All stories by Michael Dale on BroadwayStars

Monday, April 17, 2017

BWW Review: Prospective In-Laws Clash Over Religion In THE PROFANE by Michael Dale

From ABIE'S IRISH ROSE to LA CAGE AUX FOLLES and beyond, the conflicts that occur when future in-laws meet for the first time have been a traditional source of comedy for both stage and scre…

SOURCE: BroadwayWorld at 03:54PM
Friday, April 14, 2017

BWW Review: J.T. Rogers' Fascinating OSLO Transfers To Broadway and to The Trump Administration by Michael Dale

When J.T. Rogers' fascinating play about the power and beauty of human interaction and diplomacy, OSLO, premiered Off-Broadway this past July at Lincoln Center's Mitzi Newhouse Theater, it w…

SOURCE: BroadwayWorld at 03:31PM
Wednesday, April 12, 2017

BWW Review: Harvey Fierstein Reluctantly Finds Romance in Martin Sherman's Compelling GENTLY DOWN THE STREAM by Michael Dale

I'm old enough to be your ancestor, the 61-year-old gentleman scoffs to his 28-year-old overnight guest who, after meeting on a dating site called Gaydar, suggests that something of permanen…

SOURCE: BroadwayWorld at 02:54AM
Tuesday, April 11, 2017

BWW Review: Transport Group Intimately Pairs William Inge's COME BACK, LITTLE SHEBA with PICNIC by Michael Dale

A great difference between the Broadway theatre of today and that of the 1950s, the decade when William Inge emerged as an important American playwright, is that the public couldn't see the …

SOURCE: BroadwayWorld at 04:02AM
Friday, April 7, 2017

BWW Review: Patti LuPone and Christine Ebersole Battle Over American Women in WAR PAINT by Michael Dale

The recently completed Off-Broadway run of Penelope Skinner's fictional dramatic comedy LINDA embraced the efforts of a 55-year-old feminist of the cosmetics industry who fought to have her …

SOURCE: BroadwayWorld at 04:03PM
Thursday, April 6, 2017

BWW Review: Kevin Kline Leads A Terrific Cast In Noel Coward's Classic Comedy PRESENT LAUGHTER by Michael Dale

Noel Coward was 39 years old when he played the lead role of Garry Essendine, a famous actor fearing for the future of his career as he enters middle age, in the premiere production of his r…

SOURCE: BroadwayWorld at 08:36AM
Wednesday, April 5, 2017

BWW Review: Pam MacKinnon and Phillipa Soo Make AMELIE Flippantly Free-Spirited Fun by Michael Dale

Bursting with joy isn't exactly a phrase commonly used to describe the exceptional directorial work of Pam MacKinnon. The woman who guided the premiere of Bruce Norris' tensely comic CLYBOU…

SOURCE: BroadwayWorld at 02:06PM
Monday, April 3, 2017

BWW Review: Brit-Farce THE PLAY THAT GOES WRONG Literally Brings Down The House by Michael Dale

All the context you'll need to deal with at the Lyceum's latest offering, Britain's Mischief Theatre import, THE PLAY THAT GOES WRONG, is right there in the title. Forgoing pesky details li…

SOURCE: BroadwayWorld at 02:24AM
Saturday, April 1, 2017

COME FROM AWAY's Gander Township Rejects Application To Build Trump Hotel and Casino by Michael Dale

The town council of Gander, Newfoundland has unanimously voted against an application to clear land adjacent to the community's historic airport for the construction of a Trump Hotel and Cas…

SOURCE: BroadwayWorld at 08:42AM
Wednesday, March 29, 2017

BWW Review: John Leguizamo Brushes Up On LATIN HISTORY FOR MORONS by Michael Dale

It's no secret to theatregoer's that the frenetically paced, multi-character solo plays by Obie-winner John Leguizamo have provided far more insight into Latin-American history and culture t…

SOURCE: BroadwayWorld at 03:48AM
Monday, March 27, 2017

BWW Review: Lynn Nottage's Incisive Labor/Racism Drama, SWEAT, Transfers To Broadway by Michael Dale

