Thursday, December 15, 2022
The Times’s three European theater critics pick their favorite productions of the year — plus a turkey apiece for the festive season.
SOURCE: The New York Times Subscription at 05:18AMThursday, December 1, 2022
Several intimate literary accounts of pain and suffering have been adapted for the theater recently — with varying success.
SOURCE: The New York Times Subscription at 05:06AMTuesday, November 22, 2022
At 60, and already a renowned theater maker, Irina Brook is rethinking her work and tackling the legacy of her famous parents: “I’m only just emerging from my cocoon.”
SOURCE: The New York Times Subscription at 11:03AMThursday, November 10, 2022
Songs from “Starmania” are frequently heard and covered in France, but until a new production opened in Paris, few had a chance to see the 1979 rock opera onstage.
SOURCE: The New York Times Subscription at 04:03AMFriday, October 28, 2022
Martinez, once a member of the company’s troupe and a former leader of the National Dance Company of Spain, will take up the position in December.
SOURCE: The New York Times Subscription at 10:24AMThursday, October 20, 2022
Three stage works in Paris by the incoming director of the Avignon Festival continue his preoccupation with empathy and human complexity.
SOURCE: The New York Times Subscription at 06:55AMThursday, September 29, 2022
Several Paris theaters geared up to open their seasons with the most famous English playwright. How would the plays be tackled if a woman’s name were attached to them?
SOURCE: The New York Times Subscription at 06:25AMSunday, September 11, 2022
Marion Siéfert’s “_jeanne_dark_,” about a shy teenager beginning to express her sexuality, contains no nudity yet still ran afoul of Instagram’s opaque policies.
SOURCE: The New York Times Subscription at 03:19PMThursday, September 8, 2022
As offices and schools reopen, ParisOffFestival brings a carnival atmosphere to an area of low-income housing in the city.
SOURCE: The New York Times Subscription at 05:07AMThursday, August 18, 2022
American-style stand-up, a relatively young art form in France, is attracting a young, racially diverse crowd to a blossoming club scene.
SOURCE: The New York Times Subscription at 04:54AMThursday, July 28, 2022
The annual Paris l’Été hosts some especially strong multidisciplinary shows this summer, one of which includes a seven-hour hike.
SOURCE: The New York Times Subscription at 04:37AMThursday, July 14, 2022
With striking premieres in the main program and enchanting discoveries on the supplementary Fringe, the eminent event in European theater is flourishing after some difficult years.
SOURCE: The New York Times Subscription at 05:07AMThursday, June 23, 2022
In an anniversary year for the playwright, new productions in the Paris region show why his work still appeals to myriad audiences.
SOURCE: The New York Times Subscription at 04:54AMThursday, June 2, 2022
The French writer played himself onstage and hated the experience, according to a new work he developed with the Swiss director Milo Rau. This time around, there’s an actor in the role.
SOURCE: The New York Times Subscription at 06:06AMThursday, May 12, 2022
Performance venues at this year’s Kunstenfestivaldesarts, in Brussels, include a disused museum and the upper house of Belgium’s Parliament.
SOURCE: The New York Times Subscription at 04:37AMThursday, April 21, 2022
At the Molières, France’s equivalent of the Tony Awards, commercial and publicly funded productions seem to inhabit different worlds.
SOURCE: The New York Times Subscription at 03:06AMWednesday, April 13, 2022
Touch is a requirement of a dancer’s job. Now when choreography involves simulated sex or violence, some companies are bringing in intimacy directors.
SOURCE: The New York Times Subscription at 10:00AMThursday, March 31, 2022
Christophe Honoré’s latest work, for the Paris stage, is part of a recent wave of stories in France about the complex aftereffects of social mobility.
SOURCE: The New York Times Subscription at 05:33AMThursday, March 10, 2022
As the presidential vote approaches, theaters and comedy venues are addressing the campaign. Many shows reach a similar conclusion: Don’t trust politicians.
SOURCE: The New York Times Subscription at 04:42AMThursday, March 3, 2022
How can theaters adapt to prevent climate change? The British director Katie Mitchell and a Swiss playhouse have developed a new model for taking a production on the road.
SOURCE: The New York Times Subscription at 09:24AMWednesday, March 2, 2022
She studied law, became a model, and then starred in everything from arthouse films to blockbusters. Now the multilingual Italian actor is overcoming a lifetime of stage fright to play opera…
SOURCE: The Guardian at 01:18AMThursday, February 17, 2022
In two Paris theater productions, there’s no sugarcoating the physical decline that comes at the end of a long life.
SOURCE: The New York Times Subscription at 04:42AMFriday, February 4, 2022
The playwright found acclaim with works about the devastation caused by austerity. He returns with a drama exploring the realities of ageing
There is one no-no in an Alexander Zeldin rehears…
SOURCE: The Guardian at 02:48PMMonday, January 31, 2022
The French prodigy, who won an Oscar for The Father, talks about The Forest, his labyrinthine new drama following a man whose life unravels after an affair
Florian Zeller has made a speciali…
SOURCE: The Guardian at 08:03AMThursday, January 27, 2022
Three Paris productions — including Ivo van Hove’s take on “Tartuffe” at the Comédie-Française — explore questions of the divine.
SOURCE: The New York Times Subscription at 05:48AMWednesday, January 19, 2022
Tamara Rojo, San Francisco Ballet’s incoming artistic director, has half updated the 19th-century work for English National Ballet.
SOURCE: The New York Times Subscription at 11:41AMMonday, January 10, 2022
The Comédie-Française is celebrating the 17th-century dramatist by recreating Tartuffe, the play that outraged the Catholic church and almost ended his career
French theatre is gearing up …
SOURCE: The Guardian at 10:54AMThursday, January 6, 2022
Netflix doesn’t qualify as a solo offender when it comes to Gallic stereotypes, as three musical theater works on the city’s stages show.
SOURCE: The New York Times Subscription at 04:42AMThursday, December 16, 2021
The Times’s three European theater critics pick their favorite productions of the year — plus a turkey apiece for the festive season.
SOURCE: The New York Times Subscription at 04:18AMFriday, December 3, 2021
By asking the singer Bertrand Cantat to contribute to his latest show, the director Wajdi Mouawad has overshadowed his own production.
SOURCE: The New York Times Subscription at 02:42AMTuesday, November 30, 2021
Slowed but not stopped by the pandemic, Wilson has had a busy fall that continues with his production of “Turandot” at the Paris Opera.
SOURCE: The New York Times Subscription at 11:42AM 
