Sunday, September 19, 2021
The punchline is “Only an Octave Apart,” featuring the unlikely collaborators Justin Vivian Bond and Anthony Roth Costanzo at St. Ann’s Warehouse.
SOURCE: The New York Times Subscription at 11:42AMFriday, September 10, 2021
Friday, August 20, 2021
“Islander,” a skewed look at a New York Islanders season, examines extreme fandom, violence and the thrill of sports.
SOURCE: The New York Times Subscription at 11:36AMWednesday, August 18, 2021
An all-star lineup sings Stephen Schwartz’s indelible score, and Doc from “Back to the Future” is intriguing casting for a Berkshires production.
SOURCE: The New York Times Subscription at 10:06AMThe shutdown allowed increased access and artistic experimentation. But how much sticks is an open, and contested, question.
SOURCE: The New York Times Subscription at 10:06AMWednesday, August 11, 2021
Hundreds of painted sets were discovered after a century in the attic of the Tabor Opera House in Leadville, Colo.
SOURCE: The New York Times Subscription at 08:12AMWednesday, August 4, 2021
Other highlights include a project by Lisa Loeb, Dominique Morisseau’s “Detroit ’67” and a new production of “South Pacific.”
SOURCE: The New York Times Subscription at 11:18AMSilver mining may have disappeared, but Creede Repertory Theater has been an economic and cultural boon to its community for 50 years.
SOURCE: The New York Times Subscription at 05:24AMTuesday, August 3, 2021
“I have the energy, I have the interest,” says Blanka Zizka of the Wilma Theater. “But I need to go a different way.”
SOURCE: The New York Times Subscription at 05:18AMThursday, July 22, 2021
The Drilling Company returns to live theater with this slapdash tragicomedy about two cousins who fall for the same woman.
SOURCE: The New York Times Subscription at 02:18PMWednesday, July 21, 2021
Productions from the National Theater in Britain, a project from Billy Porter and a Yiddish musical celebration are among the highlights.
SOURCE: The New York Times Subscription at 10:18AMWednesday, July 7, 2021
An adaptation of Chimamanda Ngozi Adichie’s “Notes on Grief,” Russell Brand’s take on Shakespeare and a two-day event anchored by a Milo Rau film are among the highlights.
SOURCE: The New York Times Subscription at 08:32AMFriday, July 2, 2021
Frank Winters’s play, about two astronauts in lockdown after a mission, uneasily grafts tropes borrowed from hard sci-fi and odd-couple comedy.
SOURCE: The New York Times Subscription at 02:54PMTuesday, June 29, 2021
Nida Manzoor, the creator, writer and director of the series, shares what things inspired her to make a show about Muslim women in a punk band.
SOURCE: The New York Times Subscription at 07:24PMNida Manzoor, the creator, writer and director of the series, shares what things inspired her to make a show about Muslim women in a punk band.
SOURCE: The New York Times Subscription at 10:36AMThursday, June 24, 2021
The long-running variety show went off the air a half-century ago this month. But much of it is officially available on YouTube. Here’s a look at some of the best moments.
SOURCE: The New York Times Subscription at 02:58PMWednesday, June 23, 2021
Robert O’Hara and Torrey Townsend discuss their collaboration on “Off Broadway,” a biting satire about a company whose leaders are willfully oblivious of their racial and gender biases.
SOURCE: The New York Times Subscription at 03:06PMTerrance McNally’s farcical “It’s Only a Play,” the revue “After Midnight” and productions from Russia are among the highlights.
SOURCE: The New York Times Subscription at 10:18AMTuesday, June 22, 2021
Without seeing a script, Ann Dowd jumped at the chance to work with Robert Icke on his solo adaptation of the Ibsen classic. Then the debates began.
SOURCE: The New York Times Subscription at 01:24PMWednesday, June 9, 2021
Highlights include the latest edition of “Broadway Bares,” Jackie Sibblies Drury’s “Marys Seacole” and a new play by Caryl Churchill.
SOURCE: The New York Times Subscription at 10:12AMMonday, May 31, 2021
This ingenious interactive show finds the Russian playwright’s characters plotting against their creator.
SOURCE: The New York Times Subscription at 04:18PMFriday, May 28, 2021
This Bristol Old Vic production, based on the harrowing story of the British mountaineer Joe Simpson, tracks the spiral of decisions behind human exploits.
SOURCE: The New York Times Subscription at 02:18PMThursday, May 27, 2021
“I can’t tell if I hate acting or if I love it too much,” he said ahead of the debut of the Amazon series “Panic.” Coming soon, a major role in Steven Spielberg’s “West Side St…
SOURCE: The New York Times Subscription at 08:03PMWednesday, May 26, 2021
Highlights include “A Midsummer Night’s Dream” at Shakespeare’s Globe, the rising stars of LaGuardia High School and “Uncle Vanya” on PBS.
SOURCE: The New York Times Subscription at 10:12AMWednesday, May 12, 2021
Other highlights include a new show by Kristina Wong, Joshua Harmon’s “Bad Jews” and “Broadway by the Year.”
SOURCE: The New York Times Subscription at 12:42PMWednesday, April 28, 2021
Modesto Jimenez, known as Flako, has turned cab theater into a genre, and his latest show takes place on a ride through Bushwick, Brooklyn.
SOURCE: The New York Times Subscription at 02:18PMHighlights include concerts by Melissa Errico and Sutton Foster, and an adaptation of Virginia Woolf’s “The Waves.”
SOURCE: The New York Times Subscription at 12:06PMWednesday, April 21, 2021
The projection designer Jared Mezzocchi has become a go-to guy for ambitious virtual productions. Next up: Starring in his own haunted house play.
SOURCE: The New York Times Subscription at 01:54PMWithout international tours, streaming high-concept, director-driven European theater is the next best thing to being there.
SOURCE: The New York Times Subscription at 05:24AMWednesday, April 14, 2021
Highlights include a virtual production of Adam Rapp’s “The Sound Inside” and a new reading series by Roundabout Theater Company.
SOURCE: The New York Times Subscription at 08:24AMWednesday, March 31, 2021
Among the offerings are a well-matched double bill, Ute Lemper’s tribute to Marlene Dietrich and a virtual revival of Michel Legrand’s musical “Amour.”
SOURCE: The New York Times Subscription at 01:24PM 
