Close Login Box
The choreographer JoAnn M. Hunter has quietly become an important figure in the world of musical theater, especially with her work for Andrew Lloyd Webber.
Since last summer, leaders of New York’s pre-eminent dance companies have been meeting weekly to share ideas and problems.
The National Ballet of Canada’s newly named artistic director discusses her vision for diversity, accessibility and transparency in dance.
The annual arts event in the north of England suggests that focusing on community and inclusiveness could be a natural, post-pandemic outcome for artists.
The festival lost some premieres, but gained others, including one by Dimitris Papaioannou, and kept a free project in an old factory.
Born with a spinal deformity, he doubted he could ever dance, but he was able to incorporate his physical handicaps into his performances.
Ten years after his death, Petit is still considered an important figure in France, though his works haven’t been performed with great regularity.
The Royal Ballet’s program, “21st Century Choreographers,” featured a new work by Kyle Abraham.
He helped popularize ballet with an all-American style, combining the nonchalance of Fred Astaire with the nobility of a classic male dancer. Hollywood came calling, too.
Coppola and Justin Peck talk about how they approached making a film for New York City Ballet’s digital spring gala.
He embodied an all-American style, combining the nonchalant elegance of Fred Astaire with the nobility of a classic male dancer. Hollywood came calling, too.
The dancer, Chloé Lopes Gomes, spoke out about racism last year after her contract was not renewed, and she will stay on, after arbitration.
Our recommendations for dance to stream online, whether from your couch or your yoga mat.
He rose to fame in the dance world with remarkable speed. His subsequent downfall, amid allegations of sexual misconduct, happened just as abruptly.
She was acclaimed for her work on the TV series “Peaky Blinders” and in three Harry Potter movies, but she first gained notice in the London theater.
The celebrated choreographer created roles for her. The critics hailed her. Yet her death a year ago went largely unnoticed in the dance world.
For “When We Fell,” a filmed dance, the choreographer took cues from a snowy bubble residency — and from Prince’s “Under the Cherry Moon.”
At Ballet National de Marseille, a varied night of dances by Lucinda Childs, Tânia Carvalho, Lasseindra Ninja and Oona Doherty.
Calvin Royal III, slated to be the 2020 artist in residence, will take up the mantle this year instead.
Kevin McKenzie, the company’s artistic director, will leave his job after the 2022 season.
Hugo Marchand talks about his memoir, “Danser,” about the intensity of the company and about dancing with Anselm Kiefer paintings.
Renowned as both a star dancer and the director of the Paris Opera Ballet, he was a household name in France from an early age.
“It felt like the right next step,” the former New York City Ballet dancer said of taking on a leadership role at the Colburn School.
The history of the Royal Academy of Dance, outlined at an exhibition in London, is synonymous with the history of ballet in Britain.
More than 20 countries have sent over 100 productions, including large-scale works by some of the hottest directors. So why have so few heard of the event?
In Michael Keegan-Dolan’s reimagining at the Next Wave Festival, there are no tutus, Tchaikovsky or castles.
The Théâtre du Châtelet is reopening after a two-and-a-half-year renovation, with a new artistic director and an inclusive new mission.
Royal Opera House, LondonWhat Yuri Grigorovich’s Soviet-era ballet lacks in subtlety it makes up for in sheer virtuosity and spectacle
Liberation! Courage! Indomitable will! Sacrifice for …
The choreographer, whose playfulness is serious, will stage three pieces by Beckett, who wears his seriousness lightly, at a festival in Northern Ireland.
Royal Opera House, LondonSidi Larbi Cherkaoui’s new ballet Medusa, with Natalia Osipova in the title role, is the tame centre of this Royal Ballet triple bill
A woman is raped, then blamed…
South African actors John Kani and Antony Sher reunite for a play that explores how attitudes have, and haven’t changed, in the 25 years since democracy.