All stories by Michael Billington on BroadwayStars

Monday, August 10, 2020

Forgotten Plays: No 11 – The High Bid (1908) by Henry James by Michael Billington

James’s rich dialogue and clashing-cultures theme make his country-house play worthy of a renewed offer Henry James had a love-hate relationship with the theatre. He had boyhood dreams of …

SOURCE: The Guardian at 01:24AM
Sunday, August 2, 2020

Forgotten plays: No 10 – Mary Rose (1920) by JM Barrie by Michael Billington

The Peter Pan author caught Hitchcock’s eye with a Hebridean ghost story about the intensity of mother-son relationships Read the rest of our Forgotten plays series I have neglected Scotla…

SOURCE: The Guardian at 08:12PM
Monday, July 27, 2020

Forgotten Plays: No 9 – The Words Upon the Window-Pane and Purgatory by WB Yeats by Michael Billington

A drama in which the spirit of Jonathan Swift haunts a seance and an astonishingly brief update of the Oresteia confirm the poet’s remarkable skills as a playwright Few plays are more forg…

SOURCE: The Guardian at 02:03AM
Friday, July 24, 2020

You name it, she's played it: the sublime classical actor Barbara Jefford by Michael Billington

She has given unforgettable performances in Shakespeare, Chekhov and Shaw over her extraordinary 70-year career. Where’s this great actor’s damehood? The concept of the classical actor i…

SOURCE: The Guardian at 01:54AM
Thursday, July 23, 2020

Helen Mirren at 75: wild costumes, blazing performances – and a spell as a rock banshee by Michael Billington

She has played cops, rockers, monarchs and murderers. As Helen Mirren turns 75, we celebrate her astonishing career – and remember her letter to the Guardian that led to questions in parli…

SOURCE: The Guardian at 04:12AM
Monday, July 20, 2020

Forgotten plays: No 8 – Saint’s Day (1951) by John Whiting by Michael Billington

The critics howled derisively but this challenging story of the violence lurking beneath society’s surface was a game-changer Where does it all begin? Is there a moment that marks a radica…

SOURCE: The Guardian at 03:42AM
Sunday, July 12, 2020

Forgotten plays: No 7 – Skyvers (1963) by Barry Reckord by Michael Billington

Reckord’s unflinchingly honest social document pinned down the flaws in a UK education system that consigned an underclass to a dead-end future Why are there so few good plays about school…

SOURCE: The Guardian at 07:36PM
Sunday, July 5, 2020

Forgotten Plays: No 6 – Occupations (1970) by Trevor Griffiths by Michael Billington

The collapse of the 1968 protests left this incisive political dramatist searching for answers – and his response delved brilliantly into the dilemmas of revolution Aside from Comedians (1…

SOURCE: The Guardian at 09:12PM
Friday, July 3, 2020

Dear Oliver Dowden, have you even begun to grasp the scale of our arts crisis? | Michael Billington by Michael Billington

It’s time to accept artists know more about art than politicians. Without a proper plan, the industry will be decimated Dear Oliver Dowden, You presumably heard Boris Johnson, when asked a…

SOURCE: The Guardian at 10:18AM
Sunday, June 28, 2020

Forgotten plays: No 5 – Owners (1972) by Caryl Churchill by Michael Billington

The writer unleashed her gift for black comedy to excoriate British attitudes to property and possessions in this sprightly drama Caryl Churchill is rightly admired for many qualities: her f…

SOURCE: The Guardian at 11:36PM
Monday, June 22, 2020

Forgotten plays: No 4 – Bloody Poetry (1984) by Howard Brenton by Michael Billington

This magnificently honest play about the Shelleys and Byron’s summer of sexual experimentation raises difficult questions about the cost of utopian aspirations Howard Brenton’s output is…

SOURCE: The Guardian at 12:03PM
Friday, June 19, 2020

Sir Ian Holm obituary by Michael Billington and Ryan Gilbey

Acclaimed actor whose dazzling career included memorable roles in Alien, Chariots of Fire and The Lord of the Rings Ian Holm, who has died aged 88, was a brilliant actor in all media whose c…

SOURCE: The Guardian at 10:48AM
Monday, June 15, 2020

Forgotten plays: No 3 – The Coup (1991) by Mustapha Matura by Michael Billington

A Caribbean-set ‘play of revolutionary dreams’ acquires a chilling new relevance when protests confront the legacy of colonialism Although I admired its ambition, I was sceptical about T…

SOURCE: The Guardian at 01:54AM
Monday, June 8, 2020

Forgotten plays: No 2 – Three Birds Alighting on a Field (1991) by Timberlake Wertenbaker by Michael Billington

Our series on forgotten theatre classics continues with Wertenbaker’s stylish dissection of Thatcher-era morality I recently caught on BBC Four a repeat of Andrew Marr’s History of Moder…

SOURCE: The Guardian at 01:48AM
Monday, June 1, 2020

Forgotten plays: No 1 – The No Boys Cricket Club (1996) by Roy Williams by Michael Billington

Our new series on lost theatre classics begins with an exceptional play about the dashed hopes of a middle-aged Jamaican woman When the theatrical lockdown ends, I suspect there will be a te…

SOURCE: The Guardian at 03:54AM
Wednesday, May 13, 2020

Velvet wonderlands: the plush pleasure palaces of Frank 'Matchless' Matcham by Michael Billington

He was our ‘greatest theatrical architect’, the creator of 150 magnificent buildings that delighted crowds from Glasgow to Blackpool to London. On the centenary of his death, we celebrat…

