All stories by Michael Billington on BroadwayStars

Friday, September 23, 2016

Father Comes Home from the Wars review – gripping African-American epic by Michael Billington

Royal Court, LondonPerformed by an excellent cast, Suzan Lori-Parks’s trilogy about the US civil war is riddled with Homeric allusions and seamlessly incorporates songs into the action Rel…

SOURCE: The Guardian at 08:14AM

Miss Saigon review - an old tale put across with exemplary vigour by Michael Billington

Prince Edward theatre, LondonThe opposing forces of communism and capitalism carry strange visual echoes in this production by Laurence ConnorSo how does Boublil and Schönberg's musical sta…

SOURCE: The Guardian at 12:33AM
Thursday, September 22, 2016

Good Canary review – Malkovich makes addiction drama dazzle by Michael Billington

Rose, KingstonJohn Malkovich’s immaculately staged version of Zach Helm’s clever play about drug dependency and genius doesn’t quite escape its sentimental conclusion John Malkovich is…

SOURCE: The Guardian at 07:19AM
Tuesday, September 20, 2016

Theatre review: Waiting for Godot / Theatre Royal, Haymarket by Michael Billington

Theatre Royal HaymarketIt's a sign of how much our theatre has changed that Beckett's masterpiece, once seen as a subversion of West End theatre, now occupies one of its iconic temples. But …

SOURCE: The Guardian at 08:56PM

No Man's Land review – McKellen and Stewart capture the contrasts of Pinter's masterwork by Michael Billington

Wyndham’s theatre, LondonSean Mathias’s production shows the comedy and bleakness in the story of a pub potman invited to a writer’s luxurious homeWhen Ian McKellen and Patrick Stewart…

SOURCE: The Guardian at 06:44PM

Paradise of the Assassins review – ancient fable questions modern faith and politics by Michael Billington

Tara theatre, LondonTara’s new theatre is an enticing venue for this adaptation of a medieval tale, with topical lessons, about lovers manipulated by religious ideology This vital multicul…

SOURCE: The Guardian at 11:40AM
Monday, September 19, 2016

Who's Afraid of Virginia Woolf? review – marital battle is a metaphor for America by Michael Billington

Theatre Royal, BathClare Higgins and Tim Pigott-Smith trade blows with relish, but Adrian Noble's revival brings little fresh insight to Albee's classicWhen Peter Hall ran the Bath summer se…

SOURCE: The Guardian at 12:13AM
Sunday, September 18, 2016

Things I Know to Be True review – a blinkered view of family affairs by Michael Billington

Lyric HammersmithThis strongly cast British/Australian collaboration is a pleasure to watch but glibly assumes the strains of domestic life are the same the world overThe fraught family has …

SOURCE: The Guardian at 11:23AM

Who’s Afraid of Virginia Woolf? is a misunderstood masterpiece by Michael Billington

The film, starring Elizabeth Taylor and Richard Burton, led Edward Albee’s play to be remembered as a boozy marital slugfest. But it is as much about America itselfEdward Albee occasionall…

SOURCE: The Guardian at 07:57AM
Saturday, September 17, 2016

Harold Pinter and the Hackney gang by Michael Billington

A new tranche of Harold Pinter’s letters, written to lifelong friends, has been made public. We take a first glimpseHarold Pinter was a born letter writer. In later years his com…

SOURCE: The Guardian at 09:00AM

Who's Afraid of Virginia Woolf?, Apollo, London by Michael Billington

Apollo, LondonTruth versus illusion is the great theme of American drama: think of O'Neill, Miller and Williams. And, since it lies at the core of Edward Albee's ritualistic 1962 drama, it i…

SOURCE: The Guardian at 09:00AM
Friday, September 16, 2016

The Goat or Who Is Sylvia?, Almeida, London by Michael Billington

Almeida, LondonTragedy, we are often told, is dead: an impossibility in an age that believes all problems are socially remediable. But Edward Albee has boldly defied convention by writing an…

SOURCE: The Guardian at 11:20PM

The Rover review – the RSC's randy fiesta is laced with innuendo by Michael Billington

The Swan, Stratford-upon-AvonA cavalier meets his match among strong women in Loveday Ingram’s carnivalesque production of Aphra Behn’s 17th-century comedyAphra Behn is acclaimed as the …

SOURCE: The Guardian at 08:09AM
Wednesday, September 14, 2016

Theatre review: A Streetcar Named Desire | Donmar, London by Michael Billington

Donmar, LondonTennessee Williams's play is so inexhaustible that it is always worth seeing. With Rachel Weisz playing Blanche DuBois there is also no doubt this production will be a popular …

SOURCE: The Guardian at 06:58AM
Tuesday, September 13, 2016

A Streetcar Named Desire review – Gillian Anderson gives stellar performance by Michael Billington

Young Vic, LondonAlthough this modern update of Tennessee Williams's play isn't always plausible, this is a powerful production'Anderson is utterly compelling' – Susannah Clapp's reviewAme…

SOURCE: The Guardian at 11:27PM

A Streetcar Named Desire review – a superb and tragic spectacle | Michael Billington by Michael Billington

