All stories by Laura Collins-Hughes on BroadwayStars

Wednesday, September 22, 2021

Review: In ‘Polylogues,’ Dispatches From Non-Monogamy by Laura Collins-Hughes

Xandra Nur Clark’s provocatively questing but overlong solo show is a compassionate portal into a topic often treated with prurience.

SOURCE: The New York Times Subscription at 12:36PM
Sunday, September 19, 2021

Hope (and Ian McKellen) Lured Me to Britain. Was It Worth the Risk? by Laura Collins-Hughes

I made the calculations before I traveled, and decided to go for it. Double masked, I stepped off the plane and set off for a week of theater.

SOURCE: The New York Times Subscription at 08:42PM
Tuesday, August 31, 2021

They Finally Get to Dance on Broadway by Laura Collins-Hughes and Erik Tanner

These young dancers have Broadway debuts in store when the industry reopens. Some of them have been waiting more than a year to show their stuff.

SOURCE: The New York Times Subscription at 10:32AM
Thursday, August 26, 2021

‘Ni Mi Madre’ Review: A Son’s Stinging Tribute to His Mother by Laura Collins-Hughes

Arturo Luís Soria wrote and stars in a forgiving, yet cleareyed solo show about parental damage done.

SOURCE: The New York Times Subscription at 02:32PM
Thursday, August 19, 2021

Review: When a Stranger Knocks at the Airlock by Laura Collins-Hughes

Edward Einhorn’s “Alma Baya” is the bleak, humor-flecked tale of two clones on a distant planet who let a third inside their walls.

SOURCE: The New York Times Subscription at 08:24AM
Sunday, August 15, 2021

Review: Making S’mores Around the Campfire at the Apocalypse by Laura Collins-Hughes

In “The Grown-Ups,” a play by Skylar Fox and Simon Henriques, audience members sit around a real fire in a backyard in Greenpoint, Brooklyn.

SOURCE: The New York Times Subscription at 03:06PM
Wednesday, August 11, 2021

After a Midsummer Shiver, Provincetown Proceeds With Care by Laura Collins-Hughes

When the Delta variant came to town, the Broadway stars, drag queens and comics were performing indoors again and the iffy summer of 2020 was just a memory.

SOURCE: The New York Times Subscription at 05:18AM
Monday, August 9, 2021

Review: ‘The Tempest’ Starkly Amplifies Prospero’s Evolution by Laura Collins-Hughes

A strong ensemble, music and movement round out the Hudson Valley Shakespeare Festival’s last production in its longtime home at Boscobel House and Gardens.

SOURCE: The New York Times Subscription at 02:54PM
Wednesday, July 21, 2021

Review: Unearthing the Late Curiosities of Tennessee Williams by Laura Collins-Hughes

“Hilton Als Presents,” from New York Theater Workshop, features three of the playwright’s overlooked and often disparaged works.

SOURCE: The New York Times Subscription at 01:18PM
Sunday, July 18, 2021

Review: Endorphins Fuel an Awakening in ‘Endure’ by Laura Collins-Hughes

A solo show about a marathoner rebuilding her life takes its audience on a 5K through Central Park. Running is optional, our critic insists.

SOURCE: The New York Times Subscription at 12:06PM
Thursday, July 15, 2021

Broadway Is Back! A Guide to Shows, Tickets and Covid Protocols. by Laura Collins-Hughes

We break down everything you need to navigate Broadway as it reopens.

SOURCE: The New York Times Subscription at 03:42PM
Sunday, July 11, 2021

Critic's Pick: 'Seize the King,' Harlem Theater's 'Richard III' by Laura Collins-Hughes

It’s a tale that Will Power intends as cautionary, with cycles of history and human violence in mind.

SOURCE: The New York Times Subscription at 10:24PM
Friday, July 2, 2021

'Schmigadoon!' Is an Ode to Broadway Musicals, and Pokes Fun At Them Too by Laura Collins-Hughes

One would think that everyone involved in the parody series “Schmigadoon!” was in love with the sometimes hokey, sometimes magical musical genre. Not quite.

SOURCE: The New York Times Subscription at 10:42AM
Friday, June 25, 2021

Review: A Darkly Satirical Glimpse Into Life ‘Off Broadway’ by Laura Collins-Hughes

Torrey Townsend’s backstage fiction is an indictment of the real world’s overwhelmingly white, disproportionately male theatrical establishment.

SOURCE: The New York Times Subscription at 07:42AM
Wednesday, June 23, 2021

Storefronts Turned Stages for ‘Seven Deadly Sins’ by Laura Collins-Hughes

A live theatrical event in the Meatpacking district, featuring several playwrights and sets by David Rockwell, “turns New York itself into the playhouse.”

SOURCE: The New York Times Subscription at 01:18PM
Wednesday, June 16, 2021

With Healing in Mind, Stage Collaborators Take a Dip Together by Laura Collins-Hughes

The playwright Lynn Nottage chose to share her Signature Theater residency with other artists rocked by 2020. The immersive result: “The Watering Hole.”

SOURCE: The New York Times Subscription at 10:24AM
Sunday, June 13, 2021

Review: 'A Thousand Ways (Part Two): An Encounter' at the Public Theater by Laura Collins-Hughes

The experimental company 600 Highwaymen is back with theater of the most intimate kind, starring you and a stranger at close range.

SOURCE: The New York Times Subscription at 03:32PM
Monday, June 7, 2021

‘Bill’s 44th’ Review: Where Are All the Party People? by Laura Collins-Hughes

This poignant, comic puppet play, by Dorothy James and Andy Manjuck, is as much about the ingenuity of the mind as it is about loneliness.

SOURCE: The New York Times Subscription at 04:06PM
Wednesday, June 2, 2021

Digital Be Damned! Welcome to Shows You Can Touch and Feel. by Laura Collins-Hughes

Fuzzy puppet sheep. A light cutting through the haze. Hand-designed dreamscapes. There’s plenty to savor in the slow return of pixel-free theater.

SOURCE: The New York Times Subscription at 10:18AM
Sunday, May 9, 2021

‘Scott and Andy and All the Boys’ Review: Ripped From the Headlines by Laura Collins-Hughes

Mike Daisey takes sluggish aim at juicy targets: the disgraced Broadway producer Scott Rudin and the New York governor, Andrew M. Cuomo.

SOURCE: The New York Times Subscription at 03:18PM
Wednesday, April 7, 2021

At 91, John Cullum Is Ready to Try Something New by Laura Collins-Hughes

The Tony-winning musical theater actor and TV star planned to debut a cabaret show in 2019. Illness hit, then the pandemic. But he hasn’t been stopped.

SOURCE: The New York Times Subscription at 09:32AM
Friday, March 19, 2021

‘Romeo y Julieta’ Review: Young Love in Two Languages by Laura Collins-Hughes

Lupita Nyong’o and Juan Castano star in a podcast adaptation that delivers the poetry — in Spanish and English — but not the fire.

SOURCE: The New York Times Subscription at 02:36PM

Go or No? An Indoor Theater Invitation (at Last!) Needs an R.S.V.P. by Laura Collins-Hughes and Alexis Soloski

Two critics, hungry for live performance, weigh whether they’re ready to take a health risk for “Blindness,” which opens in New York next month.

SOURCE: The New York Times Subscription at 01:32PM
Tuesday, March 16, 2021

Instant Artifacts of a Disconnected Time (and Lots of Hugh Dancy) by Laura Collins-Hughes

During the pandemic, writers and actors have taken on an “adrenalizing” challenge: creating video monologues, more than 400 so far, in 24 hours.

SOURCE: The New York Times Subscription at 11:12AM
Wednesday, March 10, 2021

Where Is Hollywood When Broadway Needs It? by Laura Collins-Hughes

A critic writes a plea to the film and TV stars who got their starts in the theater and can do more to aid its rescue.

SOURCE: The New York Times Subscription at 06:06AM
Monday, March 8, 2021

Battered but Unbowed: How Beckett Speaks to a New Era by Laura Collins-Hughes

Adaptations of “Happy Days” and “First Love,” works by the master of existential wheel-spinning, show us how to live in place.

SOURCE: The New York Times Subscription at 12:24PM
Friday, February 26, 2021

‘First Love’ Review: Stop and Smell the Corpses by Laura Collins-Hughes

Bill Camp stars in JoAnne Akalaitis’s creepy, funny streaming production of this Samuel Beckett short story.

SOURCE: The New York Times Subscription at 05:42PM
Tuesday, February 23, 2021

Douglas Turner Ward: A Lens on ‘Questions That the Country Wasn’t Asking’ by Laura Collins-Hughes

Samuel L. Jackson, David Alan Grier, Phylicia Rashad and others remember the Negro Ensemble Company founder.

SOURCE: The New York Times Subscription at 04:36PM
Monday, February 15, 2021

Two Tales of Disconnection, With One Cicada Cameo by Laura Collins-Hughes

Recorded on a Houston stage, “The Book of Magdalene” is theatrically intimate, while “Hotel Good Luck” gets caught up in digital trickery.

SOURCE: The New York Times Subscription at 02:33PM
Tuesday, February 9, 2021

‘He Missed Nothing’: Nathan Lane, Chita Rivera and Others on Joe Allen by Laura Collins-Hughes and Jennifer Schuessler

The man was taciturn, but his Theater District restaurants were like Broadway clubhouses. Even the posters of flops were placed with affection.

SOURCE: The New York Times Subscription at 03:24PM
Monday, January 25, 2021

When Theatermakers Long for the Stage, Playfully by Laura Collins-Hughes

Two short films that find pandemic-sidelined performers grappling with Beckett are a highlight of the annual Exponential Festival.

SOURCE: The New York Times Subscription at 02:36PM

All that Chat

REOPEN BROADWAY SEASON
Sep 14, 2021: Chicago - Ambassador Theatre
Oct 17, 2021: Dana H. - Lyceum Theatre
Mar 28, 2022: Plaza Suite - Hudson Theatre
Apr 07, 2022: The Minutes - Studio 54