All stories by Maria Delgado on BroadwayStars

Monday, December 23, 2024

Filmmaker David Trueba’s theatre debut: “Los guapos/The Handsome Ones” by Maria Delgado

David Trueba’s films have often had a theatrical dimension. La silla de Fernando/ Fernando’s Chair, co-directed with Luis Alegre (2006), revolved a conversation with the legendary actor-…

SOURCE: thetheatretimes.com at 11:52AM

“1936”: Andrés Lima puts the Spanish Civil War on Stage by Maria Delgado

How to begin to approach a history of the Spanish Civil War for the stage? An ambitious prospect and one that Andrés Lima has set himself drawing on the team with whom he realised Shock 1. …

SOURCE: thetheatretimes.com at 10:45AM
Sunday, December 22, 2024

David McVicar’s new “Maria Stuarda” at Madrid’s Teatro Real by Maria Delgado

Gaetano Donizetti’s Maria Stuarda, first produced at Milan’s Teatro alla Scala in 1835, like the Schiller play it draws on, demands two outstanding performers. It rises or falls on the q…

SOURCE: thetheatretimes.com at 11:45AM
Monday, November 11, 2024

Capitalism Meets Austerity in Àlex Rigola’s “Glengarry Glen Ross” by Maria Delgado

Àlex Rigola first staged David Mamet’s Glengarry Glen Ross at Barcelona’s Teatre Lliure twenty-one years ago. It was an epic, fast-moving staging realised in a gyrating fishbowl set, ch…

SOURCE: thetheatretimes.com at 11:58AM
Sunday, November 10, 2024

Chela De Ferrari’s “The Seagull”: Theatre, Identity and Unrequited Love by Maria Delgado

Peruvian director Chela De Ferrari of Lima’s Teatro La Plaza, reconfigured Hamlet — seen at this year’s Edinburgh International Festival — through the eyes of actors with Down’s S…

SOURCE: thetheatretimes.com at 01:24PM
Thursday, August 15, 2024

Tampere Theatre Festival 2024: Asking Important Questions About Theatre and Democracy by Maria Delgado

Tampere is Finland’s third largest city— parallels are often drawn with Manchester, in part because of its shared industrial history, and also because of the frequency of rain! It is per…

SOURCE: thetheatretimes.com at 02:47PM

“Catarina and the Beauty of Killing Fascists” at the Tampere Theatre Festival: Do We Defend Democracy by Breaking Its Rules? by Maria Delgado

In my humble view, Tiago Rodrigues is one of the most important theatre makers at work today.  His is a theatre that asks profound questions about what we value and why, and what we are pre…

SOURCE: thetheatretimes.com at 02:44PM
Sunday, June 16, 2024

Hopes, Dreams, Revenants and Repetitions: La Zaranda’s “Manual Para Armar Un Sueño/Manual For Building A Dream” At Barcelona’s Teatre Romea by Maria Delgado

La Zaranda are one of Spain’s best kept theatrical secrets. Not because they are not well known or respected in Spain – they  have a cult reputation in the Spanish-speaking world with a…

SOURCE: thetheatretimes.com at 02:36PM
Tuesday, June 11, 2024

Happy Birthday Nuria Espert: “a Great Actor And a Force of Nature” by Maria Delgado

Nuria Espert turns 89 today. Hers has been an extraordinary career and it’s not over yet. She has just spent over 13 months on tour with La isla del aire/The island of the air, a new play …

SOURCE: thetheatretimes.com at 03:00AM
Friday, April 12, 2024

Anything Can Be Bought If The Price Is Right: Juan Mayorga’s “La Colección” (The Collection) by Maria Delgado

Juan Mayorga might have been a crime writer in another life, he loves to set up complex, menacing conceits that explore behaviour on the fringes of criminality. What constitutes right? How f…

SOURCE: thetheatretimes.com at 04:21AM
Tuesday, April 9, 2024

Staging Justice: Miguel del Arco revisits Jordi Casanovas’ “Jauría” and the case of “la manada” (the wolfpack) by Maria Delgado

