All stories by Karen Fricker - Theatre Critic on BroadwayStars

Sunday, November 24, 2019

Bend It Like Beckham’s co-creator explains what the film and musical are really about by Karen Fricker - Theatre Critic

It’s about negotiation between generations, Gurinder Chadha tells Karen Fricker ahead of the opening of Bend It Like Beckham onstage in Toronto.

Linked From Toronto Star at 09:30AM
Monday, November 18, 2019
Tuesday, November 12, 2019

After the MMIWG report ‘Tapwewin: Her Inquiry’ tries to fill in 500 years of blanks by Karen Fricker - Theatre Critic

“The inquiry as it was constructed was not looking far enough back,” said Yvette Nolan. “It doesn’t talk about why or how we got to this moment.”

Linked From Toronto Star at 12:35PM
Saturday, November 9, 2019

‘The Pianist of Willesden Lane’ preserves memories of the Holocaust with music by Karen Fricker - Theatre Critic

Written by Mona Golabek and Lee Cohenm, this 90-minute solo piece involves Golabek sitting at a piano playing works by many of the great classical composers, and telling the eventful and ins…

Linked From Toronto Star at 09:38AM
Wednesday, October 30, 2019
Friday, October 25, 2019
Saturday, October 19, 2019

In the Mush Hole, the terrible legacy of residential schools is impossible to ignore by Karen Fricker - Theatre Critic

The production by Kaha:wi Dance Theatre, the title of which is a nickname for the Mohawk Institute Residential School in Branford, draws on interviews with and writings by residential school…

Linked From Toronto Star at 02:40PM
Friday, October 18, 2019

‘Almighty Voice and his Wife’ is a big, bold play, realized through restraint, at Soulpepper by Karen Fricker - Theatre Critic

A play that’s now part of the Canadian theatre canon becomes not only a success, but a first of its kind, at Toronto’s largest not-for-profit theatre.

Linked From Toronto Star at 05:52PM
Wednesday, October 16, 2019

‘The Jungle’ makes clear that working this hard isn’t working by Karen Fricker - Theatre Critic

Play at Tarragon is a brisk, lively look at the numbing grind of working-class living in 2019.

Linked From Toronto Star at 02:37PM
Tuesday, October 15, 2019

With new Soulpepper production and more, Indigenous history is entering the spotlight at last by Karen Fricker - Theatre Critic

Stories like Almighty Voice’s bring the past of Canada’s Indigenous peoples the attention it’s been deprived of for decades.

Linked From Toronto Star at 12:06PM
Tuesday, October 8, 2019

New play tells the federal-election story as seen from the grassroots — and the land by Karen Fricker - Theatre Critic

‘The Election’ builds a narrative around the experiences of average campaign volunteers and folds in Indigenous perspectives and a conceit that serves to aid the visually impaired.

Linked From Toronto Star at 03:46PM
Monday, October 7, 2019

Girl from the North Country makes strikingly moving theatre out of Bob Dylan songs by Karen Fricker - Theatre Critic

Hard-luck characters’ stories aren’t fully fleshed out but between the songs, the performers and show creator Conor McPherson, what emerges is powerfully melancholy anyhow, writes Karen …

Linked From Toronto Star at 02:56PM
Friday, October 4, 2019

‘Un Poyo Rojo’ is silly, sexy, sweet and sort of slight by Karen Fricker - Theatre Critic

Locker-room mocking of toxic masculinity is not revolutionary but it’s sometimes quite funny and always physically impressive.

Linked From Toronto Star at 02:00PM
Thursday, September 26, 2019

Yaga is a hilarious, ambitious vehicle for great actors to strut their stuff by Karen Fricker - Theatre Critic

Kat Sandler’s newest has feminism, a meaty story and an excellent cast to bring it all to life.

Linked From Toronto Star at 12:38PM
Wednesday, September 25, 2019
Sunday, September 22, 2019

The Book of Life is a powerful reflection on the Rwandan genocide by Karen Fricker - Theatre Critic

Multimedia project by Odile Gakire Katese is a way of addressing momentous and challenging questions, writes Karen Fricker.

Linked From Toronto Star at 03:05PM
Friday, September 20, 2019

Actually’s brilliant actors lead audience into risky territory about sex by Karen Fricker - Theatre Critic

Justly celebrated play puts millennials, hookup culture, alcohol and a lot more under the microscope.

