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Rojo, who has given the English National Ballet a new allure, succeeds Helgi Tomasson as just the fifth director to lead the San Francisco company.
Lefèvre, a former director of the Paris Opera Ballet, is stepping down from running the Cannes Dance Festival. What next? “I want to dance.”
Shuler, a former dancer, has run the theater since 2003, instituting its popular Fall for Dance series.
In his long career, most of it with the Royal Shakespeare Company, he played everyone from King Lear to Primo Levi to Ringo Starr.
Based on the 1830 novel by Stendhal, Pierre Lacotte’s new production for the Paris Opera Ballet is an old-fashioned costume drama.
Wayne McGregor’s full-length work, a collaboration with Thomas Adès and Tacita Dean, opens at a moment of purgatorial relevance.
The choreographer Andrea Miller chose Lido Pimienta — “she’s a superstar” — to score her new piece for New York City Ballet. They talk about breaking new ground.
Liam Scarlett killed himself after he was accused of misconduct. Now the dance world is grappling with the aftermath.
The choreographer JoAnn M. Hunter has quietly become an important figure in the world of musical theater, especially with her work for Andrew Lloyd Webber.
Since last summer, leaders of New York’s pre-eminent dance companies have been meeting weekly to share ideas and problems.
The National Ballet of Canada’s newly named artistic director discusses her vision for diversity, accessibility and transparency in dance.
The annual arts event in the north of England suggests that focusing on community and inclusiveness could be a natural, post-pandemic outcome for artists.
The festival lost some premieres, but gained others, including one by Dimitris Papaioannou, and kept a free project in an old factory.
Born with a spinal deformity, he doubted he could ever dance, but he was able to incorporate his physical handicaps into his performances.
Ten years after his death, Petit is still considered an important figure in France, though his works haven’t been performed with great regularity.
The Royal Ballet’s program, “21st Century Choreographers,” featured a new work by Kyle Abraham.
He helped popularize ballet with an all-American style, combining the nonchalance of Fred Astaire with the nobility of a classic male dancer. Hollywood came calling, too.
Coppola and Justin Peck talk about how they approached making a film for New York City Ballet’s digital spring gala.
He embodied an all-American style, combining the nonchalant elegance of Fred Astaire with the nobility of a classic male dancer. Hollywood came calling, too.
The dancer, Chloé Lopes Gomes, spoke out about racism last year after her contract was not renewed, and she will stay on, after arbitration.
Our recommendations for dance to stream online, whether from your couch or your yoga mat.
He rose to fame in the dance world with remarkable speed. His subsequent downfall, amid allegations of sexual misconduct, happened just as abruptly.
She was acclaimed for her work on the TV series “Peaky Blinders” and in three Harry Potter movies, but she first gained notice in the London theater.
The celebrated choreographer created roles for her. The critics hailed her. Yet her death a year ago went largely unnoticed in the dance world.
For “When We Fell,” a filmed dance, the choreographer took cues from a snowy bubble residency — and from Prince’s “Under the Cherry Moon.”
At Ballet National de Marseille, a varied night of dances by Lucinda Childs, Tânia Carvalho, Lasseindra Ninja and Oona Doherty.
Calvin Royal III, slated to be the 2020 artist in residence, will take up the mantle this year instead.
Kevin McKenzie, the company’s artistic director, will leave his job after the 2022 season.
Hugo Marchand talks about his memoir, “Danser,” about the intensity of the company and about dancing with Anselm Kiefer paintings.
Renowned as both a star dancer and the director of the Paris Opera Ballet, he was a household name in France from an early age.
“It felt like the right next step,” the former New York City Ballet dancer said of taking on a leadership role at the Colburn School.