SOURCE: The Guardian at 02:36AM
Friday, April 17, 2020

Judi Dench lets us in on the secret while remaining a true enigma by Michael Billington

A lengthy 2017 interview, to be streamed online, shows the acting great opening up about her craft and sharing priceless memories One of the many tantalising shows lost to the lockdown was …

SOURCE: The Guardian at 10:06AM
Friday, April 3, 2020

Six of the best plays about confinement | Michael Billington by Michael Billington

Dramatists have long focused on the agonies and irritations of self-imposed or enforced isolation ‘I could be bounded in a nutshell and count myself a king of infinite space,” says Hamle…

SOURCE: The Guardian at 01:42AM
Thursday, March 19, 2020

It's curtains for theatre – but not, let us hope, for too long | Michael Billington by Michael Billington

This is the art form that makes us feel most acutely human. We are going to need it more than ever How will society cope with the total shutdown of theatres for the foreseeable future? It wi…

SOURCE: The Guardian at 10:18AM
Monday, March 16, 2020

Roy Hudd: a charming star immediately embraced by audiences | Michael Billington by Michael Billington

A versatile master of stage, radio and TV, Hudd survived changes in popular taste through his good-hearted skill I last saw Roy Hudd, who has died at the age of 83, at a lunch organised by t…

SOURCE: The Guardian at 02:48PM
Thursday, March 5, 2020

Hail, Coriolanus! The greatness of Shakespeare's shape-shifting epic by Michael Billington

From Olivier’s strangled fury to Ralph Fiennes’ Oedipal embraces, this complex political play is extraordinarily flexible ‘The tragedy of Coriolanus is one of the most amusing of our a…

SOURCE: The Guardian at 01:33AM
Monday, March 2, 2020

Triumph from tragedy: how Greece's theatre roared out of a national crisis by Michael Billington

To kick off our critical tour of Europe’s cultural hotspots, Michael Billington reports on thrilling theatre in a post-slump Greece – from a minimalist Doll’s House to Beckett like he…

SOURCE: The Guardian at 11:03AM
Thursday, February 27, 2020

Love and Leopoldstadt: don't be surprised if Tom Stoppard gets emotional by Michael Billington

The playwright’s new work has been seen as a departure from his intellectual stock-in-trade. But look deeper, and passion has always been present What kind of writer is Tom Stoppard? In co…

SOURCE: The Guardian at 05:54AM
Tuesday, February 18, 2020

From rep to reps: can a 'Shakespeare gym' solve the crisis in verse-speaking? by Michael Billington

The Royal Shakespeare Company has vowed to drill the Bard’s rhythms into its actors – but our alienation from his language runs deeper ‘Speak the speech, I pray you, as I pronounced i…

SOURCE: The Guardian at 07:03AM
Tuesday, February 4, 2020

Terry Hands left our theatre infinitely richer than he found it by Michael Billington

The former RSC director had a stellar career, seeing the depth in derided plays and restoring the Histories to their rightful stage I was saddened to hear of the death of Terry Hands at the …

SOURCE: The Guardian at 10:36AM
Monday, January 20, 2020

Look back in Vanya: my encounters with Chekhov's classic over 60 years by Michael Billington

From Rome to Paris to London, Uncle Vanya delivers fresh meanings wherever and whenever it’s performed Which is Chekhov’s greatest play? It tends to be the one you’ve seen most recentl…

SOURCE: The Guardian at 08:42AM
Thursday, December 19, 2019

Pippi Longstocking review – Lindgren's rule-breaker is a festive delight by Michael Billington

Royal and Derngate, NorthamptonAstrid Lindgren’s nine-year-old rebel is suitably anarchic and altruistic in a festive musical show that leaves you chuckling I’ve come late in life to Ast…

SOURCE: The Guardian at 11:42AM
Tuesday, December 17, 2019

Top 10 theatre shows of 2019 by Michael Billington

Katori Hall gave us a miracle, Caryl Churchill delivered a dark quartet and Tom Hiddleston astounded in Betrayal. But the year’s highlight was a breathtaking Ibsen with Hayley Atwell More …

SOURCE: The Guardian at 05:33AM
Sunday, December 15, 2019

Swive [Elizabeth] review – a not so modern queen fights for absolute power by Michael Billington

Sam Wanamaker Playhouse, LondonElla Hickson’s Elizabeth I story vividly portrays her battles with men and a patriarchal system but doesn’t make a strong case for contemporary parallels E…

SOURCE: The Guardian at 06:54AM
Friday, December 13, 2019

Teenage Dick review – Daniel Monks is a dazzling high-school Richard III by Michael Billington

Donmar Warehouse, LondonMike Lew’s American update of Shakespeare, directed by Michael Longhurst, captures the king’s complexity Mike Lew’s relocation of Richard III to a US high schoo…

SOURCE: The Guardian at 10:48AM
Thursday, December 12, 2019

A Kind of People review – uncompromising look at modern Britain by Michael Billington

Royal Court, London Race and relationships are the focus of Gurpreet Kaur Bhatti’s deeply moving drama that presents an honest picture of multi-cultural Britain There’s a great story by …

SOURCE: The Guardian at 02:18PM

All that Chat

Sep 14, 2021: Chicago - Ambassador Theatre
Oct 17, 2021: Dana H. - Lyceum Theatre
Mar 28, 2022: Plaza Suite - Hudson Theatre
Apr 07, 2022: The Minutes - Studio 54
Apr 28, 2022: Macbeth - Lyceum Theatre