All stories by Laura Cappelle on BroadwayStars

Monday, January 6, 2020

Arnaud Desplechin: 'Theatre is for the bourgeois. Film is the art of rascals!' by Laura Cappelle

The revered film director vowed never to touch theatre. So why is he staging the great Aids epic Angels in America? Apparently, it’s all a misunderstanding Arnaud Desplechin looks surprisi…

Linked From The Guardian at 05:06AM
Wednesday, December 18, 2019

It's derriere you! A French critic gives her take on three madcap pantos by Laura Cappelle

Do you have to be British to get panto? We sent a French critic to three shows full of cross-dressing dames and adults playing cows. Will she ever forget the experience? Oh no she won’t! S…

Linked From The Guardian at 02:36AM
Thursday, December 5, 2019

For Entertaining Musicals, Look No Further Than … Paris by Laura Cappelle

The genre has long been seen as minor in the French capital, but a string of English-language productions is creating a pleasingly upbeat dynamic.

Linked From The New York Times Subscription at 06:54AM
Thursday, November 14, 2019

Strange Plays for Strange Times by Laura Cappelle

Several French theater productions are putting dark spins on everyday events.

Linked From The New York Times Subscription at 05:36AM
Thursday, October 24, 2019

In Characters Ancient and Contemporary, Women Discover Their Power Onstage by Laura Cappelle

In Paris, the mythological Greek character Electra can once again be found in a theater, while the heroine of a quirky new play is inspired by “Rocky III.”

Linked From The New York Times Subscription at 03:24AM
Thursday, October 3, 2019

‘Orlando’ Awkwardly Transitions to the Stage by Laura Cappelle

Kate Mitchell’s adaptation of the 1928 novel is consistently one step behind Virginia Woolf’s mercurial prose.

Linked From The New York Times Subscription at 03:36AM
Thursday, September 19, 2019

A Paris Theater Reopens, With Acrobats and Stunts by Laura Cappelle

The long-awaited spectacle that relaunched the Théâtre du Châtelet was cheerful, but disappointing.

Linked From The New York Times Subscription at 06:42AM
Thursday, August 22, 2019

Rewriting the Rules of Drag in Paris by Laura Cappelle

There is a cross-dressing show for everyone in the city, from traditional cabarets to RuPaul-inspired productions.

Linked From The New York Times Subscription at 05:42AM
Friday, August 2, 2019

Venice Has a Biennale for Theater, Too by Laura Cappelle

Despite a history stretching to 1934, it feels like a David to the art exhibition’s Goliath. But its program is all the better for that.

Linked From The New York Times Subscription at 11:24AM

Oona Doherty: 'I’m so blessed, but I don’t have a clue what’s going on' by Laura Cappelle

The Northern-Irish choreographer’s raw and powerful work examines gender, identity and religion, but it all happens by accident, she says. Oona Doherty is finding out about the law of unin…

Linked From The Guardian at 05:33AM
Thursday, July 18, 2019

At Avignon Festival, Competition Comes From the Fringe by Laura Cappelle

An underwhelming official lineup led many festivalgoers to branch out into the less well-known complimentary program.

Linked From The New York Times Subscription at 07:36AM
Thursday, June 27, 2019

Putting ‘Hiroshima Mon Amour’ Onstage by Laura Cappelle

Two adaptations of works by the writer Marguerite Duras are playing as one-woman shows in Paris.

Linked From The New York Times Subscription at 08:42AM
Monday, June 17, 2019

'People think it's a nest of vipers!' Inside the illustrious Comédie-Française by Laura Cappelle

The Parisian theatre company is on a rare visit to the UK with Ivo van Hove’s The Damned. What are the secrets of the world’s oldest active troupe? Companies like nothing more than to re…

Linked From The Guardian at 12:36PM
Thursday, June 6, 2019

A French Festival Where the Actor Is King by Laura Cappelle

The Printemps des Comédiens festival features productions uniquely crafted for, and occasionally by, their performers.

Linked From The New York Times Subscription at 08:12AM
Friday, May 24, 2019

What Does It Take for a Woman to Be Labeled Mad? Onstage, Not Much. by Laura Cappelle

Tales of women losing their grip on reality don’t exist in a void. They fit into broader cultural narratives.

Linked From The New York Times Subscription at 12:06AM
Thursday, May 2, 2019

Theater Review: Forget ‘Game of Thrones.’ No One Does Violence Like Euripides. by Laura Cappelle

Two productions in Paris with their roots in the Greek playwright’s works explore the nature of human brutality. But without any CGI effects.

Linked From The New York Times Subscription at 07:06AM
Thursday, April 4, 2019

Theater Review: Onstage in Paris, Two Directors Overreach by Laura Cappelle

Simon Stone and Stanislas Nordey present productions in which their ambitions get the better of them.

