All stories by Jonathan Mandell on BroadwayStars

Sunday, October 7, 2018

Oklahoma Review: Hip and Homey not Hokey, with Mixed Results by Jonathan Mandell

At the scaled-down, reimagined production of “Oklahoma!” at St. Ann’s Warehouse, they didn’t give us the program until after the musical was over – one of the signs that director D…

SOURCE: New York Theater at 06:45PM
Saturday, October 6, 2018

The Mile Long Opera Review: 1,000 New Yorkers Singing and Griping on the High Line by Jonathan Mandell

“Funny how hope changes everything. Funny how hope changes nothing,” a singer chants on the High Line, hovering above 18th street, as a light in her black baseball cap eerily illuminates…

SOURCE: New York Theater at 11:37AM
Friday, October 5, 2018

KINK HAÜS Review: Underground Gay Clubbing Celebrated in Dance by Jonathan Mandell

“What’s the password?” asked the woman with a punk blonde bouffant, stiletto heels and a penis brooch. I stammered, tried to show her my ticket. She just glared. “Um, La MaMa?” “…

SOURCE: New York Theater at 03:53PM
Thursday, October 4, 2018

Are Actors’ Bodies Part of the Show, Or Off Limits? by Jonathan Mandell

Yet again, a drama critic has been attacked for making comments about actors’ bodies. The new headlines were generated by a 1991 review of “Will Rogers Follies” on Broadway. Why was th…

SOURCE: New York Theater at 11:43AM
Wednesday, October 3, 2018

Ticket Giveaway: Head Over Heels by Jonathan Mandell

Win two tickets to see “Head Over Heels” for free. I liked this show, which mashes up 18 songs by the 1980s all-female L.A. punk band The Go-Go’s with a loose adaptation of Ar…

SOURCE: New York Theater at 08:25AM
Tuesday, October 2, 2018

Final Follies Review: A.R. Gurney’s Posthumous Play about WASP Porn Star by Jonathan Mandell

For the last few years before he died in 2017 at the age of 86, playwright A.R. Gurney had been experiencing a resurgence of a career that had already produced some 40 plays over 50 years, b…

SOURCE: New York Theater at 09:45PM

Kavanaugh Hearings as Theater. Welcome to the New Fringe. Ansel Elgort is Tony. The Week in NY Theater by Jonathan Mandell

What stage show could compete with the drama of the Ford/Kavanaugh hearings? I’m a theater critic and I’ve never been so drained by a drama. — Charles McNulty (@CharlesMcNulty)…

SOURCE: New York Theater at 09:36AM
Monday, October 1, 2018

Girl From the North Country Review: Dylan’s Music Set In His Hometown by Jonathan Mandell

Using 20 songs that Bob Dylan composed over half a century, playwright Conor McPherson has fashioned a slow, sad, elliptical and occasionally exquisite theater piece set in a run-down boardi…

SOURCE: DC Theatre Scene at 11:04PM

Girl From the North Country: Dylan Musical Pics and Review by Jonathan Mandell

Using 20 songs that Bob Dylan composed over half a century, playwright Conor McPherson has fashioned a slow, sad, elliptical and occasionally exquisite theater piece set in a run-down boardi…

SOURCE: New York Theater at 10:11PM

New York Theater Quiz September 2018 by Jonathan Mandell

How well were you paying attention to the theater, and theater news, in September? Answer these 13 questions to find out.   Keep abreast of what’s happening with my weekly summari…

SOURCE: New York Theater at 11:46AM
Sunday, September 30, 2018

October 2018 New York Theater Openings by Jonathan Mandell

Bob Dylan, Glenn Close, Daniel Radcliffe, and Gloria Steinem are all on a New York stage one way or another in October, always a good month for theater. This year’s October is likely the …

SOURCE: New York Theater at 11:12AM
Saturday, September 29, 2018

The Nap Review. Some Laughs, A Big Twist, A Lot of Snooker. by Jonathan Mandell

How, one wondered, would British playwright Richard Bean, whose hilarious farce One Man, Two Guvnors made a star out of James Corden, create something as funny for Americans out of the Briti…

SOURCE: DC Theatre Scene at 07:18PM

The Nap on Broadway: Pics, Review by Jonathan Mandell

How, one wondered, would British playwright Richard Bean, whose hilarious farce One Man, Two Guvnors made a star out of James Corden, create something as funny for Americans out of the Briti…

SOURCE: New York Theater at 06:32PM

Bernhardt/Hamlet Review: Janet McTeer as Sarah Bernhardt as Hamlet by Jonathan Mandell

At the very end of Bernhardt/Hamlet, a new play on Broadway by Theresa Rebeck, we see an actual 1899 film clip of the renowned 19th century actress Sarah Bernhardt on stage, in the role of H…

SOURCE: DC Theatre Scene at 07:04AM

Bernhardt/Hamlet: Pics, Review by Jonathan Mandell

Bernhardt/Hamlet, a new play on Broadway by Theresa Rebeck about Sarah Bernhardt deciding to perform as Hamlet, is being given a first-rate production, with a winning cast led by Janet McTee…

SOURCE: New York Theater at 06:38AM
Thursday, September 27, 2018

Because I Could Not Stop: An Encounter With Emily Dickinson by Jonathan Mandell

The latest odd hybrid by the Ensemble for the Romantic Century, combining a one-woman show about the poetry and life of Emily Dickinson with a chamber music concert of 19th century composer …

