Thursday, January 9, 2020
“Cartography,” a multimedia work inspired by migrants’ stories, presents their journeys as universal and heroic, not merely tales of suffering.
Linked From The New York Times Subscription at 04:36PMWith powerfully contemporary stagings of “Betrayal” and “Cyrano,” Jamie Lloyd has had an attention-grabbing year. That’s not what makes him hard to miss.
Linked From The New York Times Subscription at 11:36AMMonday, January 6, 2020
Steven Skybell was finally the right age for Tevye. Little did he know that when the time came, the show would be in Yiddish, and for a surprisingly long run that ended Sunday.
Linked From The New York Times Subscription at 02:06PMThursday, December 19, 2019
The acrobatics in “’Twas the Night Before…” at Madison Square Garden are perfectly diverting, despite an illegible plot.
Linked From The New York Times Subscription at 04:42PMWednesday, December 18, 2019
Lois Smith, Estelle Parsons and Vinie Burrows on age, agility, perseverance and steering clear of “self-pitying old” roles.
Linked From The New York Times Subscription at 01:54PMFriday, December 13, 2019
Amusing monologues and oddball encounters enliven T. Adamson’s overstuffed play that follows two friends on a very long car ride.
Linked From The New York Times Subscription at 02:42PMTuesday, December 10, 2019
Donja R. Love’s powerful play balances tenderness and fury to explore how H.I.V. has become a ”hidden emergency” in the black community.
Linked From The New York Times Subscription at 11:42PMTuesday, December 3, 2019
Shows that defied categorization offered a stark choice: Escape an angry world, or face up to its travails. Beyond Broadway, writers explored race, inequality and addiction.
Linked From The New York Times Subscription at 05:18AMMonday, December 2, 2019
Inua Ellams discusses his surprise hit play, which has its New York premiere at the Next Wave Festival this week.
Linked From The New York Times Subscription at 02:12PMWednesday, November 20, 2019
Alan Lightman’s novel loses its charm in Joanne Sydney Lessner and Joshua Rosenblum’s show, which lacks a sense of a sure artistic voice.
Linked From The New York Times Subscription at 10:18PMThursday, November 14, 2019
A critic who once resisted the charms of this holiday clownfest found herself floating on happiness this time around.
Linked From The New York Times Subscription at 08:48PMWednesday, November 13, 2019
This meandering jazz-infused drama, told across generations of a black family, strains to pull its focus from white women.
Linked From The New York Times Subscription at 08:48PMMonday, November 11, 2019
The return of Tony Kushner’s “A Bright Room Called Day” prompted us to ask leading writers: How did it go for you? And what did you learn?
Linked From The New York Times Subscription at 04:18PMSunday, November 10, 2019
The Next Wave festival’s latest digital dive: A tale of grief staged in a Brooklyn cafe that the audience only pieces together by smartphone.
Linked From The New York Times Subscription at 03:42PMSunday, November 3, 2019
Anthony Black’s play is about the life-sustaining power of creating art. But it never overcomes the dull short story from which it’s adapted.
Linked From The New York Times Subscription at 05:06PMThursday, October 31, 2019
In this Irish production, an 11-year-old actor plays the child who died too soon to get to know his immortal father.
Linked From The New York Times Subscription at 02:32PMTuesday, October 29, 2019
Sunday, October 27, 2019
A bracingly lucid Corey Stoll embodies Shakespeare’s thane who, step by step, cedes his soul to his own darkest impulses.
Linked From The New York Times Subscription at 07:33PMMonday, October 21, 2019
Sylvia Khoury’s insidiously sharp new play arrives as the eight-year-old conflict is making fresh headlines in the United States.
Linked From The New York Times Subscription at 10:48PMMonday, October 14, 2019
In Sean Daniels’s grim autobiographical comedy, a charming stage director tries, and tries again, to sober up.
Linked From The New York Times Subscription at 02:36PMThursday, October 3, 2019
George Bernard Shaw gets sensitively streamlined in a briskly entertaining production with winning performers at its center.
Linked From The New York Times Subscription at 04:18PMMonday, September 30, 2019
Kate Hamill and Andrus Nichols made their names in a theater company specializing in scaled-down classics. Now they’re forming their own troupe.
Linked From The New York Times Subscription at 03:12PMThursday, September 26, 2019
An easily legible production of the ancient Greek tragedy borrows from the tradition of Noh theater at the Park Avenue Armory.
Linked From The New York Times Subscription at 04:54PMSunday, September 22, 2019
John Glover lifts Michael Tucker’s otherwise convoluted and crowded dramedy of baby boomers contemplating life on a commune.
Linked From The New York Times Subscription at 03:06PMTuesday, September 17, 2019
By definition, live theater vanishes in the moment; Ms. Corwin pushed to have shows videotaped and deposited in a library collection, which she ran for decades.
Linked From The New York Times Subscription at 06:06PMFriday, September 13, 2019
Ntozake Shange’s play, with its unflinching depiction of black women’s experience, is coming back to the Public Theater more than 40 years after opening there.
Linked From The New York Times Subscription at 06:33AMMonday, September 9, 2019
The Flea Theater has revived this brief play, in which a flat tire is the least of the problems you might encounter in Central Park.
Linked From The New York Times Subscription at 03:54PMTuesday, August 27, 2019
Was it a one-time telephone interruption, or was it written into the show? And why was it so crucial to find out?
Linked From The New York Times Subscription at 07:03PMThursday, August 22, 2019
A frenzy of strained joke-making and audience participation overwhelms a promising exploration of romance in the internet age.
Linked From The New York Times Subscription at 03:36PMWednesday, August 21, 2019
The screen and stage star is making his Broadway debut as the bottled-up husband wearing a “mask of control” in Harold Pinter’s romantic triangle.
Linked From The New York Times Subscription at 07:33AM 