Linked From The New York Times Subscription at 06:15AM
Tuesday, March 26, 2019

Orgies, revenge, sex on a coffin: Australia's Dangerous Liaisons sizzles by Laura Cappelle

Liam Scarlett’s raunchy staging of the novel for Queensland Ballet is partly a response to its distance from London, he says It’s not often you see sex on top of a coffin on stage, but t…

Linked From The Guardian at 10:46AM
Tuesday, March 12, 2019

Alexis Michalik: golden boy of French theatre with a nose for a hit by Laura Cappelle

The actor turned playwright is taking his work to the UK for the first time. He talks about his Shakespeare in Love-style comedy riffing on Cyrano de Bergerac Alexis Michalik has much in com…

Linked From The Guardian at 11:26AM
Thursday, February 7, 2019

Onstage in France: Spanish Takes on Sex, Violence and Social Change by Laura Cappelle

The annual Reims Scènes d’Europe festival showcases contemporary creation from around Europe. This year, it is focused on emerging artists from Spain.

Linked From The New York Times Subscription at 07:48AM
Friday, January 18, 2019

Theater Review: On Paris Stages, Gay Artists Look Back by Laura Cappelle

A new theatrical work by Christophe Honoré and an adaptation of a novel by Didier Eribon see prominent French gay artists reclaim their origins with striking honesty.

Linked From The New York Times Subscription at 12:24AM
Wednesday, January 16, 2019

'We kept the trauma to ourselves': Christophe Honoré on the idols lost to Aids by Laura Cappelle

The French writer-director talks about his highly personal new show, a ‘dance of the dead’ that pays tribute to artistic heroes including Jacques DemyDirector Christophe Honoré still lo…

Linked From The Guardian at 01:24PM
Thursday, December 20, 2018

Best (and Worst) Theater in Europe in 2018 by Matt Wolf, Laura Cappelle and A.j. Goldmann

Our three European theater critics pick their favorite productions of the year — plus a turkey for the festive season.

Linked From The New York Times Subscription at 06:04AM
Monday, December 17, 2018

Review: In Robert Lepage’s ‘Kanata,’ the Director, Too, Plays the Victim by Laura Cappelle

The Canadian stage director has seen some of his productions derailed by accusations of cultural insensitivity. In a new show in Paris, he can’t resist pointing to his own suffering.

Linked From The New York Times Subscription at 10:54AM
Thursday, November 29, 2018

Theater Review: If You Don’t Know Your Noh From Your Kabuki, You Can Still Enjoy Japanese Theater by Laura Cappelle

The “Japonismes 2018” season in Paris offers an intriguing, if occasionally puzzling, window onto Japan’s rich theater scene.

Linked From The New York Times Subscription at 05:48AM
Thursday, November 15, 2018

Theater Review: A New Theater Opens in Paris. Another Faces Closure. by Laura Cappelle

La Scala Paris opened with a production in which the playwright Yasmina Reza also acts. But a theater focused on new writing in French from abroad faces an uncertain future.

Linked From The New York Times Subscription at 06:18AM
Tuesday, November 13, 2018

La Bayadère review – Ratmansky returns orientalist fantasy to its roots by Laura Cappelle

Staatsoper Unter den Linden, BerlinAlexei Ratmansky’s reconstruction of Marius Petipa’s problematic ballet raises an uncomfortable questionA quiet revolution has been under way in the ba…

Linked From The Guardian at 08:12AM
Friday, October 19, 2018

Theater Review: In Paris, Justice Takes Center Stage by Laura Cappelle

Justice — its rhetoric and its travails — is at the heart of several new theater productions in Paris.

Linked From The New York Times Subscription at 01:48AM
Monday, October 8, 2018

Sex, sheep and terror: the scandalous theatre of Milo Rau by Laura Cappelle

He has put an Isis fighter’s mother in the Ghent Altarpiece and restaged a murder. Now the Swiss director plans to get radicalWhen Milo Rau first saw the Ghent Altarpiece, one detail leapt…

Linked From The Guardian at 02:06AM
Thursday, September 27, 2018

THEATER REVIEW: Two European Favorites Take to the Paris Stage by Laura Cappelle

Thomas Ostermeier and Krystian Lupa present works at the city’s major playhouses at the beginning of a new theater season.

Linked From The New York Times Subscription at 07:18AM
Thursday, September 6, 2018

THEATER REVIEW: At This Circus Festival, the Highflying Meets the Highbrow by Laura Cappelle

Prague’s Letni Letna shows that circus, once dismissed as lowbrow entertainment, can be as potent as any performance genre.

Linked From The New York Times Subscription at 08:12AM

All that Chat

Oct 06, 2019: Slave Play
Oct 17, 2019: The Sound Inside - Studio 54
Feb 01, 2020: The Minutes
Mar 31, 2020: Diana - Longacre Theatre
Apr 19, 2020: Sing Street - Lyceum Theatre
Dec 16, 2021: Diana - Longacre Theatre