All stories by Laura Kressly on BroadwayStars

Tuesday, May 8, 2018

‘Hugely effective in its ability to both amuse & tug the heartstrings’: NINE NIGHT – National Theatre by Laura Kressly

It’s momentous indeed to see a debut work at the National and this excellent production of Nine Night, in all the clamour for a National Theatre that actually reflects the demographics of …

SOURCE: mytheatremates.com at 08:00AM
Monday, May 7, 2018

‘Bizarre semi-satire on the selfishness of modern life’: ONE GREEN BOTTLE – Soho Theatre by Laura Kressly

While utterly bewildering, the performances are so spectacular and the play is such fun you can’t help but be a little bewitched by One Green Bottle.

SOURCE: mytheatremates.com at 08:00AM
Sunday, May 6, 2018

‘Absorbing from start to finish’: WHY IS THE SKY BLUE? – Southwark Playhouse by Laura Kressly

What effect is pornography having on young people’s sexual and mental development? This is just one of the questions raised in Abbey Wright’s brand new piece Why is the Sky Blue?

SOURCE: mytheatremates.com at 12:00PM
Friday, May 4, 2018

‘Truly involving & interactive storytelling’: FOR KING & COUNTRY – Colab Factory by Laura Kressly

Colab Factory excels at providing unconventional and immersive theatre experiences and For King and Country is no different.

SOURCE: mytheatremates.com at 09:00AM
Thursday, May 3, 2018

OFF–BROADWAY: ‘Intentions come from a good place’ for We Live By The Sea by Laura Kressly

Patch of Blue, the company responsible for We Live By the Sea, specialises in devised theatre that expands the conventional scope of audiences and here they share the life of a 15-year-old w…

SOURCE: mytheatremates.com at 10:00AM
Tuesday, May 1, 2018

‘Raw & truthful performances’: @shakespeareanLK reviews OUR COUNTRY’S GOOD – Touring by Laura Kressly

Ramps On the Moon’s Our Country’s Good delivers a production that seamlessly integrates actors with and without disabilities to produce excellent all-round performances.

SOURCE: mytheatremates.com at 07:00AM
Saturday, April 28, 2018

INTERVIEW: Umbrella Festival’s Peg Schuler-Armstrong on working with Oily Cart by Laura Kressly

New York’s Lincoln Center invited UK-based Oily Cart to be one of three theatres from outside the US to perform at the Big Umbrella Festival, the first of its kind dedicated to such audien…

SOURCE: mytheatremates.com at 07:00AM
Friday, April 27, 2018

‘The gentle shedding of masculine tropes’: THE BEKKRELL EFFECT – Roundhouse by Laura Kressly

The Bekkrell Effect frames robust femininity within a reversal of circus trick formation that normally builds to a series of climaxes.

SOURCE: mytheatremates.com at 09:00AM
Tuesday, April 24, 2018

‘It doesn’t really capture the city at all’: HOW TO BE A LONDONER IN AN HOUR – Centre17 by Laura Kressly

If you don’t know the city and you’ve not heard any stand-up comedy for the last ten years, spending an hour at How to Be a Londoner is a moderately entertaining way to spend your evenin…

SOURCE: mytheatremates.com at 12:00PM
Monday, April 23, 2018

‘A touching & enjoyable watch’: THE GULF – Tristan Bates Theatre by Laura Kressly

The lack of social commentary serves mainly to enhance the play’s simultaneously entirely universal but completely personal quality, which ultimately makes The Gulf a touching and enjoyabl…

SOURCE: mytheatremates.com at 06:00AM
Sunday, April 22, 2018

‘Excellent moments of tension & social commentary’: INSTRUCTIONS FOR CORRECT ASSEMBLY – Royal Court Theatre by Laura Kressly

There are some sharp writing and unexpected laughs from Thomas Eccleshare’s script in Instructions For Correct Assembly, and its marriage with design elements makes this a smart production.

SOURCE: mytheatremates.com at 10:00AM
Saturday, April 21, 2018

‘Remains as funny as ever’: THE COMEDY ABOUT A BANK ROBBERY – West End by Laura Kressly

As the play celebrates its second anniversary, The Comedy About a Bank Robbery’s continued popularity simply proves that everyone loves a good dose of comedy.

SOURCE: mytheatremates.com at 05:00AM
Friday, April 20, 2018

‘Mir’s writing is the real star’: COCONUT – Ovalhouse & Touring by Laura Kressly

Guleraana Mir’s writing is the real star of Coconut. There’s room for development but the ideas are there and it’s refreshing to go to the theatre to see something that feels entirely …

SOURCE: mytheatremates.com at 07:00AM
Wednesday, April 18, 2018

‘Political theatre, but mostly it’s really funny’: SHOWTIME FROM THE FRONTLINE – Theatre Royal Stratford East by Laura Kressly

It’s easy to think you’re not educated enough about the situation in the Middle East to be able to join in conversations like these, but there is very little about Mark Thomas’ show Sh…

SOURCE: mytheatremates.com at 08:00AM
Tuesday, April 17, 2018

‘A sense that something is lost in the upscale’: QUIZ – West End by Laura Kressly

Quiz transfers to the Noel Coward from Chichester Festival Theatre’s increasingly successful and relatively small Minerva Theatre. Sadly, there is a sense that something is lost in the ups…

SOURCE: mytheatremates.com at 10:00AM
Monday, April 16, 2018

‘Brown’s intelligent music was aided by the swell of the live orchestra’: AN EVENING WITH JASON ROBERT BROWN – London Palladium by Laura Kressly

Songs for a New World, Parade, The Bridges of Madison County and The Last 5 Years – these are a just a handful of the musicals penned by composer Jason Robert Brown, and just few of the tr…

SOURCE: mytheatremates.com at 12:00PM
Sunday, April 15, 2018

‘Punchy, highly intelligent & at times laugh out loud funny’: DEVIL WITH THE BLUE DRESS – Bunker Theatre by Laura Kressly

In his audacious new play Devil With The Blue Dress, Kevin Armento examines five women’s accounts leading up to – and resulting in – President Clinton’s impeachment in 1998.