Linked From Toronto Star at 03:30PM
Thursday, September 19, 2019

No Foreigners explores the culture that is a suburban Chinese mall, ingeniously and in detail by Karen Fricker - Theatre Critic

Voice actors, wooden figurines and projections dramatize a sometimes confusing story at touring play now at Toronto’s Theatre Centre.

Linked From Toronto Star at 05:15PM
Friday, September 13, 2019
Sunday, September 1, 2019

In Prince Edward County, culture is increasingly becoming one of the charms by Karen Fricker - Theatre Critic

With Wellington Water Week having just finished its second year and the Festival Players selling out their season, transplants like Graham Abbey and Johannes Debus are building up the artist…

Linked From Toronto Star at 09:00AM
Wednesday, August 21, 2019

Elena Lev was 12 when she first appeared in Cirque du Soleil’s Alegria. She and the show are back 25 years later by Karen Fricker - Theatre Critic

In the first instance of Cirque du Soleil bringing a show out of retirement, the retooled Alegria: In a New Light comes to Toronto in September.

Linked From Toronto Star at 07:00AM
Friday, August 16, 2019

The play ‘Art’ is dependable entertainment, but is it itself art? by Karen Fricker - Theatre Critic

Those who prefer theatre that takes formal risks, comments on pressing societal concerns and pushes the art form in new directions will likely find it hard to invest much in ‘Art,’ write…

Linked From Toronto Star at 03:48PM
Thursday, August 15, 2019

Birds of a Kind goes places rarely seen in English-language theatre by Karen Fricker - Theatre Critic

Wajdi Mouawad’s play, now at Stratford, goes deep into the Israel/Palestine conflict and offers a profound experience of feeling and thought, writes Karen Fricker.

Linked From Toronto Star at 02:44PM
Friday, August 9, 2019

Thanks to Tom Rooney, the Shaw Festival’s Cyrano de Bergerac breaks your heart by Karen Fricker - Theatre Critic

The Shaw’s design, costume and makeup teams also deserve praise. And Kate Hennig has brought a welcome contemporary sensibility to the text, writes Karen Fricker.

Linked From Toronto Star at 03:10PM
Tuesday, August 6, 2019

Two old friends, two new plays with links to internet culture at SummerWorks by Karen Fricker - Theatre Critic

Graham Isador returns to theatre festival with White Heat, about a journalist faced with alt-right hostility; Lauren Gillis brings Safe and Sorry, about pickup culture, writes Karen Fricker.

Linked From Toronto Star at 01:31PM
Tuesday, July 30, 2019

Howard Barker’s Victory is dark, offensive and shocking — and possibly one of the best English plays ever written by Karen Fricker - Theatre Critic

The lead actors in the Shaw Festival’s production of Victory share their admiration for a play that’s extreme but also ‘incredibly human and funny’.

Linked From Toronto Star at 11:30AM
Friday, July 19, 2019

Soulpepper’s Fool for Love challenges Sam Shepard’s mythology, but performances need to deepen by Karen Fricker - Theatre Critic

It may take more time for Cara Gee and Eion Bailey to flesh out their performances to fill the stage, writes Karen Fricker.

Linked From Toronto Star at 04:17PM
Friday, July 12, 2019

Measure for Measure in High Park races but stays relevant by Karen Fricker - Theatre Critic

The fast-paced version has pleasing performances even if the running time renders part of the climax improbable.

Linked From Toronto Star at 01:00PM
Thursday, July 11, 2019

Recipe for Waitress is sweet — almost too sweet by Karen Fricker - Theatre Critic

Songs are so good and Christine Dwyer so strong in the lead that it’s a bit hard to accept why she’s with her lout of a husband.

Linked From Toronto Star at 11:30AM
Wednesday, July 10, 2019

Shakespeare in High Park creates ‘sense of community’ — and that includes the raccoons and squirrels by Karen Fricker - Theatre Critic

This season’s directors, Liza Balkan and Severn Thompson, tell Karen Fricker about the challenges of producing condensed Shakespeare in the great outdoors.

Linked From Toronto Star at 07:00AM
Saturday, July 6, 2019

Shaw Festival gives Mae West’s 1926 play Sex a thrillingly modern sensibility by Karen Fricker - Theatre Critic

While the writing is overwrought by contemporary standards, the actors commit to the situation while director Peter Hinton-Davis infuses it with the politics of sex and gender circa 2019, wr…

Linked From Toronto Star at 01:53PM

All that Chat

2019-2020 BROADWAY SEASON
Oct 06: Slave Play
Feb 01: The Minutes
TBA: Blue