After her breakout Off-Broadway production of INTIMATE APPAREL and a Pulitzer Prize for her brutal depiction of rape as a weapon of war in RUINED, Lynn Nottage has been well established as o…

SOURCE: BroadwayWorld at 02:36AM
Sunday, March 26, 2017

BWW Review: Cole Porter Meets Jimmy Durante as Encores! Reconstructs THE NEW YORKERS by Michael Dale

The authors who wrote the books for even the most successful Broadway musical comedies of the 1920s and 30s often get a bum rap for the flimsiness of their plots and the nonsensical nature o…

SOURCE: BroadwayWorld at 07:24PM
Friday, March 24, 2017

BWW Review: MISS SAIGON Gains New Relevance As Americans Debate Refugee Issues by Michael Dale

The helicopter is real this time, as is the Asian heritage of the leading man, as Claude-Michel Schonberg and Alain Boublil's MISS SAIGON lands at the Broadway Theatre once more. Laurence C…

SOURCE: BroadwayWorld at 04:48AM
Tuesday, March 21, 2017

BWW Review: Societal Norms Meet Animal Natures in Sarah Ruhl's HOW TO TRANSCEND A HAPPY MARRIAGE by Michael Dale

As patrons enter the Mitzi Newhouse for Sarah Ruhl's newest clever and quirky comedy, HOW TO TRANSCEND A HAPPY MARRIAGE, they're greeted by set designer David Zinn's rendering of a smart and…

SOURCE: BroadwayWorld at 12:12PM
Sunday, March 19, 2017

BWW Review: Jo Lampert Is Stellar In David Byrne's JOAN OF ARC: INTO THE FIRE by Michael Dale

Who is she Where did she come from These are questions likely to pass through the minds of Off-Broadway's regular attendees while witnessing Jo Lampert's stellar performance as the title cha…

SOURCE: BroadwayWorld at 04:32PM
Friday, March 17, 2017

BWW Review: Arthur Miller's THE PRICE Checks The Cost of Life Decisions by Michael Dale

By the time Arthur Miller's THE PRICE hit town in 1968, the playwright had already established himself during the 1940s and 50s as one of America's greatest dramatists with classics such as …

SOURCE: BroadwayWorld at 11:48AM
Wednesday, March 15, 2017

BWW Review: THE LIGHT YEARS Salutes Starry-Eyed Innovators Who Remain Earthbound by Michael Dale

At the beginning of The Debate Society's premiere production of THE LIGHT YEARS written by Hannah Bos and Paul Thureen, developed and directed by Oliver Butler we're told that Arcturus, the …

SOURCE: BroadwayWorld at 04:03AM
Sunday, March 12, 2017

BWW Review: Exhilarating New Musical COME FROM AWAY Celebrates The Helpers by Michael Dale

'Look for the helpers,' Fred Rogers would say. 'When I was a boy and I would see scary things in the news, my mother would say to me, 'Look for the helpers. You will always find people who a…

SOURCE: BroadwayWorld at 07:32PM

BWW Review: Sally Field Stars In Sam Gold's Exquisite Production of THE GLASS MENAGERIE by Michael Dale

One of the great things about live theatre is its lack of permanence. In film, the words, directorial choices, performances and other artistic contributions all exist as an unchangeably whol…

SOURCE: BroadwayWorld at 01:06PM
Thursday, March 9, 2017

BWW Review: Ethan Lipton's THE OUTER SPACE Seeks Suburbia Orbiting Mercury by Michael Dale

Five years ago, playwrightcomposerlyricistperformer Ethan Lipton stood on the stage of Joe's Pub as the central character of his solo musical NO PLACE TO GO, explaining the choices he had to…

SOURCE: BroadwayWorld at 08:54PM
Wednesday, March 8, 2017

BWW Review: Sex, Pizza and Slasher Flicks in Erica Schmidt's ALL THE FINE BOYS by Michael Dale

Straight cisgender teenage boys looking to lose their virginity are generally accepted as a staple of coming-of-age comedies that make movie theatre box offices hum. But when it comes to the…

SOURCE: BroadwayWorld at 02:06AM
Tuesday, March 7, 2017

BWW Review: Demon Barber Moves To Barrow Street In An Intimate SWEENEY TODD by Michael Dale

When Stephen Sondheim and Hugh Wheeler's classic musical thriller Sweeney Todd THE DEMON BARBER OF FLEET STREET opened on Broadway in 1979, Harold Prince's production was of grand operatic p…

SOURCE: BroadwayWorld at 12:36PM
Saturday, March 4, 2017

BWW Review: Janie Dee Makes a Smashing Return To New York as Feminist Fighter LINDA by Michael Dale

It's not exactly a spoiler to note that the closing scene of Penelope Skinner's wonderfully absorbing and issue-oriented dramatic comedy, LINDA, has the title character, a successful marketi…

SOURCE: BroadwayWorld at 06:14PM
Friday, March 3, 2017

BWW Review: Gideon Glick Yearns For Romance in Joshua Harmon's Enrapturing SIGNIFICANT OTHER by Michael Dale

'I'm almost twenty-nine years old and no one has ever told me they love me,' says the sweet, funny and open-hearted Jordan during a monologue that opens the second act of Joshua Harmon's gid…

SOURCE: BroadwayWorld at 03:36AM
Thursday, March 2, 2017

BWW Review: David Mamet's Tense and Terse THE PENITENT Debates Moral Issues by Michael Dale

A night out at David Mamet's tense and terse new play, The Penitent, now getting a hard-edged premiere by director Neil Pepe via Atlantic Theatre Company, isn't so much an observance of huma…

SOURCE: BroadwayWorld at 10:06PM
Tuesday, February 28, 2017

BWW Review: Will Eno's WAKEY, WAKEY Offers Punch, Cake and Ruminations on Life by Michael Dale

You can't say that playwrightdirector Will Eno doesn't go out big with his new piece, WAKEY, WAKEY. Just before curtain calls, an extra-bright video montage, set to The Olivia Tremor Contro…

SOURCE: BroadwayWorld at 05:54PM

BWW Review: Tyne Daly Brings Jerry Herman's DEAR WORLD To The York Theatre by Michael Dale

Listening to the original Broadway cast album of Jerry Herman's 1969 entry, DEAR WORLD, it's almost unimaginable to think you're hearing the score of a show that shuttered on Broadway after …

SOURCE: BroadwayWorld at 02:04AM
Friday, February 24, 2017

BWW Review: Annaleigh Ashford and Jake Gyllenhaal Star In A Glorious SUNDAY IN THE PARK WITH GEORGE by Michael Dale

Inspired by Georges Seurat's pointillism masterwork 'A Sunday Afternoon on the Island of La Grande Jatte,' the authors explore how 'the art of making art' can be less about applying paint to…

SOURCE: BroadwayWorld at 04:47PM

BWW Review: John Kander Musicalizes Another Dark and Dangerous Subject In KID VICTORY by Michael Dale

Though the brilliant musicals that composer John Kander created with his late lyricist partner Fred Ebb frequently tackled dark and violent issues CABARET, CHICAGO, KISS OF THE SPIDER WOMAN …

SOURCE: BroadwayWorld at 03:42AM
Thursday, February 23, 2017

BWW Review: 120 Variations of Life and Death in Branden Jacobs-Jenkins' EVERYBODY by Michael Dale

'We're dealing with some fairly old and ancient material, so maybe let's trust it to be really wise and meaningful, okay' asks a character acting as a kind of host at the beginning of Brande…

SOURCE: BroadwayWorld at 03:12AM
Wednesday, February 22, 2017

BWW Review: Caryl Churchill's ESCAPED ALONE Yearns For a Post-Apocalyptic Return To Normalcy by Michael Dale

When tragedy strikes a community, after the initial shock and the effort to neutralize the situation, there's always a strong desire to return to normalcy.

SOURCE: BroadwayWorld at 02:36AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre