All stories by John Bavoso on BroadwayStars

Monday, October 14, 2019

Review: Crystal Creek Motel from Flying V Theatre by John Bavoso

Hotels rooms are one of those things we largely take for granted but are rich fodder for those of us with overactive imaginations who consistently wonder about the other people who have prev…

Linked From DC Theatre Scene at 11:18AM
Monday, September 16, 2019

Review: What the Constitution Means to Me disarms all the arguing and in-fighting by John Bavoso

Washington, DC, is one of the few cities in the country where it’s not uncommon for large groups of people to come together to spend two hours deep in conversation about the constitution a…

Linked From DC Theatre Scene at 12:54PM
Tuesday, August 27, 2019

Review: Fabulation or, The Re-Education of Undine by John Bavoso

It has become a trope of a certain type of made-for-TV movie for the successful, career-driven woman in the Big City to have to return home to her humble beginnings and learn the true meanin…

Linked From DC Theatre Scene at 05:12PM
Monday, July 22, 2019

Capital Fringe review: Emil Amok! All Pucked Up: Harvard, NPR and more by John Bavoso

“The best thing about majoring in Invisibility Studies,” jokes Emil Guillermo early on in his one-person show, Emil Amok! All Pucked Up: Harvard, NPR and more, making its DC premiere rig…

Linked From DC Theatre Scene at 10:12AM
Friday, July 19, 2019

Capital Fringe review: Mayhem and Other Delights by John Bavoso

DC is (in)famous for being a “transitional” city—people move here, stay for a few years, and then leave. But what happens when you discover your love of playwriting here and then move …

Linked From DC Theatre Scene at 01:03PM
Thursday, July 18, 2019

Capital Fringe review: Pride of Doves by John Bavoso

Darkness. Silence. The flapping of wings. A gunshot. A single dead dove hovering above the stage. These are the opening moments of Douglas Robinson’s surreal look at the senselessness and …

Linked From DC Theatre Scene at 05:36PM
Tuesday, July 16, 2019

Review: Bright Colors and Bold Patterns at Studio Theatre by John Bavoso

Well, it’s mid-July, so we’re deep in the thick of it and there’s no turning back now… it’s officially wedding season. It was fitting, then, that I was returning to DC from a lovel…

Linked From DC Theatre Scene at 10:36AM
Monday, June 24, 2019

Review: Every Brilliant Thing at Studio Theatre by John Bavoso

“Give me one reason to stay here,” crooned Tracy Chapman in 1995, “and I’ll turn right back around.” A few years earlier, a 7-year-old named Duncan MacMillan embraced the spirit of…

Linked From DC Theatre Scene at 02:12PM
Monday, June 10, 2019

Review: The Oldest Boy, motherhood and letting go, at Spooky Action Theater by John Bavoso

Plenty of pop culture real estate—from The Omen to We Need to Talk About Kevin, to name a few—has been devoted to parents coming to terms with the possibility that their child may be pur…

Linked From DC Theatre Scene at 04:18PM
Monday, June 3, 2019

Review: Rajiv Joseph’s Describe the Night at Woolly Mammoth Theatre by John Bavoso

“Fiction carries a greater amount of truth in solution than the volume which purports to be all true,” wrote British novelist William Makepeace Thackery, author of Vanity Fair. This simp…

Linked From DC Theatre Scene at 02:12PM
Tuesday, May 28, 2019

Review: Young Jean Lee’s We’re Gonna Die from Flying V by John Bavoso

When asked about how she comes up with ideas for her plays (which, let me tell you from personal experience, is every writer’s favorite interview question), playwright, director, and filmm…

Linked From DC Theatre Scene at 10:36PM
Thursday, May 9, 2019

Review: God of Carnage at Keegan Theatre by John Bavoso

“In the end, we’re all just taller children,” croons Brooklyn-based singer-songwriter Elizabeth Ziman on her band, Elizabeth & The Catapult’s, aptly title 2009 song, “Taller Ch…

Linked From DC Theatre Scene at 12:54PM
Tuesday, April 23, 2019

Review: Annie Jump and the Library of Heaven. Show runners take note. by John Bavoso

There’s a notion these days in theatrical circles that the hallmark of a great play is that it can only be a play; that the story being told wouldn’t work in any other medium. As I was w…

Linked From DC Theatre Scene at 04:59PM
Tuesday, April 9, 2019

Review: Clothes for a Summer Hotel. Zelda and Scott and Tennessee by John Bavoso

In his note in the program of Rainbow Theatre Project’s new production of Tennessee Williams’ lesser-known play Clothes for a Summer Hotel—his last to be produced on Broadway in his li…

Linked From DC Theatre Scene at 10:16AM
Monday, March 25, 2019

Review: Resolving Hedda, whip-smart and hilarious by John Bavoso

“We’re in a strange relationship with our fiction, you see,” Warren Ellis, the English comic-book writer, novelist, and screenwriter, once wrote. “Sometimes we fear it’s taking us …

Linked From DC Theatre Scene at 12:28PM
Monday, March 18, 2019

The Seagull review from The Wheel by John Bavoso

Was Anton Chekhov touched with the gift of prophecy when he wrote the first of his four major plays, The Seagull? Or, even rarer, with self-awareness? The piece, which begins with a disastro…

