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The beloved film comedy adds melodies in its pre-Broadway tryout at Arena Stage.
The story? It’s what you’d expect from a jukebox musical.
Joshua Sobol’s “The Last Act” had its world premiere in Boston, not Tel Aviv.
Olney Theatre Center’s revival has a great Bernstein score, but it needs more seasoning.
Shakespeare Theatre Company has the largest day of ticket sales in its history.
The Kennedy Center hosts a tryout of a musical about the Temptations that aims for Broadway.
The award-winning musical begins its stay at the Kennedy Center with a superb touring cast.
D.C.’s Mosaic Theater Company mounts a penetrating world premiere
The 1961 show is exuberant but worse for wear in the Kennedy Center’s concert revival.
A critic’s dream of how the theater’s premier awards should cast.
The Silver Spring-based company is shuttering after 14 years.
Fifty years on, the Mart Crowley play finally arrives on the theater world’s biggest platform.
Revival of 2010 Kander and Ebb musical still suffers from overabundant sermonizing.
Shakespeare Theatre Company revives a classic musical in smart fashion.
Bedlam’s theater Eric Tucker stages Shaw’s famous play with wit and deftness.
NEW YORK — It’s come to that point in my relationship with “Long Day’s Journey Into Night” when the feeling is one of being on safari. Because I want to see lions. I’ve encounter…
The A to Zzzzzz’s of audience shut-eye after the house lights go down.
In a season of blockbusters, a show with modest beginnings receives 11 Tony nominations.
A modest but endearing coming-of-age musical is staged excellently by Signature Theatre.
Company continues successful Shakespeare productions with “Titus Andronicus.”
A new musical based on a tale of the frozen north better suited for fifth-graders.
O’Neill play, plus “Travesties” and “Saint Joan,” rounds out a season of old plays muscling out the new.
Druid’s version at the Lansburgh is handsome, smartly acted and, yes (yawn), utterly faithful.
The book’s fans will make it difficult to get tickets to “The Cursed Child.”
Two landmark musicals with uncomfortable plots return to Broadway in the #MeToo era.
A major Broadway producer and the legal representative of author Harper Lee's estate square off in court over the fate of a stage version of "To Kill A Mockingbird."
Signature's 29th season will include “Grand Hotel” and “Billy Elliot, the Musical.”
The headlines about sexual harassment awaken issues in productions from the past.
Actor’s sterling piece on Broadway prompts a look back at the best of a genre.
The story of Gloria and Emilio Estefan proves to be a tunefully easy-listenin’ antidote.
Stephen Karam’s Tony-winning play arrives at the Kennedy Center.