Wednesday, April 17, 2019
Stephen Unwin’s play, set in Germany in 1941, explores the reluctant evil perpetrated by people who think of themselves as good.
Linked From The New York Times Subscription at 01:24PMTuesday, April 16, 2019
Michael Stuhlbarg is sublime in the title role of Tim Blake Nelson’s admiring but overlong play, presented as part of the Onassis Festival.
Linked From The New York Times Subscription at 10:36PMMonday, April 15, 2019
The perspectives of women are welcome in an art form that inherently fosters empathy — and in which it matters greatly whom we’re asked to feel for.
Linked From The New York Times Subscription at 04:36PMSunday, April 14, 2019
In this comedy by Will Arbery, three sisters slip-slide through time in a brightly heightened reality.
Linked From The New York Times Subscription at 03:48PMSunday, April 7, 2019
This charming new piece of site-specific theater from the company Third Rail Projects is staged on the steps of the Winter Garden at Brookfield Place.
Linked From The New York Times Subscription at 03:24PMTuesday, April 2, 2019
The latest Mabou Mines production is a strikingly designed but ultimately bloodless take on the weird second part of Goethe’s classic.
Linked From The New York Times Subscription at 09:45PMSunday, March 24, 2019
A work of historical fiction inspired by the real-life discovery of a tunnel dug during the Holocaust.
Linked From The New York Times Subscription at 02:11PMMonday, March 18, 2019
Quincy Tyler Bernstine, now starring in “Marys Seacole,” is drawn to the toughest, brainiest roles. And playwrights are drawn to her to pull them off.
Linked From The New York Times Subscription at 03:18PMWednesday, March 13, 2019
A low-key spotter of high-wattage talent, Jason Eagan has made Ars Nova the launchpad for creative types merging uptown and downtown sensibilities.
Linked From The New York Times Subscription at 10:00AMTuesday, March 12, 2019
The decision to give up a baby years ago resurfaces for a couple in Sofia Alvarez’s play at Theaterlab.
Linked From The New York Times Subscription at 03:56PMWednesday, March 6, 2019
A drama set in a college classroom during a campus shooting, “Good Friday,” at the Flea Theater, is meant to unsettle and provoke.
Linked From The New York Times Subscription at 03:46PMMonday, March 4, 2019
Kristine Haruna Lee’s gorgeously complex play is made up of sharp vignettes that open up to explore Japanese-American identity.
Linked From The New York Times Subscription at 09:45PMSunday, March 3, 2019
A dissection of an episode of “The X-Files” is the jumping-off point for an exploration of a fragile and tortured identity.
Linked From The New York Times Subscription at 09:45PMWednesday, February 27, 2019
This gleefully but fatally overloaded play riffs on sci-fi, time-travel and airplane-disaster movies, while sending up our screen-obsessed culture.
Linked From The New York Times Subscription at 01:32PMSunday, February 24, 2019
The scientist in Edward Einhorn’s uneven romantic dramedy wants to find solid proof of his girlfriend’s devotion. Which is his first problem.
Linked From The New York Times Subscription at 04:53PMFriday, February 15, 2019
“When Angels Fall,” at Peak Performances, and “Non Solus,” at the Brooklyn Academy of Music, blend circus with dance in feats of perfect equilibrium.
Linked From The New York Times Subscription at 03:48PMWednesday, February 6, 2019
Two shows enlist their spectators as witnesses, exhorting the Americans in the room to consider what our nation is doing in our name.
Linked From The New York Times Subscription at 10:18PMMonday, February 4, 2019
In a new revival, Henry VIII lacks grandeur and Cromwell cunning. Without worthy adversaries, Sir Thomas More’s dilemma never delivers the drama.
Linked From The New York Times Subscription at 02:54PMFriday, January 25, 2019
Sure, less paper makes environmental sense. But relying on digital programs betrays what makes the in-the-moment experience of theater so special.
Linked From The New York Times Subscription at 10:42AMTuesday, January 22, 2019
In a smart if sometimes shaggy monologue that ponders a divided nation, Mr. Quinn worries about more than the occupant of the White House.
Linked From The New York Times Subscription at 10:18PMWednesday, January 16, 2019
Performers revisit their own fraught memories in recent productions, including one inspired by women who have accused the president of misconduct.
Linked From The New York Times Subscription at 03:24PMSunday, January 13, 2019
The bloody story of Procne and Philomela is retold as a tale of sisterly devotion in this indie-rock opera by the Kilbanes at BRIC House in Brooklyn.
Linked From The New York Times Subscription at 02:03PMFriday, January 11, 2019
This stunning Under the Radar festival show tells the story of Valerie Solanas, the feminist agitator who shot Andy Warhol.
Linked From The New York Times Subscription at 02:18PMThursday, January 10, 2019
At Bushwick Starr, Diana Oh and her team of “super queero heart questers” welcome guests to a night of dance-filled revelry. (Yes, there’s a sleepover option.)
Linked From The New York Times Subscription at 03:54PMWednesday, December 19, 2018
Of the three jukebox bio-musicals about female pop stars now on Broadway, it’s the latest that best understands its audience.
Linked From The New York Times Subscription at 07:18AMSunday, December 16, 2018
This clever, messy comedy opens with a charming pair of singing elves, yet it’s an ill-advised choice for Santa believers.
Linked From The New York Times Subscription at 01:54PMThursday, December 13, 2018
This multimedia adaptation for the era of TED Talks and smartphones is visually and aurally striking, but it lacks the spookiness of the original novella.
Linked From The New York Times Subscription at 03:54PMWednesday, December 5, 2018
In Krista Knight’s muddled dramedy, an abusive husband and his fearful wife are joined by a mythological sea creature.
Linked From The New York Times Subscription at 10:54PMSunday, December 2, 2018
A new musical illuminates the obscure history of American women who were recruited to the Signal Corps in Europe. It’s rather thrilling, until Act 2.
Linked From The New York Times Subscription at 10:18PMFriday, November 30, 2018
Classical Theater of Harlem reimagines the Charles Dickens tale with the holiday curmudgeon as a real estate predator in need of reclamation.
Linked From The New York Times Subscription at 02:48PMSunday, November 25, 2018
Sara Fellini’s play follows John Wilkes Booth, months before he kills President Lincoln, while he spars with his brothers on and off stage.
Linked From The New York Times Subscription at 02:48PM 