SOURCE: New York Theater at 07:42PM
Wednesday, September 26, 2018

Intractable Woman, A Play About Murdered Russian Journalist Anna Politkovskaya by Jonathan Mandell

Journalist Anna Politkovskaya was murdered on Vladimir Putin’s birthday in 2006, as if the assassins were giving him a present for getting rid of this woman deemed an “enemy̶…

SOURCE: New York Theater at 09:11PM
Tuesday, September 25, 2018

Playing to the Gods: Sarah Bernhardt, Eleonora Duse, and the Rivalry That Changed Acting Forever by Jonathan Mandell

Sarah Bernhardt remains the most famous stage actress of all time, the subject of the play Bernhardt/Hamlet on Broadway. But during her lifetime she had a rival, Eleanora Duse. The two didn�…

SOURCE: New York Theater at 12:08PM

NYIT Award Winners 2018: Off-Off Broadway’s Finest by Jonathan Mandell

Follies at the Astoria Performing Arts Center was a big winner in the 14th annual New York Innovative Theater Awards, which celebrates the best of the city’s independent theater  — aka …

SOURCE: New York Theater at 12:00AM
Monday, September 24, 2018

Week in NY Theater: Kavanaugh as Shakespearean Villain. Annette Bening in Arthur Miller revival. Broadway 2018-19 Shaping Up by Jonathan Mandell

Shakespeare knew Kavanaughs well: “Say what you can, my false o’erweighs your true” The 2018-2019 Broadway season, launching in earnest this week with two plays, is shaping up after se…

SOURCE: New York Theater at 08:16AM
Sunday, September 23, 2018

A Lovely Sunday for Creve Coeur Review: Tennessee Williams Late, Witty Play About Four Women by Jonathan Mandell

La Femme’s revival of Tennessee Williams’ late, little-known play about four women living and working and bickering with one another, offers something you won’t find in A Glass Menager…

SOURCE: New York Theater at 09:05PM
Saturday, September 22, 2018

I Was Most Alive For You — Accessible For The Deaf…And Complicated by Jonathan Mandell

As the family gathers for a Thanksgiving right before everything starts to fall apart, Knox (Russell Harvard) gives thanks for “three things I used to think weren’t gifts at all: Deafnes…

SOURCE: New York Theater at 10:00AM
Friday, September 21, 2018

Top 10 Most Produced Plays and 20 Most Produced Playwrights of the 2018-2019 Season by Jonathan Mandell

“Lucas Hnath’s A Doll’s House, Part 2” tops the list of what will be the most produced plays nationwide among the 531 non-profit theaters that are part of the Theatr…

SOURCE: New York Theater at 05:50AM
Thursday, September 20, 2018

Review: The True. Edie Falco as Kirsten E. Gillibrand’s foul-mouthed political grandmother by Jonathan Mandell

The devotion that Dorothea “Polly” Noonan (Edie Falco,) a foul-mouthed political operative, shows to  Erastus Corning 2nd (Michael McKean,) the long-time mayor of Albany, is so intense …

SOURCE: DC Theatre Scene at 07:24PM

The True with Edie Falco: Photographs and Review by Jonathan Mandell

As Polly Noonan, Edie Falco, late of The Sopranos and Nurse Jackie, can make almost any show more engaging than it would otherwise be, even a relatively sedate one like “The True,”……

SOURCE: New York Theater at 06:30PM
Wednesday, September 19, 2018

The Revolving Cycles Truly and Steadily Roll’d Review: A Black Kid Missing, and Who Cares? by Jonathan Mandell

Karma, a “dirty little hood rat” of 17, is looking for her missing former foster brother Terrell, though she didn’t know him long and he didn’t like her much. He was, however, all sh…

SOURCE: New York Theater at 11:32PM
Monday, September 17, 2018

2018 Theater Hall of Famers. RIP Marin Mazzie. Lear and Mockingbird Casts Complete. The Week in NY Theater by Jonathan Mandell

2018 Theatre Hall of Fame inductees: Actors Rene Auberjonois, Christine Baranski, Cicely Tyson Playwrights Maria Irene Fornes, David Henry Hwang, Adrienne Kennedy Director Joe Mantello Produ…

SOURCE: New York Theater at 07:35AM
Sunday, September 16, 2018

Stars in the Night Review: A Vague “Immersive” Show in Dazzling DUMBO by Jonathan Mandell

Although billed as “an intimate immersive production,” what “Stars in the Night” actually offers, at its best, is the exact opposite — a spectacular public setting. An audience…

SOURCE: New York Theater at 08:01PM
Saturday, September 15, 2018

Lulu The Broadway Mouse: Backstage Book for Kids by Jonathan Mandell

When Jenna Gavigan made her Broadway debut at age 16 as a member of the ensemble in the 2003 revival of Gypsy, she shared the stage at the Shubert Theater not just with stars Bernadette Pete…

SOURCE: New York Theater at 11:54PM
Friday, September 14, 2018

Trump Fatigue? These 3 Shows Hope Not by Jonathan Mandell

“I think there has been a growth in Trump fatigue,” says Tony Stinkmetal, who admits that he himself shares it — which is why it’s surprising that he has created a show c…

SOURCE: New York Theater at 06:36PM
Wednesday, September 12, 2018

Collective Rage A Play in Five Betties Review by Jonathan Mandell

The full title of “Collective Rage,” Jen Silverman’s playful, bawdy, and episodic genderqueer/feminist/lesbian comedy about five women named Betty, is 47 words long. Only once does it …

SOURCE: New York Theater at 06:14PM

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