All stories by William Powell on BroadwayStars

Friday, October 18, 2019

‘Thoughts of a Colored Man’ reveals universal truths at Baltimore Center Stage by William Powell

Thoughts of a Colored Man is a poetic journey through the lives of seven Black men over the course of a day in Brooklyn, New York. Playwright Keenan Scott II has written, and Steve H. Broadn…

Linked From DC Metro Theater Arts at 03:48PM
Monday, September 9, 2019

Review: ‘The Second City and Kennedy Center’s Jazz Comedy Experiment’ at The REACH at The Kennedy Center by William Powell

The Opening Festival of the new REACH complex at The Kennedy Center featured a plethora of live performances and films, including the laugh-until-you-break-your-funnybone The Second City and…

Linked From DC Metro Theater Arts at 07:42PM
Sunday, August 25, 2019

Review: ‘Nuthin’ But The Truth!’ by Black Carpet Productions by William Powell

As the Gospel stage play Nuthin’ But The Truth! opened, the fictional Rising Star Missionary Baptist Church in Mississippi had figuratively seen many literal and emotional battles in its o…

Linked From DC Metro Theater Arts at 10:31PM
Sunday, July 28, 2019

Review: ‘The Producers’ at The Little Theatre of Alexandria by William Powell

Funny Boy, a musical version of Hamlet, A Breaking Wind, She Schtups to Conquer–could anyone predict how much those fictional plays would wow audiences? The Little Theatre of Alexandria’…

Linked From DC Metro Theater Arts at 08:48PM
Monday, July 22, 2019

Review: ‘Tiger Style!’ at Olney Theatre Center by William Powell

Buy your ticket today for a rich palette of cultural and political satire. Olney Theatre Center’s Tiger Style! is the best stage comedy I’ve seen in 2019. Directed by Natsu Onoda Power, …

Linked From DC Metro Theater Arts at 03:07PM
Wednesday, July 17, 2019

2019 Capital Fringe Review: ‘Home, Sweet, _____’ by William Powell

Home, Sweet, _____ takes audiences on a sentimental journey through music, sight gags, and pantomime. Without words, Home, Sweet, _____ tells the story of a clown, the frenetic Collette Camp…

Linked From DC Metro Theater Arts at 12:51PM
Saturday, July 13, 2019

Review: ‘Hand to God’ by Wolf Pack Theatre Company by William Powell

Featuring everything from simulated puppet sex, tawdry seductions and a mangled ear, the Tony-nominated Hand to God, by Robert Askins, is a play that dares to be different. Director William …

Linked From DC Metro Theater Arts at 03:34PM
Friday, July 12, 2019

2019 Capital Fringe Review: ‘I Know It Was the Blood: The Totally True Adventures of a Newfangled Black Woman’ by William Powell

Written, directed, and acted by playwright Tara Lake,  I Know It Was the Blood: The Totally True Adventures of a Newfangled Black Woman, is a one-woman trip down the poetic and artful memor…

Linked From DC Metro Theater Arts at 12:07AM
Wednesday, July 10, 2019

2019 Capital Fringe Review: ‘Soul Redeemer’ by William Powell

The road to redemption can be an arduous one, especially when you’ve burned so many bridges in the past. LA TI DO Productions’ Soul Redeemer, with a book by Paul Handy, music and lyrics …

Linked From DC Metro Theater Arts at 11:56AM
Sunday, July 7, 2019

Review: ‘Hairspray’ by Rockville Musical Theatre by William Powell

Rockville Musical Theatre’s Hairspray is musical dynamite. The winning trio of Director T.J. Lukacsina, Musical Director Marci Shegogue, and Choreographer Rikki Lacewell make this show ova…

Linked From DC Metro Theater Arts at 09:21PM
Saturday, June 29, 2019

Review: ‘Land of Promiscuity’ by Soul-Satisfying Productions at DC Black Theatre & Arts Festival by William Powell

Family history, like any history, has a tendency to repeat itself. Filled with pathos, generational curses, and touches of humor, Land of Promiscuity, directed by LaRay McDaniels and written…

Linked From DC Metro Theater Arts at 08:47PM
Sunday, June 9, 2019

Review: ‘How the Other Half Loves’ at Montgomery Playhouse by William Powell

Farces are hard to do well or differently, but they nearly always impart an important lesson: always tell the truth. How the Other Half Loves is an innovative farce, replete with secret affa…

Linked From DC Metro Theater Arts at 01:18AM
Saturday, May 25, 2019

Review: ‘10x10x10’ A Ten-Minute Play Festival at Fells Point Corner Theatre by William Powell

Fells Point Corner Theatre’s 10x10x10, a collection of 10-minute plays by Baltimore-DC area playwrights in its seventh year, always succeeds in creating energy born of audience anticipatio…

Linked From DC Metro Theater Arts at 03:17PM
Monday, May 13, 2019

Review: ‘Pride & Joy: The Marvin Gaye Musical’ at The National Theatre by William Powell

Spectacular. Amazing. Unforgettable. Pride & Joy is a musical that tells the little known love story of Anna Gordy Gaye (January 28, 1922 – January 31, 2014) and the legendary and icon…

Linked From DC Metro Theater Arts at 09:53AM
Saturday, May 11, 2019

Review: ‘How to Catch Creation’ at Baltimore Center Stage by William Powell

Part soap opera, part sitcom, part reflection on Black feminist writers, Baltimore Center Stage’s How to Catch Creation is an expertly staged dramedy, with memorable performances. Playwrig…

Linked From DC Metro Theater Arts at 03:30PM
Monday, May 6, 2019

Review: ‘The Honey Trap’ at Greenbelt Arts Center by William Powell

The Honey Trap, a World Premiere at Greenbelt Arts Center, clearly has the best set I’ve seen in years: a mixture of ’50s kitsch, photos of ’50s-era entertainers, a record player conso…

Linked From DC Metro Theater Arts at 09:23PM
Saturday, May 4, 2019

‘Dog Sees God: Confessions of a Teenage Blockhead’ by Wolf Pack Theatre Company by William Powell

What happened to the characters in Charles Schulz’s Peanuts gang when they entered adulthood? We find out in Dog Sees God: Confessions of a Teenage Blockhead, written by Bert V. Royal and …

Linked From DC Metro Theater Arts at 06:15PM
Wednesday, April 24, 2019

Review: ‘STOMP’ at the National Theatre by William Powell

Started by Luke Cresswell and Steve McNicholas at the Edinburgh Fringe in 1991, STOMP is a cacophony of sounds produced by common objects in lieu of musical instruments. An amalgam of music,…

Linked From DC Metro Theater Arts at 07:32PM
Sunday, April 14, 2019

Review: ‘A New Brain’ at the Colonial Players of Annapolis by William Powell

Harmonious voices! Hilarious hoofing! A dancing frog! With over 30 songs packed into its 90 minutes, the Colonial Players’ A New Brain is a magnificent autobiographical musical comedy that…

Linked From DC Metro Theater Arts at 07:47PM
Saturday, March 23, 2019

Review: ‘Leave It to Psmith’ at NASA Goddard Space Flight Center’s Music and Drama Club (MAD Productions) by William Powell

He’s charming, he’s debonair, he’s sophisticated, and when you’ve got a problem, you better call Psmith – that’s Ronald Eustace Psmith (“the P is silent, like pterodactyl”). …

Linked From DC Metro Theater Arts at 04:52PM
Tuesday, March 19, 2019

Review: ‘The Color Purple’ at Riverside Center for the Performing Arts by William Powell

Magic. Magnificent. Marvelous. There are only so many superlatives I can muster in such a small space, but The Color Purple, now running at Riverside Center for the Performing Arts, is pheno…

Linked From DC Metro Theater Arts at 02:21PM
Monday, March 18, 2019

Review: ‘Henry IV, Part II’ at Chesapeake Shakespeare Company by William Powell

After a smashing opening of Henry IV, Part I, Chesapeake Shakespeare Company (CSC) has brought forth its terrific sequel, Henry IV, Part II. This play is wordier and less bloody than its pre…

Linked From DC Metro Theater Arts at 09:15PM
Sunday, March 17, 2019

Review: ‘Carmen’ by Annapolis Opera by William Powell

There was a moment in the first act of Annapolis Opera’s Carmen in which Director Fenlon Lamb assembled her cast in a colorful tableau that enthralled me and impressed itself on my mind. T…

Linked From DC Metro Theater Arts at 10:18PM
Monday, February 18, 2019

Review: ‘Henry IV, Part I’ at Chesapeake Shakespeare Company by William Powell

Intrigue! Battles! History! Excitement! In a stunningly entertaining display of stagecraft, Chesapeake Shakespeare Company’s Henry IV, Part I features three of the best performances you…

Linked From DC Metro Theater Arts at 03:02PM
Tuesday, January 29, 2019

Review: ‘Three Sistahs’ at MetroStage by William Powell

MetroStage’s Three Sistahs is a marvelous musical, an evening of vocal and dramatic excellence. Written and directed by Thomas W. Jones II – with a story by Janet Pryce – and…

Linked From DC Metro Theater Arts at 11:45AM
Sunday, January 13, 2019

Review: ‘American Moor’ at Anacostia Playhouse by William Powell

American Moor, in a return engagement at Anacostia Playhouse, lambasts the audience with a series of provocative questions: can an actor play a role without tapping into the darkest parts of…

Linked From DC Metro Theater Arts at 05:32PM
Sunday, January 6, 2019

Review: ‘[title of show]’ at NextStop Theatre Company by William Powell

Like TV’s “Seinfeld,” [title of show] is a show, to a degree, about the mundane. [title of show] is a musical about four friends creating a musical—the one the audie…

Linked From DC Metro Theater Arts at 08:47PM
Sunday, December 16, 2018

Review: ‘Driving Miss Daisy’ at Anacostia Playhouse by William Powell

Driving Miss Daisy, at Anacostia Playhouse, tackles many subjects: growing older, race relations, and all sorts of personal drama encountered by its Southern protagonists over a 25-year peri…

Linked From DC Metro Theater Arts at 01:33PM
Monday, December 10, 2018

Review: ‘A Christmas Carol 2018’ at Wolf Pack Theatre Company by William Powell

This isn’t your mother and father’s A Christmas Carol by Charles Dickens. In this present day version, Ebenezer Scrooge’s father Andrew runs the charitable Scrooge Family Foundation. T…

Linked From DC Metro Theater Arts at 02:21PM
Saturday, December 8, 2018

Review: ‘Season of Light: A Winter Fairytale’ at Silver Spring Stage by William Powell

The simplest tales can oftentimes bring the most enjoyment. Steph DeFerie’s Season of Light: A Winter Fairytale tells the mythical tale of a young girl, Magda, and a band of actors searchi…

Linked From DC Metro Theater Arts at 07:20PM
Saturday, December 1, 2018

Review: ‘Woman of No Importance’ at Scena Theatre by William Powell

The first thing you notice about Scena Theatre’s Woman of No Importance is Alisa Mandel’s lush costume design. Like an unnamed character, her costumes define the characters nearly as muc…

Linked From DC Metro Theater Arts at 07:34PM

All that Chat

2019-2020 BROADWAY SEASON
Oct 06: Slave Play
Feb 01: The Minutes
TBA: Blue