculty and Aesha Ash will fill the newly created position of associate chair at the New York City Ballet-affiliated academy.
SOURCE: The New York Times Subscription at 12:45PMTuesday, December 14, 2021
Peter Anastos returns to the comedic troupe he helped found for “Nightcrawlers,” a Jerome Robbins sendup at the Joyce Theater.
SOURCE: The New York Times Subscription at 10:01AMFriday, December 10, 2021
His days as a ballet prince are in the past. Now this regal member of Alvin Ailey American Dance Theater brings his own drama to the stage.
SOURCE: The New York Times Subscription at 11:56AM 