Royal Exchange, ManchesterMaxine Peake excels as Blanche Dubois in a nightmarish production of the Tennessee Williams classicMaxine Peake is not automatic casting for the role of Blanche Dub…

SOURCE: The Guardian at 08:08PM

Jess and Joe Forever review – shades of Salinger in tale of adolescent uncertainty by Michael Billington

Orange Tree, RichmondZoe Cooper’s skilful and touching account of an unlikely teenage friendship brings to mind The Catcher in the Rye Zoe Cooper’s play, co-produced with Farnham Malting…

SOURCE: The Guardian at 11:40AM

A Streetcar Named Desire, National Theatre, London by Michael Billington

National Theatre, LondonYou can see Tennessee Williams's Blanche DuBois in one of two ways: as an embodiment of the poetic spirit destroyed by crude reality or as a southern snob tragically …

SOURCE: The Guardian at 09:22AM

The Dover Road review – AA Milne comedy pooh-poohs romantic love by Michael Billington

Jermyn Street theatre, London Before writing children’s classics, Milne was a popular dramatist. His 1922 comedy about eloping lovers gets an excellent revival by Nichola McAuliffeLondon�…

SOURCE: The Guardian at 03:13AM
Monday, September 12, 2016

HighTide festival review – taut trios tackle love triangles, terror and Beyoncé by Michael Billington

Aldeburgh, SuffolkTwo short new plays skilfully compress stories of cultural power in Boko Haram-ravaged Nigeria, and an agile and eloquent mountaineering romanceNow celebrating its 10th yea…

SOURCE: The Guardian at 04:56AM
Friday, September 9, 2016

The Emperor review – majestic Kathryn Hunter gives 10 great performances by Michael Billington

Young Vic, LondonHunter is a strutting minister one minute and the emperor’s pillow-bearer the next in this shrewd and resonant account of Haile Selassie’s fall from graceThis is not the…

SOURCE: The Guardian at 09:20AM
Thursday, September 8, 2016

Doctor Faustus review – devilish ritual and punk cabaret at the RSC by Michael Billington

The Swan, Stratford-upon-AvonOliver Ryan and Sandy Grierson share the roles of the doctor and the demon in Maria Aberg’s darkly inventive, richly psychological productionIt is fascinating …

SOURCE: The Guardian at 07:10PM

Labyrinth review – exhilarating financial drama is best since Enron by Michael Billington

Hampstead theatre, LondonBeth Steel’s play about the 1980s Latin American debt crisis is staged with a hurtling energy that propels us through the intricacies of international bankingBeth …

SOURCE: The Guardian at 09:39AM

Pride and Prejudice – review by Michael Billington

Regent's Park, LondonFollowing stage versions of works by William Golding, EL Doctorow and Harper Lee, this novel-hungry venue now brings us a new adaptation of Pride and Prejudice in time f…

SOURCE: The Guardian at 07:28AM
Wednesday, September 7, 2016

The Inn at Lydda review – Christ is risen for a showdown with Caesar by Michael Billington

Sam Wanamaker Playhouse, London This imagined encounter between Jesus and a crazed Roman emperor is deeply flawed but is given a strong, clear productionYou have to go back to Shaw’s Saint…

SOURCE: The Guardian at 05:49PM
Friday, September 2, 2016

Death of a Salesman five-star review – Antony Sher is extraordinary by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonGregory Doran’s Arthur Miller production skilfully contrasts a bitter old man with his dapper younger self, as Harriet Walter touchingly revea…

SOURCE: The Guardian at 09:32PM

King Lear review – Sher is a Lear fit to rank with the finest by Michael Billington

Royal Shakespeare Theatre, Stratford-upon-AvonAntony Sher is unbearably moving as the volatile king, in Gregory Doran’s stellar production full of standout performancesThis year, we may be…

SOURCE: The Guardian at 07:33AM

King Lear – review by Michael Billington

Royal Shakespeare TheatreIt works. That's one's instant verdict on the transformed Royal Shakespeare Theatre. And it succeeds precisely because it feels new and strangely familiar. The old a…

SOURCE: The Guardian at 05:27AM
Thursday, September 1, 2016

Unfaithful review – sexual encounters of the half-credible kind by Michael Billington

Found 111, LondonNiamh Cusack and Matthew Lewis are part of a quartet of characters whose unfulfilled lives throw them together in Owen McCafferty’s play about infidelityOwen McCafferty, i…

SOURCE: The Guardian at 07:16AM
Tuesday, August 30, 2016

Laurence Olivier: still the actor's actor 25 years after his death by Michael Billington

He was one of theatre's most daring stars, whose best films bear witness to a talent many never had the chance to see on stage• Picture from the past: Dalí paints Olivier in 1955It's a sh…

SOURCE: The Guardian at 10:33PM

The Entertainer review – Kenneth Branagh's clapped-out comic steals the show by Michael Billington

Garrick, LondonBranagh is highly watchable as the music-hall veteran Archie Rice, but John Osborne’s portrait of a collapsing culture is undercut in a misjudged productionKenneth Branagh h…

SOURCE: The Guardian at 07:08PM

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