All stories by Hugh Iglarsh on BroadwayStars

Monday, September 16, 2024

A Man in Full: A Review of “Royko: The Toughest Man in Chicago” at Chopin Theatre by Hugh Iglarsh

“Royko: The Toughest Man in Chicago” is mainly, and justifiably, about the public issues confronted and battles fought by a very brave and public writer on an almost daily basis over fou…

SOURCE: www.newcitystage.com at 08:00AM
Tuesday, August 27, 2024

Still Mad as Hell: A Review of “Network” by Invictus Theatre at Windy City Playhouse by Hugh Iglarsh

This is what theater needs to be in our time: a mirror not just to nature but also to the media landscape that surrounds us. Invictus has crafted a memorable production of an important and i…

SOURCE: www.newcitystage.com at 08:00AM
Tuesday, August 13, 2024

Two Levels of Illusion: A Review of “Road Signs” at A Red Orchid Theatre by Hugh Iglarsh

As an illusionist, Jon Tai performs a truly impressive feat that makes the audience gasp; as a storyteller, though, the amicable and unassuming Tai comes off as less than magical.

SOURCE: www.newcitystage.com at 08:00AM
Wednesday, July 31, 2024

Martian Chronicles: A Review of “Wells and Welles” by Lucid Theater at City Lit by Hugh Iglarsh

The play never hits a high gear dramatically and ends on an anticlimax. But I still found “Wells and Welles” enjoyable, for the simple reason that, over the play’s single act, we do ge…

SOURCE: www.newcitystage.com at 08:00AM
Friday, June 14, 2024

Human, All Too Human: A Review of “Three Sisters” by Invictus Theatre Company at Windy City Playhouse by Hugh Iglarsh

For a smallish storefront theater like Invictus to do so well by a play as expansive and demanding as “Three Sisters” is no mean feat, and I wish the show a long and happy run.

SOURCE: www.newcitystage.com at 08:00AM
Monday, June 3, 2024

Singularly Intelligent: A Review of “The Singularity Play” by Jackalope Theatre Company by Hugh Iglarsh

New York playwright Jay Stull manages to craft an ingeniously twisty, provocative meditation on artificial intelligence that takes the form of a play within a play within a darkly mysterious…

SOURCE: www.newcitystage.com at 08:00AM
Thursday, May 16, 2024

This Heat: A Review of “Turret” at A Red Orchid Theatre by Hugh Iglarsh

Performative intensity is a good thing, but it’s not enough to carry a play. We see this clearly in “Turret,” a show with too much heat and not enough light.

SOURCE: www.newcitystage.com at 08:00AM
Thursday, May 9, 2024

Revenge Comedy: A Review of “The Thanksgiving Play” at Steppenwolf Theatre by Hugh Iglarsh

Under-plotted, more static than flowing, anticlimactic and sometimes over the top, “The Thanksgiving Play” is not a polished work of theater. But it is a powerful provocation, a real boo…

SOURCE: www.newcitystage.com at 08:00AM
Tuesday, April 30, 2024

Secrets Not Revealed: A Review of “Joe Turner’s Come and Gone” at the Goodman Theatre by Hugh Iglarsh

Veteran director Chuck Smith, our foremost August Wilson interpreter, has crafted an emotionally highly charged, exuberant, well-paced production. But even with Smith’s steady hand on the …

SOURCE: www.newcitystage.com at 08:00AM
Tuesday, April 23, 2024

Shamanic Shakespeare: A Review of Eddie Izzard Performing “Hamlet” at Chicago Shakespeare Theater by Hugh Iglarsh

Izzard’s dazzling performance holds up a mirror not just to nature, but to ourselves.

SOURCE: www.newcitystage.com at 08:00AM
Monday, April 1, 2024

An Introverted Romance: A Review of “Love Song” at Remy Bumppo by Hugh Iglarsh

With its engaging characters, pointed and fast-paced dialogue, unpredictable but logical storyline and luminous poetic flourishes, “Love Song” is a show that will charm the pants off eve…

SOURCE: www.newcitystage.com at 08:00AM
Thursday, March 14, 2024

Apocalyptic Cuteness: A Review of “End Days” at Theatre Above the Law by Hugh Iglarsh

“End Days” reminds us that the overtones of strangeness, precariousness and disequilibrium that define reality these days began exactly at the moment when the American public lost its se…

SOURCE: www.newcitystage.com at 08:00AM
Monday, February 26, 2024

The Fix Is In: A Review of “The Smuggler” at Jackalope Theatre by Hugh Iglarsh

It’s solid, gripping writing, delivered with crystalline sincerity, and it hits like a sledge hammer.

SOURCE: www.newcitystage.com at 08:00AM
Wednesday, February 21, 2024

Modern-Day Rhapsody: A Review of the Joffrey Ballet’s “Studies in Blue” at the Lyric Opera House by Hugh Iglarsh

The Joffrey Ballet’s current—and spectacular—evening of dance is a modern-day rhapsody in blue, exploring with skill and sensitivity the range of moods and meanings associated with tha…

SOURCE: www.newcitystage.com at 08:00AM
Friday, February 16, 2024

Timely Message, Dated Play: A Review of “Waiting for Lefty” at Gwydion Theatre by Hugh Iglarsh

Its message about the need to stand and fight against a rigged system is as relevant as ever. The work itself, though, has not aged well.

SOURCE: www.newcitystage.com at 08:00AM
Thursday, January 25, 2024

Brecht at his Best: A Review of “Mother Courage and Her Children” at Trap Door Theatre by Hugh Iglarsh

"This is one of the finest productions of a Brecht play I’ve seen in Chicago, or anywhere else for that matter."

SOURCE: www.newcitystage.com at 08:00AM
Tuesday, December 12, 2023

Lost in Translation: A Review of “Can’t Pay? Won’t Pay!” at Gwydion Theatre Company by Hugh Iglarsh

The theme of budget-busting inflation is all too relevant right now in the United States. That said, it’s no easy task updating and transposing Fo’s almost fifty-year-old tale of the ins…

SOURCE: www.newcitystage.com at 08:00AM
Wednesday, November 1, 2023

A Promising Start: A Review of “AmericanMYTH: Crossroads” at Free Street Theater by Hugh Iglarsh

Visually scintillating, musically varied and appealing, animated by the shamanic, shape-shifting energy of its griot/narrator, “AmericanMYTH: Crossroads” has a hell of a lot going for it…

SOURCE: www.newcitystage.com at 08:00AM
Monday, October 9, 2023

Something Is Happening Here: A Review of “The Zoo Story” at Gwydion Theatre Company by Hugh Iglarsh

Gwydion Theatre, a company making its local debut, has chosen its first Chicago play well and executed even better.

SOURCE: www.newcitystage.com at 08:00AM
Wednesday, October 4, 2023

Too Much Goes Unmentioned: A Review of “The Nacirema Society” at Goodman Theatre by Hugh Iglarsh

“The Nacirema Society” could have been an edifying experience for viewers, as well as an entertaining one. That road hasn’t been taken, and the result is a comedy whose laughs lack dee…

SOURCE: www.newcitystage.com at 08:00AM
Friday, September 15, 2023

A Classic American Millerdrama: A Review of “A View from the Bridge” at Shattered Globe Theatre by Hugh Iglarsh

More ominous and socially observant than a typical melodrama, Arthur Miller’s “A View from the Bridge” is hard to categorize. It’s its own thing—call it a classic American Millerdr…

SOURCE: www.newcitystage.com at 08:00AM
Wednesday, July 26, 2023

Pinteresque Perfection: A Review of “No Man’s Land” at Steppenwolf Theatre by Hugh Iglarsh

Harold Pinter’s “No Man’s Land”—the Nobel Prize-winning writer’s 1975 play, masterfully revived at Steppenwolf—is a rich and strange theater experience.

SOURCE: www.newcitystage.com at 08:00AM
Friday, July 7, 2023

Stillness Is the Move: A Review of “A Distinct Society” at Writers Theatre by Hugh Iglarsh

The personal good intentions and grandiose philosophizing offered here might distract us, but they won’t do much to save us.

SOURCE: www.newcitystage.com at 08:00AM
Friday, June 9, 2023

A Victory Against Invisibility: “Being Seen” at the Den Theatre by Hugh Iglarsh

The play is a real-time portrayal of an audition, that lonely, scary ordeal for actors.

SOURCE: www.newcitystage.com at 08:00AM
Monday, May 22, 2023

Loveless Truths: A Review of “The Whistleblower” at Theater Wit by Hugh Iglarsh

Eli is a TV writer who has become sick of writing fictional stories about fantasy heroes, and instead decides to speak only hard, personal truths designed to free himself and others from the…

SOURCE: www.newcitystage.com at 08:00AM
Friday, May 5, 2023

Workplace War Zone: A Review of “In the Back/Out the Floor” at Stage Left by Hugh Iglarsh

The minimum-wage workplace as depicted in this world premiere drama is a nightmare of tedious toil, endless surveillance and absolute disrespect.

SOURCE: www.newcitystage.com at 08:00AM
Monday, April 24, 2023

Surface Level: A Review of the Joffrey Ballet’s The Little Mermaid by Hugh Iglarsh

The five lead dancers skillfully meld precise, athletic movement—in a contemporary ballet mode—with expressive theatricality.

SOURCE: www.newcitystage.com at 08:00AM
Friday, March 31, 2023

A Well-Intentioned Hell: A Review of “Babel” at Redtwist Theatre by Hugh Iglarsh

The plot concerns two couples–one lesbian, the other heterosexual–who wish to have a baby in a society where childbearing is treated as a highly regulated privilege, available only to li…

SOURCE: www.newcitystage.com at 08:00AM
Thursday, March 23, 2023

Art Isn’t Nice: A Review of “The Threepenny Opera” at Theo Ubique Cabaret Theatre by Hugh Iglarsh

There’s nothing “nice” about “Threepenny,” a no-holds-barred assault on every aspect of bourgeois existence, from religion to marriage and family to the military to law and order.

SOURCE: www.newcitystage.com at 08:00AM
Friday, March 3, 2023

Opposing Possibilities: A Review of “Heisenberg, The Uncertainty Principle” at Griffin Theatre Company by Hugh Iglarsh

British writer Simon Stephens’ 2015 two-hander references physicist Werner Heisenberg’s 1927 discovery that it is impossible for an observer to precisely discern both the position and ve…

SOURCE: www.newcitystage.com at 08:00AM
Monday, February 27, 2023

Overheated: A Review of Anna in the Tropics at Remy Bumppo by Hugh Iglarsh

In Nilo Cruz’ Pulitzer Prize-winning 2003 play, cigars symbolize all kinds of things, from capitalist commodity to an older, slower lifestyle to religious burnt offering, like smoke throug…

SOURCE: www.newcitystage.com at 08:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 15, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
TBA: Titanic