SOURCE: mytheatremates.com at 08:00AM
Saturday, April 14, 2018

‘A very honest portrayal of family life’: REARED – Theatre 503 by Laura Kressly

“You look like a fucking idiot.” There was so much love in this insult, that with all the crap this family have to deal with you knew they’d muddle through it together.

SOURCE: mytheatremates.com at 08:00AM
Friday, April 13, 2018

‘An intimate & visually arresting interpretation’: PERICLES – Barbican Theatre by Laura Kressly

For what Donnellan accomplishes with classical text, here so often revered and dogmatically adhered to, still makes Pericles worthy of praise.

SOURCE: mytheatremates.com at 07:00AM
Tuesday, April 10, 2018

‘Feels like a huge misstep’: PLASTIC – Old Red Lion Theatre by Laura Kressly

When putting on a piece about violence against women, theatres must find one that is written by a woman. It’ll say something much more powerful, rather than simply telling people that it d…

SOURCE: mytheatremates.com at 06:00AM
Saturday, April 7, 2018

‘Nails the experiences of modern dating from a female perspective’: LOVE ME NOW – Tristan Bates Theatre by Laura Kressly

Love Me Now nails the experiences of modern dating and casual sex from a female perspective, but in this case it makes a statement rather than initiates a dialogue. This certainly isn’t a …

SOURCE: mytheatremates.com at 11:00AM
Wednesday, April 4, 2018

‘Robinson lifts you out of this little place with her stratospheric voice’: SONGS FOR NOBODIES – Wilton’s Music Hall by Laura Kressly

In the writing of Songs for Nobodies, Murray has invented singular anecdotes that grasp an entire life in a moment, without a heavy-handedness that condescends. Rather it elevates the serend…

SOURCE: mytheatremates.com at 03:00PM
Saturday, March 31, 2018

‘Nice but not groundbreaking’: WILL – Rose Playhouse by Laura Kressly

There are numerous nice ideas in the script for Will at the Rose Playhouse, but the resulting effect is just that – nice. Nothing here is groundbreaking or fully developed and the anomalou…

SOURCE: mytheatremates.com at 11:00AM

‘Gross, funny & interactive’: TRAINSPOTTING LIVE – The Vaults by Laura Kressly

Beginning with a rave and barrelling through to the last blackout, Trainspotting Live is an important contribution to theatre’s ecology and balls-out fights with its reputation for being s…

SOURCE: mytheatremates.com at 05:00AM
Friday, March 30, 2018

‘This is what children’s theatre can & should be’: BEGINNERS – Unicorn Theatre by Laura Kressly

Whimsical design, innovative dramaturgical devices and an unwilling to patronise young people with obvious storytelling combine to create Beginners, a marvellous and thoughtful piece of thea…

SOURCE: mytheatremates.com at 05:00AM
Wednesday, March 28, 2018

‘The most fun I’ve had in a theatre in ages’: DOLLYWOULD – Soho Theatre by Laura Kressly

Dollywould is a blast of campy queer fun. If you’re knackered with a life of 9 to 5 normality, put some pink on and buy a ticket.

SOURCE: mytheatremates.com at 06:00AM
Tuesday, March 27, 2018

‘Gently interactive interpretation’: BEOWULF – Battersea Arts Centre by Laura Kressly

Beowulf has two monsters – a bog standard monster and a dragon – and many choices that first lead to his victory, then a tragic end. Since Seth Kriebel tells this story on his own, he en…

SOURCE: mytheatremates.com at 08:00AM
Monday, March 26, 2018

‘Mesmeric in its ability to transport’: YAYAYA AYAYAY – Southbank Centre by Laura Kressly

Performer Ultimate Dancer gives a fairly emotionless performance, but in the hyper-worldly circumstances this distinctive atmosphere evokes, it oddly fits.

SOURCE: mytheatremates.com at 01:00PM
Thursday, March 22, 2018

‘A bit rocky in places’: LOCK & KEY – Vault Festival ★★ by Laura Kressly

Although it is a bit rocky in places, there is an interesting twist at the end of Lock and Key that makes it easier to digest.

SOURCE: mytheatremates.com at 03:00PM
Wednesday, March 21, 2018

‘A solid little play with some big ideas’: DIRTY LITTLE MACHINE – Vault Festival by Laura Kressly

Dirty Little Machine is this close to smashing through theatrical boundaries, what with its dalliances into non-linear storytelling, but it could certainly go further.

SOURCE: mytheatremates.com at 01:00PM
Tuesday, March 20, 2018

‘The star of the piece is Tristan Bernays’ beautiful writing’: Old Fools – Southwark Playhouse by Laura Kressly

Tristan Bernays’ final scene is simple and heartbreaking – the whole room burst into tears at the exact same moment. Suddenly all of the bits that don’t work tremendously well don’t …

SOURCE: mytheatremates.com at 09:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre