Thursday, June 16, 2022
Monday, June 13, 2022
The actor will appear in a London court on Thursday to start what could be a lengthy trial process over multiple allegations of sexual assault.
SOURCE: The New York Times Subscription at 12:42PMThursday, May 12, 2022
Hundreds of ballet dancers and students fled Ukraine after Russia’s invasion. With opportunities scarce, many will have to keep moving if they want to keep dancing.
SOURCE: The New York Times Subscription at 05:00AMThursday, May 5, 2022
Mike Bartlett’s “The 47th” presents political turmoil in the United States for laughs. But some find it more like a horror story.
SOURCE: The New York Times Subscription at 09:18AMTuesday, April 19, 2022
Punchdrunk’s “The Burnt City” adds techno and sake to the story of the fall of Troy, but it brought in a scholar of classical theater to get the details right.
SOURCE: The New York Times Subscription at 01:04PMFriday, April 15, 2022
Sunday, April 10, 2022
The musical won seven awards at Britain’s equivalent of the Tonys. A puppet-filled adaptation of “Life of Pi” and a “Back to the Future” musical also won big.
SOURCE: The New York Times Subscription at 05:33PMWednesday, March 16, 2022
Olga Smirnova said she was against the war in Ukraine “with all the fibers of my soul.” Now, she has joined the Dutch National Ballet.
SOURCE: The New York Times Subscription at 02:26PMThursday, March 10, 2022
The Belarus Free Theater’s members fled repression at home. The company’s latest show imagines a nightmare future of authoritarian Russian rule.
SOURCE: The New York Times Subscription at 02:33PMTuesday, March 8, 2022
A revival of the 1966 musical, with Jessie Buckley as Sally Bowles, is up for 11 awards at Britain’s equivalent of the Tonys.
SOURCE: The New York Times Subscription at 02:07PMWednesday, December 15, 2021
The director was set to stage a revival of “Into the Woods” in London. After a clash at the Old Vic theater, the much-anticipated production will now debut 115 miles away, in Bath, Engla…
SOURCE: The New York Times Subscription at 07:06AMWednesday, December 1, 2021
Encouragements to mask up are hardening into mandates. But the new rules are coming from the playhouses, not the government.
SOURCE: The New York Times Subscription at 07:18AMWednesday, November 10, 2021
In “The Walk,” a 12-foot tall, 9-year-old Syrian girl named Amal trekked from Turkey to Britain to find her mother. In a politically divided continent, were any minds changed?
SOURCE: The New York Times Subscription at 10:24AMTuesday, November 2, 2021
The hit movie’s set was plagued by malfunctioning sharks and drunken feuds — perfect material for a night at the theater.
SOURCE: The New York Times Subscription at 08:12AMTuesday, October 19, 2021
With mask wearing and proof of vaccination not legally required, it’s up to venues and audience members to make their own decisions about coronavirus safety.
SOURCE: The New York Times Subscription at 01:36PMFriday, September 17, 2021
Feuding stagehands, falling props: It might sound like the plot of an opera, but in France it has been the subject of a court case.
SOURCE: The New York Times Subscription at 06:03AMThursday, September 2, 2021
A devoted fan of the 1985 movie helped the London production’s creative team recreate the iconic time-traveling DeLorean, down to the last detail.
SOURCE: The New York Times Subscription at 02:06PMMonday, August 30, 2021
“Little Amal” is on a 5,000-mile journey from Turkey to Britain to highlight the plight of Syrian refugees. But in Greece, some have objected to her presence, saying it could encourage m…
SOURCE: The New York Times Subscription at 02:18PMThursday, July 15, 2021
Many London theaters are canceling performances, and people in the industry fear that more productions will have to close when England ends distancing and mask-wearing requirements next week.
SOURCE: The New York Times Subscription at 10:33AMMonday, July 12, 2021
On questions of reopening, the theater impresario has become a surprising thorn in the British government’s side.
SOURCE: The New York Times Subscription at 05:33AMTuesday, June 15, 2021
Theaters and nightclub owners are having to hastily rearrange and cancel events after the government decided to maintain some restrictions.
SOURCE: The New York Times Subscription at 06:42AMFriday, May 28, 2021
Some people with disabilities feel they are being forgotten, and that struggling venues will concentrate on producing in-person shows and forgo online offerings, or cut their in-person servi…
SOURCE: The Independent at 04:18AMThursday, May 27, 2021
Shakespeare’s Globe survived Elizabethan plagues. Today’s version got through the coronavirus pandemic, but tough times lie ahead.
SOURCE: The New York Times Subscription at 10:06AMFriday, May 21, 2021
Some fear being forgotten, and that struggling venues will concentrate on producing in-person shows and forgo online offerings, or cut their in-person services for disabled people.
SOURCE: www.seattletimes.com at 04:45PMSome disabled people have spent a year devouring shows online, and they want continued access. Some theaters are promising to provide it, but fears persist.
SOURCE: The New York Times Subscription at 11:12AMTuesday, May 18, 2021
London’s theater scene re-emerged with “The Mousetrap,” Agatha Christie’s long-running murder mystery, which has changed little from its debut in 1952, let alone from before the coro…
SOURCE: The New York Times Subscription at 09:06AMWednesday, May 12, 2021
On May 17, after two failed tries, London’s theaters hope to reopen for good. Meet a director, a producer, an actor and a costumer, nervously raring to go.
SOURCE: The New York Times Subscription at 05:06AMTuesday, April 13, 2021
The Edinburgh International Festival, canceled last year, said it would proceed in August thanks to three specially built pavilions.
SOURCE: The New York Times Subscription at 08:43AMTuesday, March 16, 2021
Klauss Dörr resigned as head of the Volksbühne after 10 women accused him of sexual harassment and creating a hostile work environment.
SOURCE: The New York Times Subscription at 01:18PMThursday, March 11, 2021
Tuesday, February 9, 2021
The director, Kirill Serebrennikov, is known for productions with thinly veiled criticism of the Russian government. His contract at the Gogol Center was not renewed.
SOURCE: The New York Times Subscription at 09:33AM 
