All stories by Laura Collins-Hughes on BroadwayStars

Tuesday, January 18, 2022

‘This Beautiful Future’ Review: Love Glows in War’s Shadow by Laura Collins-Hughes

Theaterlab stages a gimlet-eyed romance involving a girl and a young Nazi soldier in Occupied France by the playwright Rita Kalnejais.

SOURCE: The New York Times Subscription at 08:48PM
Monday, January 17, 2022

After ‘Clyde’s,’ Lynn Nottage Just Has Two Shows Onstage. ‘Whew!’ by Laura Collins-Hughes

With one play closed, Nottage can focus on “MJ” on Broadway and “Intimate Apparel” at Lincoln Center Theater. And maybe even catch her breath.

SOURCE: The New York Times Subscription at 03:42PM

Review: In ‘Witness,’ Seeking a Haven for Jewish Refugees by Laura Collins-Hughes

The experience of Jews who fled Germany in 1939 aboard the St. Louis luxury liner is the subject of a new production from the Arlekin Players Theater.

SOURCE: The New York Times Subscription at 03:18PM
Monday, January 10, 2022

After Its Odds-Defying Run, John Cariani Says Bye to ‘Caroline, or Change’ by Laura Collins-Hughes

The pandemic shutdown gave the actor time to reconnect with his clarinet, helping him fully realize his character, a lost-in-grief musician.

SOURCE: The New York Times Subscription at 04:48PM
Friday, January 7, 2022

A Season to Savor a Cherished Musical Again and Again (and Again) by Laura Collins-Hughes

Our critic didn’t set out to see “Caroline, or Change” seven times, but amid so much uncertainty the show turned out to be just what she needed.

SOURCE: The New York Times Subscription at 03:18PM
Monday, January 3, 2022

Review: ‘The Streets of New York’ Is a Good Old Melodrama by Laura Collins-Hughes

At the Irish Repertory Theater, this musical confection is a luridly entertaining tale, set mostly in 1857, about a villainous banker and his wily clerk.

SOURCE: The New York Times Subscription at 01:06PM
Tuesday, December 14, 2021

Review: ‘Wild: A Musical Becoming’ Is Finding Its Footing by Laura Collins-Hughes

Idina Menzel and a hummable pop score can’t camouflage the fact that this musical is half-baked. Still, it can make for an enjoyable evening, our critic writes.

SOURCE: The New York Times Subscription at 02:48PM
Friday, December 3, 2021

Best Theater of 2021 by Jesse Green, Maya Phillips, Laura Collins-Hughes, Scott Heller, Alexis Soloski and Elisabeth Vincentelli

Digital innovation continued this year, but experiencing plays in isolation grew tiring. Then came an in-person season as exciting as a child’s first fireworks.

SOURCE: The New York Times Subscription at 10:48AM
Wednesday, December 1, 2021

‘A Sherlock Carol’ Review: Crime-Solving on Christmas Eve by Laura Collins-Hughes

Mark Shanahan remixes Arthur Conan Doyle and Charles Dickens into a clever, crowd-pleasing holiday comedy that happens also to be a murder mystery.

SOURCE: The New York Times Subscription at 06:18PM

Cherished Words From Sondheim, Theater’s Encourager-in-Chief by Laura Collins-Hughes

He wrote great shows, but Stephen Sondheim was also a mentor, a teacher and an audience regular. And, oh, the thrill of getting one of his typewritten notes.

SOURCE: The New York Times Subscription at 05:33AM
Wednesday, November 24, 2021

Domhnall Gleeson Feels That Crackle in the Air by Laura Collins-Hughes

Whether it’s the emotion coursing through Enda Walsh’s plays or the energy pulsing through the streets of New York, the star of “Medicine” is picking it up.

SOURCE: The New York Times Subscription at 05:48PM
Monday, November 22, 2021

Review: Channeling Anger in ‘A Girl Is a Half-Formed Thing’ by Laura Collins-Hughes

Annie Ryan’s stage adaptation of the Eimear McBride novel is given a lucid and intimate revival at the Irish Repertory Theater.

SOURCE: The New York Times Subscription at 02:54PM
Thursday, November 18, 2021

‘In the Southern Breeze’ Review: A Dark Night of the Soul by Laura Collins-Hughes

In Mansa Ra’s heart-bruised new play, racism is a lethal force that menaces generations of Black American men.

SOURCE: The New York Times Subscription at 06:32PM
Sunday, November 14, 2021

Review: This Revival of Sondheim’s ‘Assassins’ Misses Its Mark by Laura Collins-Hughes

The production lacks the power to unsettle despite a fine cast of killers and wannabes who changed, or at least made, history gunning for presidents.

SOURCE: The New York Times Subscription at 07:03PM
Thursday, November 4, 2021

‘Kristina Wong, Sweatshop Overlord’ Review: Our Sewing Superhero by Laura Collins-Hughes

The first post-shutdown live performance at New York Theater Workshop is almost a debriefing after the crisis we have endured.

SOURCE: The New York Times Subscription at 08:06PM
Wednesday, October 20, 2021

For Sharon D Clarke, a ‘Big Sing’ and a Big Broadway Moment by Laura Collins-Hughes

The Olivier Award winner stars in “Caroline, or Change” in a role that pays tribute to “all Black women trying to make their way through this life.”