Seeing a play you much admired five years ago for a third time isn’t always sensible. Will it be as good as you remember it? I saw Jauría, Jordi Casanovas’ verbatim play based on the ca…

SOURCE: thetheatretimes.com at 11:07AM
Monday, March 25, 2024

A Triple Bill on Desire and its Discontents: “La Voix Humaine”, “Erwartung” and Something in Between at Madrid’s Teatro Real by Maria Delgado

There are a number of firsts in the new Teatro Real production triple bill that brings together Francis Poulenc’s La Voix Humaine (1959), adapted from Jean Cocteau’s 1930 play, and Arnol…

SOURCE: thetheatretimes.com at 10:36AM

Alfredo Sanzol Stages Lorca’s “The House of Bernarda Alba”: Simmering Passions, Solitude and Surveillance by Maria Delgado

The 2023/2024 season has proved the year of Bernarda Albas. Lorca’s 1936 drama was completed only a few months before his death, as Spain was edging closer to civic conflict. Its razor-sha…

SOURCE: thetheatretimes.com at 03:33AM
Friday, March 22, 2024

“ANGELA (a Strange Loop)”: The Wild and Wonderful World of Susanne Kennedy by Maria Delgado

Susanne Kennedy doesn’t do things by half. When she creates a world, it has its own logic, its own rules, its own ethos. It’s not a world of participation but one where the audience are …

SOURCE: thetheatretimes.com at 04:34PM
Tuesday, February 27, 2024

Peter Sellars’ “Beatrice di Tenda”: Freedom, Defiance, and Tyranny by Maria Delgado

Vincenzo Bellini’s penultimate opera, Beatrice di Tenda, rests between two more frequently performed works, Norma (1831) and I puritani (1835) – the latter his eleventh and final opera…

SOURCE: thetheatretimes.com at 01:23AM
Thursday, February 15, 2024

Alberto Conejero’s “En Mitad de Tanto Fuego” (In the Midst of So Much Fire): Addressing the Gaps from the Margins by Maria Delgado

Alberto Conejero’s trajectory as a playwright has been rooted in telling the stories that have lain in the margins, side-lined or erased. He has a remarkable capacity to address that which…

SOURCE: thetheatretimes.com at 02:57AM
Thursday, February 8, 2024

Rage and Fury: Calixto Bieito Stages Aribert Reimann’s “Lear” at the Teatro Real Madrid by Maria Delgado

Shakespeare’s King Lear has defied composers who refused invitations to render this bleakest of tragedies into opera: Berlioz, Britten, Verdi were all at some point approached about an ope…

SOURCE: thetheatretimes.com at 02:54AM
Tuesday, February 6, 2024

“Misericordia” (Mercy) at Madrid’s Teatro Valle Inclán: Families, (Auto)fiction and Exile by Maria Delgado

There is a lot to admire in Denise Despeyroux’s newest play produced by the Centro Dramático Nacional at Madrid’s Valle-Inclán theatre. Misericordia (Mercy) is about how we look back a…

SOURCE: thetheatretimes.com at 11:11AM

A Beginner’s Guide To Santiago a Mil 2024: 10 Key Takeaways From One of Latin America’s Most Important Theatre Festivals by Maria Delgado

Santiago a Mil is an annual theatre and performing arts festival held in the Chilean capital in summer. Since 1994 it has been welcoming audiences to its programme of activities across the c…

SOURCE: thetheatretimes.com at 11:10AM
Wednesday, January 24, 2024

Dealing with a Difficult Past: Guillermo Calderón’s “Villa” at Santiago a Mil by Maria Delgado

Catching up with Guillermo Calderón’s Villa at Santiago a Mil after almost 12 years has been a treat. This is not because it presents easy or pleasurable subject matter but rather because…

SOURCE: thetheatretimes.com at 03:37PM
Tuesday, January 23, 2024

Actor on the Verge of a Nervous Breakdown: “El Brote” (The Break) at Santiago a Mil by Maria Delgado

El Brote (The Break) is the tale of an actor who doesn’t feel he’s had the career breaks his talent deserves. The opinionated Beto has taken on a range of secondary roles with a state-su…

SOURCE: thetheatretimes.com at 02:30AM
Saturday, January 20, 2024

Performance and Politics: “Parlamento” (Parliament) Storm Santiago a Mil by Maria Delgado

Piel de Lava have been making work for 20 years and it shows. Elisa Carricajo, Valeria Correa, Pilar Gamboa and Laura Paredes may be best known in the English-speaking world for their film w…

SOURCE: thetheatretimes.com at 01:57PM
Friday, January 19, 2024

Making a Film on Santiago’s Streets: “Efectos especiales” at Santiago a Mil by Maria Delgado

Think of a film set where the audience gathered on the streets are not fully aware that they are watching a film being made: they know there is action and fireworks are coming but not a lot …

SOURCE: thetheatretimes.com at 03:50PM
Thursday, January 18, 2024

Depression and discontents: Daniel Veronese’s staging of “La persona deprimida” (The Depressed Person) at Santiago a Mil by Maria Delgado

I read David Foster Wallace’s short story The Depressed Person soon after it was published in Harper’s Magazine in 1998. Capturing the insular circularity of chronic depression, it staye…

SOURCE: thetheatretimes.com at 12:51PM
Wednesday, January 17, 2024

From 1984 to 2024: Teatro Ictus’s “Primavera Con Una Esquina Rota” (Springtime In a Broken Mirror) at Santiago a Mil by Maria Delgado

Primavera con una esquina rota (Springtime in a broken mirror) has acquired a legendary status. First produced by Teatro Ictus in 1984, this adaptation of Mario Benedetti’s eponymous 1982 …

SOURCE: thetheatretimes.com at 12:49PM
Tuesday, January 16, 2024

“María Isabel” at Santiago a Mil: Staging Political Agency by Maria Delgado

How does one “write” a life for the stage? This question lies at the heart of Ana Luz Ormazábal’s brilliantly inventive staging of María Isabel, presented as part of Santiago a Mil, …

SOURCE: thetheatretimes.com at 08:41AM
Saturday, January 6, 2024

Miguel del Arco’s “Rigoletto” at Madrid’s Teatro Real: in-yer-face opera for in-yer-face times by Maria Delgado

I am going to be honest. I didn’t see Verdi’s Rigoletto at the Real. I had wanted and planned to go but, in the end, circumstances conspired against me. The opportunity to watch the reco…

SOURCE: thetheatretimes.com at 11:47AM
Thursday, December 21, 2023

The opening of Barcelona’s newest theatre: Àlex Rigola stages Thomas Bernhard’s “L’Home de Teatre” by Maria Delgado

The relationship between theatre and life has been pervaded the work of dramatists from Shakespeare to Maria Irene Fornes. The porosity of the relationship, the boundaries and fissures of th…

SOURCE: thetheatretimes.com at 06:07AM
Friday, April 21, 2023

Easy Reading (or not): Cristina Morales’s “Lectura fácil” on the stage by Maria Delgado

There is nothing easy about Alberto San Juan’s Lectura fácil. His adaptation of Cristina Morales’ prizewinning novel, published in English by Penguin as Easy Reading in 2022, follows th…

SOURCE: thetheatretimes.com at 09:30AM
Tuesday, April 18, 2023

The brilliance of Nuria Espert: secrets, lies and “La isla del aire” by Maria Delgado

Alejandro Palomas has transformed his acclaimed 2005 novel La isla del aire (The Island of Air) into a play. The textured novel weaving together the voices of three generations of women deal…

SOURCE: thetheatretimes.com at 07:39AM
Wednesday, March 8, 2023

Remembering a silenced teacher: Xavier Bobés and Alberto Conejero’s “El mar. Visión de unos niños que no lo han visto nunca”/”The Sea. Visi by Maria Delgado

Xavier Bobés is one of those remarkable artists able to conjure a world through a few objects that he animates with a magician’s sense of the unexpected. His dramaturgy provides the spect…

SOURCE: thetheatretimes.com at 08:54AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime