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Kelley Rourke, the new artistic advisor for the program, previews three new 20-minute operas.
Holiday joy is on the way in the company's 'Christmas Revels: Celtic Crossroads.'
In Bisi Adigun and Roddy Doyle's contemporary adaptation of J.M. Synge's classic, it's not clear who has more fun, the audience or the ensemble on stage.
The weekend program, the first of three, was directed and choreographed by Antonio Granjero, the 'Baryshnikov of Spanish Dance.'
Playwright and Director Mary Zimmerman plumbs the mind of the man.
Ten of Chekhov’s short stories adapted by comedy writer Neil Simon and acted broadly.
The 1897 original — a farce about couples at different ages and stages of love — gets an experimental-musical treatment and is a must-see for theater lovers.
A show about the richness of human imagination in a once-upon-a-time where science meets art.
Their original cabaret, 'tempered,' promises to be cathartic art.
When first cast as the Count in Maryland Lyric Opera’s sparkling production of 'The Marriage of Figaro,' he thought the guy was evil.
In 'The Eyes of the World: From D-Day to VE Day,' the words tell the story; the music breaks open our hearts.
The real passionate relationship in this production is carried by a bromance.
At Kennedy Center, Washington National Opera offers a delectable evening of lighter-than-air meringue fare.
Four world premieres at Kennedy Center point to the future of the art form and tell stories that relate directly to the American experience.
In Strathmore’s glowing wood auditorium with its stellar acoustics, each familiar tune was more glorious than the last.
For Kennedy Center's 50th anniversary, the Washington National Opera takes on monumentalism.
Their three-generation story takes us inside themes of class, racism, and sexism that are woven into the island’s history.
¡Pa’lante! An inspiring conversation about resilience with Executive Director Rebecca Medrano and Actor Ernesto Concepción.
The creators have thrown away the rulebook. It’s not jazz exactly and certainly not classical contemporary.
In these still difficult times, 'Rent' is a much-needed tonic for the soul.
In a concert called 'Come Home: A Celebration of Return,' the variety of styles and greatest hits was almost too much for the ear and heart to bear.
Choreographer/dancer Edwin Aparicio mines his own childhood memories of war and migration.
At Shakespeare Theatre, this one-man play about a hero who bore witness to the Holocaust packs a wallop.
The acclaimed production of James Baldwin's classic is back for two weeks only.
Spanish actress Mabel Del Pozo brilliantly creates a portrait of a woman who struggles with but finally eludes how society would fix her.
The famous opera festival in Cooperstown, New York, now in its 46th year, has been reimagined as a whole new adventure.
On this Kentucky Derby weekend, wondering what theatrical “horse” will nose ahead and augur well for a new world of theater when we can emerge from the pandemic, I’m placing my bet on …
In a world where our lives are bounded by pandemic restrictions, performance and travel alike have been reduced mostly to private viewings and stay-cations. The situation has spawned experim…
Trudging up the two flights from the rainy street-level pavement to GALA Hispanic Theatre’s auditorium entrance felt like a pilgrimage. (Yes, I could have taken the elevator, but who would…
February 8, 2020 I sat in GALA’s historic entertainment “palace” to review Nilo Cruz’ Exquisita Agonia. It was the last time (pre-Covid) I enjoyed live theater. Nine months later, Ma…
Election night 2020 IN Series opened a cantata-as-opera based on the Senate Judiciary hearings of Attorney General Alberto Gonzales. It was bold enough that Artistic Director Timothy Nelson …