SOURCE: The New York Times Subscription at 05:36AM
Tuesday, October 19, 2021

Review: The Melancholy of Misspent Lives in ‘Autumn Royal’ by Laura Collins-Hughes

The Irish Repertory Theater returns to live performances with a domestic tragicomedy by Kevin Barry.

SOURCE: The New York Times Subscription at 01:36PM
Thursday, October 14, 2021

Review: In ‘The Lehman Trilogy,’ a Vivid Tale of Profit and Pain by Laura Collins-Hughes

The play, tracing the rise and fall of the fabled financiers, finally opens on Broadway after successful runs in London and at the Park Avenue Armory.

SOURCE: The New York Times Subscription at 09:48PM
Friday, October 8, 2021

La MaMa Theater Reopens With Strange, Enchanting Puppetry by Laura Collins-Hughes

The daring Manhattan theater reopens this month with a gorgeous puppet festival, proving it has lost none of its nerve during the pandemic.

SOURCE: The New York Times Subscription at 05:12PM
Wednesday, October 6, 2021

Aneesa Folds, Back on Broadway, Is Still Getting Used to This by Laura Collins-Hughes

Once a fan and now a pioneering female member of the hip-hop improv troupe Freestyle Love Supreme, she is “switching it up.”

SOURCE: The New York Times Subscription at 11:48AM

Their Downtown Hits Are Now Sharing a Broadway Stage by Laura Collins-Hughes

Tina Satter’s “Is This a Room” and Lucas Hnath’s “Dana H.” are performing in rotation at the Lyceum. They spoke about the significance of telling the true stories of living peopl…

SOURCE: The New York Times Subscription at 05:32AM
Sunday, October 3, 2021

‘The Nosebleed’ Review: ‘Who Here Hates Their Father?’ by Laura Collins-Hughes

Aya Ogawa’s gentle, forthright reckoning of a play is a belated processing of the loss of a parent by a daughter who now has children of her own.

SOURCE: The New York Times Subscription at 05:42PM
Wednesday, September 22, 2021

Review: In ‘Polylogues,’ Dispatches From Non-Monogamy by Laura Collins-Hughes

Xandra Nur Clark’s provocatively questing but overlong solo show is a compassionate portal into a topic often treated with prurience.

SOURCE: The New York Times Subscription at 12:36PM
Sunday, September 19, 2021

Hope (and Ian McKellen) Lured Me to Britain. Was It Worth the Risk? by Laura Collins-Hughes

I made the calculations before I traveled, and decided to go for it. Double masked, I stepped off the plane and set off for a week of theater.

SOURCE: The New York Times Subscription at 08:42PM
Tuesday, August 31, 2021

They Finally Get to Dance on Broadway by Laura Collins-Hughes and Erik Tanner

These young dancers have Broadway debuts in store when the industry reopens. Some of them have been waiting more than a year to show their stuff.

SOURCE: The New York Times Subscription at 10:32AM
Thursday, August 26, 2021

‘Ni Mi Madre’ Review: A Son’s Stinging Tribute to His Mother by Laura Collins-Hughes

Arturo Luís Soria wrote and stars in a forgiving, yet cleareyed solo show about parental damage done.

SOURCE: The New York Times Subscription at 02:32PM
Thursday, August 19, 2021

Review: When a Stranger Knocks at the Airlock by Laura Collins-Hughes

Edward Einhorn’s “Alma Baya” is the bleak, humor-flecked tale of two clones on a distant planet who let a third inside their walls.

SOURCE: The New York Times Subscription at 08:24AM
Sunday, August 15, 2021

Review: Making S’mores Around the Campfire at the Apocalypse by Laura Collins-Hughes

In “The Grown-Ups,” a play by Skylar Fox and Simon Henriques, audience members sit around a real fire in a backyard in Greenpoint, Brooklyn.

SOURCE: The New York Times Subscription at 03:06PM
Wednesday, August 11, 2021

After a Midsummer Shiver, Provincetown Proceeds With Care by Laura Collins-Hughes

When the Delta variant came to town, the Broadway stars, drag queens and comics were performing indoors again and the iffy summer of 2020 was just a memory.

SOURCE: The New York Times Subscription at 05:18AM
Monday, August 9, 2021

Review: ‘The Tempest’ Starkly Amplifies Prospero’s Evolution by Laura Collins-Hughes

A strong ensemble, music and movement round out the Hudson Valley Shakespeare Festival’s last production in its longtime home at Boscobel House and Gardens.

SOURCE: The New York Times Subscription at 02:54PM
Wednesday, July 21, 2021

Review: Unearthing the Late Curiosities of Tennessee Williams by Laura Collins-Hughes

“Hilton Als Presents,” from New York Theater Workshop, features three of the playwright’s overlooked and often disparaged works.

SOURCE: The New York Times Subscription at 01:18PM

All that Chat

REOPEN BROADWAY SEASON
Sep 14, 2021: Chicago - Ambassador Theatre
Oct 17, 2021: Dana H. - Lyceum Theatre
Mar 28, 2022: Plaza Suite - Hudson Theatre
Apr 07, 2022: The Minutes - Studio 54
Apr 28, 2022: Macbeth - Lyceum Theatre