Rattigan's spin on La Dame aux Camélias was slated when it was first staged in 1958 and then vanished from view. Actor Rachael Stirling and director Michael Oakley explain why they've broug…
SOURCE: The Guardian at 11:20AMHow do writers come up with character names? Some raid their emails, some plunder their school days – and some take inspiration from Psycho. Stephen Poliakoff, Abi Morgan and more talk to …
SOURCE: The Guardian at 01:25PMCostume designer who began her career in acting but won acclaim with her designs for the theatre and operaA baggy cardigan; a battered fedora; a starchy dress fastened high at the neck. The …
SOURCE: The Guardian at 11:55AMBarrowland Ballroom, GlasgowA decade ago, who would have predicted that the uniquely wayward Michael Clark would become one of Britain's most reliably pleasurable choreographers? Fierce cont…
SOURCE: The Guardian at 11:20AMInnovative stage designer with a love of baroque opera and a painterly sensibilityIn 1972 Thomas Allen was a young baritone preparing to sing Benjamin Britten's Billy Budd for…
SOURCE: The Guardian at 01:52PMGifted Australian ballerina and inspirational educator for ballet teachersIn Britain, few did more to keep the fragile art of classical ballet alive than the gifted dancer and supreme educat…
SOURCE: The Guardian at 01:23PMWriting convincingly about theatre is the trickiest of arts. Does Simon Callow's prizewinning autobiography make the grade?Simon Callow is currently playing a nasty Toby Belch in Twelfth Nig…
SOURCE: The Guardian at 08:11AMAfter the triumph of its Shakespeare history cycle, it seems that the RSC's once-great ensemble has lost its wayThe cycle of Shakespeare's history plays performed by the RSC (2007-8) was one…
SOURCE: The Guardian at 12:32PMWhy are theatre rehearsal rooms such mysterious spaces? And why are dance rehearsals so different?To most theatregoers, the rehearsal room is a mysterious space: a crucible, sealed off to th…
SOURCE: The Guardian at 09:58AM