Sunday, May 31, 2020
The one day I went for a big walk.
If March was a month of bittersweet longing (served up by Crash Landing On You) then April, when I started watching Mr. Sunshine, was more serious and…
SOURCE: Mildly Bitter's Musings at 12:11PMWednesday, May 27, 2020
Talking someone into watching Crash Landing On You
March was the hardest month of the pandemic for me. Someone in my building was hospitalized with COVID-19 very early in the month. From …
SOURCE: Mildly Bitter's Musings at 09:27PMSaturday, March 28, 2020
Thinking of you all during this unprecedented moment.
The post Letter from the Editor appeared first on Exeunt Magazine NYC.
SOURCE: exeuntnyc.com at 06:11PMTuesday, March 17, 2020
After nearly giving up playwriting altogether, Martyna Majok went on to win a Pulitzer for Cost of Living. She tells Nicole Serratore
SOURCE: The Stage Registration at 07:00AMMonday, March 16, 2020
Rebellious and fractious, this new musical never quite pulls off its intentional tonal dissonance. Nicole Serratore reviews.
The post Review: Unknown Soldier at Playwrights Horizons appear…
SOURCE: exeuntnyc.com at 09:05PMThursday, March 5, 2020
Conor McPherson’s play with music, set to the songs of Bob Dylan, tells the story of a collection of woebegone characters living
SOURCE: The Stage Registration at 10:00PMThursday, February 20, 2020
Controversies have dogged Ivo van Hove’s production of West Side Story, surrounding injuries, protests, and bold cuts to the material (the dropping
SOURCE: The Stage Registration at 08:00PMTuesday, February 18, 2020
Alice Birch’s beautiful, aching play depends on the careful delivery of synchronised and overlapping dialogue from characters in three time periods who
SOURCE: The Stage Registration at 10:00PMBest known for its revivals of musicals and the classics, the not-for-profit Roundabout Theatre Company branched out into new work more than
SOURCE: The Stage Registration at 06:00AMFriday, January 31, 2020
Director and adaptor Simon Stone’s contemporary take on Medea shrinks the tragedy to such an individual level that the deeper questions surrounding
SOURCE: The Stage Registration at 07:23AMTuesday, January 7, 2020
By the numbers for 2019:174 shows seen (down from 203 last year)27% of work seen by artists of color (up from 25% last year) 62% of work seen by underrepresented artists (up from 50% last ye…
SOURCE: Mildly Bitter's Musings at 08:55PMFriday, December 6, 2019
Inspired by Alanis Morissette’s debut album, this new musical uses her music to explore serious subjects – rape, addiction, transracial adoption and
SOURCE: The Stage Registration at 05:26AMWednesday, November 20, 2019
Jack Thorne’s adaptation of A Christmas Carol does not reinvent Charles Dickens’ festive fable but it delivers an enjoyable holiday experience complete
SOURCE: The Stage Registration at 10:00PMThursday, November 7, 2019
Neither a fully formed musical nor a staged concept album, this adaptation of Edmond Rostand’s play Cyrano de Bergerac, featuring music and
SOURCE: The Stage Registration at 07:01PMFriday, October 18, 2019
Playwright Adam Rapp’s Broadway debut, The Sound Inside, is a slippery mystery featuring a subtle central performance from Mary-Louise Parker. Parker plays Bella, a
SOURCE: The Stage Registration at 01:07PMWednesday, October 16, 2019
With its religious idolatry, white dress purity, red rose lust, and Sicilian superstition, Tennessee Williams’ The Rose Tattoo is an unlikely comedy.
SOURCE: The Stage Registration at 11:26AMMonday, October 7, 2019
In his Broadway debut, Slave Play, Jeremy O Harris sharply explores how white supremacy interferes with interracial relationships today. Harris plunges the
SOURCE: The Stage Registration at 11:26AMMonday, September 23, 2019
Jack Thorne’s compassionate new play, Sunday, is more experimental and complex than at first blush. With explosive dance breaks and Gatsby-style narration,
SOURCE: The Stage Registration at 10:00PMMonday, September 2, 2019
UK audiences were introduced to the Public Theater’s Public Works programme through Kwame Kwei-Armah’s production of Twelfth Night at the Young Vic
SOURCE: The Stage Registration at 06:53AMTuesday, August 13, 2019
Finnish artists Essi Rossi and Sarah Kivi set out to educate themselves and the audience on women, sex, and desire in Ejaculation:
SOURCE: The Stage Registration at 08:33AMWatching Glory Die makes clear from its title where it is going to go. Based on a true story about a young
SOURCE: The Stage Registration at 05:32AMMonday, August 12, 2019
Getting a brief glimpse of the shattered, abused child within the aggressive adult woman standing before us is a remarkable achievement of
SOURCE: The Stage Registration at 11:51AMFriday, August 9, 2019
A Brief History of the Fragile Male Ego walks a wobbly line between poking fun at the oversensitivity of men and expressing
SOURCE: The Stage Registration at 10:53AMImagine if Ivanka Trump had a heart! Suspend your disbelief. This is the fictional speculation that playwright Charles Gershman engages in for
SOURCE: The Stage Registration at 10:26AMThursday, August 8, 2019
Physicalising the exhausting, throbbing struggle when parts of your mind do battle with each other, Passengers is a probing look at both
SOURCE: The Stage Registration at 11:59AMSadie Clark’s Algorithms is a romcom with more com than rom. Using movie references, pop music, and online dating as its framework,
SOURCE: The Stage Registration at 07:47AMWednesday, August 7, 2019
Wild Swimming is an anachronistic romp tackling history, gender politics and art. With fourth-wall breaking, audience assistance and improvised elements, the work
SOURCE: The Stage Registration at 07:24AMTuesday, August 6, 2019
Parental neglect is no laughing matter, but when a parent is brainwashed into a cult it’s not your typical desertion story. That
SOURCE: The Stage Registration at 11:06AMNo one expects a cancer diagnosis aged 23. In 2018 Rosa Hesmondhalgh developed a sudden, painful, bloated belly. The star and writer
SOURCE: The Stage Registration at 10:31AMSunday, August 4, 2019
For decades in Canada, Indigenous women went missing and were murdered with little government response or action. Tara Beagan’s play Deer Woman
SOURCE: The Stage Registration at 02:28PMIn Ireland, the eight amendment referendum didn’t just change the law around abortion; in Rachel Trezise’s Cotton Fingers, it inspired a teen
SOURCE: The Stage Registration at 07:11AM 
