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A recent Pop Culture Happy Hour trip to New York took the team to see Rigoletto at the Metropolitan Opera. A jester in a rat pack? We saw it.
Anaïs Mitchell's long-developing musical won eight awards, including best musical, while The Ferryman won best play.
The FX series is deeply interested in Bob Fosse as an awful genius, but much less invested in Gwen Verdon as an overlooked collaborator.
The IFC series Documentary Now!, which has been in fine parody form for three seasons, plays around with Stephen Sondheim's Company and Broadway conventions in a new episode.
The Tony Awards paid off for The Band's Visit, Harry Potter and the Cursed Child, the Angels in America revival and a scrappy theater kid named Bruce Springsteen.
The Tony Awards paid off for The Band's Visit, Harry Potter and the Cursed Child, the Angels in America revival, and a scrappy theater kid named Bruce Springsteen.
Broadway's original Aaron Burr sits down to talk about his new book, how it feels to hear ugly things about your career, and what he wants to do now that he couldn't before.
Is it a good idea to make a musical adapted from Pretty Woman? Or is it, just possibly ... a "big mistake — huge!" We have a few details about the new show, coming to Broadway in 2018.
This week, we talk about the superhero smash Wonder Woman, and we talk about Dear Evan Hansen, Oslo and some of the other big winners from Sunday night's Tonys.
The Tony nominations are out, and unlike last year, there's no founding-fathers-shaped giant absorbing the oxygen.
While musicals have good pop-culture presence in many cases, plays tend not to. But in an environment that has embraced idiosyncratic and complicated TV, there's no better time to change tha…
It's Broadway's current phenomenon, so we went to see it and report back on what it is, how it works, and whether we loved it as much as we wanted to. It's our Hamilton show.
A new stage play finds Bruce Willis and Laurie Metcalf at the controls of an oddly horror-free version of the Stephen King novel.
If you haven't yet seen the most memorable performance from Sunday night's Tony Awards, from the musical Fun Home, now's the time.
Pitch Perfect may have made the International Championship of Collegiate A Cappella look like a personality contest, but the real competition takes long hours and exacting musicianship.
Ovation's American Canvas has a lot of fun in San Francisco, starting with the art installation at Alcatraz.
We consider the work of writer-director-performer Mike Nichols, who died Wednesday.
In a new comedy album, Cameron Esposito covers strip clubs, her attraction to "women in crisis," her awkward youth, and her bone-deep comfort in her own skin.