Linked From DC Theatre Scene at 10:34AM
Monday, February 25, 2019

Review: Joe Calarco’s Separate Rooms. From a young man’s death come the two biggest questions of life by John Bavoso

Morrie Schwartz, the sociology professor and subject of Mitch Albom’s bestselling book, Tuesdays with Morrie, once said, “Death ends a life, not a relationship. All the love you created …

Linked From DC Theatre Scene at 11:17AM
Monday, February 11, 2019

Review: John Cameron Mitchell’s Origin of Love Tour by John Bavoso

They say you should never meet your heroes, but what about crowd-surfing them? That was what I was thinking the night of February 8, as I helped keep John Cameron Mitchell aloft as he made h…

Linked From DC Theatre Scene at 10:24AM
Monday, February 4, 2019

Ouroboros: Dawn of the Cabaret review, choose-your-own IBD adventure in a DC mansion by John Bavoso

Few words strike fear into the hearts of wide swaths of the theatre-going population than ‘Audience Participation.’ But when said participation involves sipping champagne, swanning aroun…

Linked From DC Theatre Scene at 12:48PM
Monday, January 21, 2019

Admissions review. White liberals defend their privileges in Joshua Harmon’s scathing comedy by John Bavoso

A couple of weeks ago, the satire site McSweeney’s published an article entitled, “How Can I Help to Promote Diversity Without Relinquishing Any of My Power?” This title alone could se…

Linked From DC Theatre Scene at 03:18PM

Jeffrey review. Paul Rudnick’s comedy of love in the time of AIDS by John Bavoso

There’s no such thing as love without risk. Risk of rejection. Risk of your partner finding someone else. But for gay men in the ‘80s and ‘90s, at the height of the AIDS crisis, love a…

Linked From DC Theatre Scene at 01:04PM
Wednesday, December 5, 2018

Review: How to Keep an Alien, a comedy about love and red tape by John Bavoso

Several years ago, a good friend of mine married a Swiss citizen. Over many glasses of wine, she detailed to me having to provide emails, OkCupid messages, photos, a dn receipts to prove the…

Linked From DC Theatre Scene at 09:06AM
Tuesday, November 13, 2018

Review: In This Hope: A Pericles Project by John Bavoso

In fraught times, where do you go to find hope? Assuming the answer is not “within yourself,” might I suggest the basement of a church where, seated in a circle with a group of strangers…

Linked From DC Theatre Scene at 07:54AM
Wednesday, October 24, 2018

Review: Sing to Me Now. Overworked muse seeks intern by John Bavoso

In the promotional materials for their production of Iris Dauterman’s Sing To Me Now, Rorschach Theatre has been highlighting one particular quote from the script: “Every second you hesi…

Linked From DC Theatre Scene at 10:54AM
Wednesday, October 17, 2018

Review: The Fall. Members of a student uprising in Cape Town here at Studio. by John Bavoso

Imagine a large group of college students, surrounded by the international media, anxiously awaiting the moment when a statue depicting a key figure from their country’s racist past is top…

Linked From DC Theatre Scene at 12:24PM
Wednesday, September 26, 2018

Review: How to Win a Race War, a 3 hour white supremacy lit class by John Bavoso

Before you read this review, I’d like to ask a favor of you: open a new browser tab and navigate to your favorite news/politics site and spend five minutes browsing the stories there. Seri…

Linked From DC Theatre Scene at 11:12AM
Monday, September 10, 2018

Review: Gloria, violence in the workplace, “sometimes shocking, frequently hilarious” by John Bavoso

While a very popular musical currently running at the Kennedy Center is asking audiences, “Who lives, who dies, who tells your story?” across town at Woolly Mammoth Theatre Company, Bran…

Linked From DC Theatre Scene at 01:24PM
Saturday, August 25, 2018

Review: Rainbow Theatre debuts In the Closet, touching, hilarious, thought-provoking by John Bavoso

It’s become a truism in the queer community that coming out of the closet isn’t a singular event. And yet, the very expression “coming out” conjures up images of individuals in their…

Linked From DC Theatre Scene at 10:32AM
Friday, August 3, 2018

Review: The Story of the Gun by Mike Daisey by John Bavoso

What do you get when you take one of America’s most controversial theatre artists and its most divisive political issue and put them in a room together in our nation’s capital? In the ca…

Linked From DC Theatre Scene at 08:42AM
Sunday, July 15, 2018

Review: Dangerous When Wet: Booze, Sex & My Mother at Capital Fringe by John Bavoso

At this point, theatrical works about gay men and their over-the-top, overbearing mothers practically comprise an entire genre unto themselves—think Torch Song Trilogy and Mothers and Sons…

Linked From DC Theatre Scene at 01:48PM
Saturday, July 14, 2018

Review: Lesbians and the Men Who Love Them at Capital Fringe by John Bavoso

Sometimes the identities we construct for ourselves become our prisons. This is the scenario playwright M. Cristina Garcia uses as the central conceit of her play, Lesbians and the Men Who L…

Linked From DC Theatre Scene at 12:36PM

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2019-2020 BROADWAY SEASON
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