All stories by Alexis Soloski on BroadwayStars

Monday, May 3, 2021

The Play Is Coming From Inside the House by Alexis Soloski

Three new virtual productions, set in haunted homes and an interactive hotel, give you the excitement of exploring spaces that are off limits.

Linked From The New York Times Subscription at 04:12PM
Wednesday, April 14, 2021

Put Down Your Book. It’s Time to Act Out. by Alexis Soloski

With playhouses closed, theater fans have taken drama into their own hands and mouths, forming play reading groups online and off.

Linked From The New York Times Subscription at 05:32AM
Monday, April 5, 2021

Review: Mean Streets ‘Underneath the Freeways of Los Angeles’ by Alexis Soloski

This interactive play gives voice to marginalized people, while also asking its audience to mistrust them.

Linked From The New York Times Subscription at 07:48PM
Friday, March 26, 2021

Cristin Milioti Is No One’s Accessory by Alexis Soloski

In HBO Max’s “Made for Love,” the “Palm Springs” actress again dismantles romantic clichés. “I didn’t get into this to be a handbag to a man’s story,” she said.

Linked From The New York Times Subscription at 05:18PM
Wednesday, March 24, 2021

Can You Autograph a Playbill Through Your Screen? by Alexis Soloski

When Broadway shut, stage doors found a new way to open — on digital platforms that offer private lessons, birthday videos and meet and greets with stars.

Linked From The New York Times Subscription at 10:12AM
Friday, March 19, 2021

Go or No? An Indoor Theater Invitation (at Last!) Needs an R.S.V.P. by Laura Collins-Hughes and Alexis Soloski

Two critics, hungry for live performance, weigh whether they’re ready to take a health risk for “Blindness,” which opens in New York next month.

Linked From The New York Times Subscription at 01:32PM
Wednesday, March 17, 2021

Review: Living the ‘Dream,’ on Your Laptop or Phone by Alexis Soloski

Gorgeous but thin, this half-hour experiment from the Royal Shakespeare Company turns Puck into an avatar and “theatergoers” into fireflies.

Linked From The New York Times Subscription at 01:18PM
Wednesday, February 10, 2021

Working in TV, Jen Silverman Wrote a Novel. About Theater. by Alexis Soloski

“We Play Ourselves” finds a struggling playwright exiled to Los Angeles and obsessing over New York. Then she meets the manipulative filmmaker next door.

Linked From The New York Times Subscription at 12:24PM

To Love, Honor and Co-Star: Making Room for Two on Zoom by Alexis Soloski

Hiring couples to act together allows us to see two people in one virtual space. For the couples themselves, though, it can feel like “there’s no escape.”

Linked From The New York Times Subscription at 05:18AM
Wednesday, February 3, 2021

All the World’s a Screen? They’re Used to It by Alexis Soloski

Is theater even theater when you watch it on your laptop? Ask the artists who’ve blurred the boundaries between live and filmed performance for years.

Linked From The New York Times Subscription at 10:03AM
Thursday, January 14, 2021

Martin Luther King Jr. Day: 9 Ways to Honor His Legacy by Alexis Soloski

Marches and parades are on pause this year. But streamed events and exhibitions are still commemorating King’s achievements.

Linked From The New York Times Subscription at 09:03AM
Monday, January 11, 2021

Songs of Separation, and Lessons in Persian Cooking by Alexis Soloski

The Under the Radar Festival entries “Capsule” and “Disclaimer” explore intimacy, isolation and identity. Bring your own fenugreek.

Linked From The New York Times Subscription at 03:12PM
Thursday, December 24, 2020

How the Spectacle of British Pantomime Looks From Across the Pond by Alexis Soloski and Elisabeth Vincentelli

Thanks to streaming, two American critics got to binge a bunch of the holiday extravaganzas. So how does this silly British tradition translate?

Linked From The New York Times Subscription at 01:32PM
Wednesday, December 23, 2020

An Online Show that Runs and Runs (and Runs) by Alexis Soloski

“Stars in the House,” a variety show and fund-raiser, started just after the Broadway shutdown. Some 250 episodes later, its creators won’t quit.

Linked From The New York Times Subscription at 10:24AM
Sunday, December 13, 2020

Holiday Theater to Stream by Alexis Soloski

Stream productions of reimagined fairy tales and Christmas standards like ‘A Christmas Carol’ being staged at theaters around the world.

Linked From The New York Times Subscription at 12:24AM
Wednesday, December 9, 2020

With These Experiences for Kids, All the Living Room’s a Stage by Alexis Soloski

Theatermakers are devising new, immersive ways to engage children, with a few sending boxes of props and set pieces to your home.

Linked From The New York Times Subscription at 02:24PM
Tuesday, December 1, 2020

Best Theater of 2020 by Jesse Green, Laura Collins-Hughes, Scott Heller, Maya Phillips, Alexis Soloski and Elisabeth Vincentelli

It wasn’t the year for celebration. But watching innovation flourish inspired our chief critic, while other writers found the joys of the stage in other media.

Linked From The New York Times Subscription at 05:06AM
Wednesday, November 25, 2020

Depending on the Kindness of Sound Engineers by Alexis Soloski

Williamstown Theater Festival’s summer season is now a winter experiment, all on audio. That includes “A Streetcar Named Desire,” recorded in actor’s closets.

Linked From The New York Times Subscription at 10:18AM
Friday, November 20, 2020

Review: Open Chat Windows and Closed Cases in ‘Citizen Detective’ by Alexis Soloski

With its latest show, the Geffen Playhouse in Los Angeles has cornered the American market on long-running, agreeable online theater.

Linked From The New York Times Subscription at 02:54PM
Wednesday, November 18, 2020

‘Between the World and Me’: From Page to Stage to Screen by Alexis Soloski

An all-star cast came together, remotely and in socially distanced shoots, to turn Ta-Nehisi Coates’s memoir into a vivid amalgam of art, music and performance for HBO.

Linked From The New York Times Subscription at 10:54AM
Sunday, November 15, 2020

When the Critic Is Also the Star. And the Audience. by Laura Collins-Hughes and Alexis Soloski

Connection or isolation? Intensity or escape? This spate of shows that put the watcher to work are rewarding, but often in contrasting ways.

Linked From The New York Times Subscription at 02:06PM
Tuesday, November 10, 2020

‘Who’s Your Baghdaddy’ Review: The Iraq War Set to Backpack Rap by Alexis Soloski

A musical satire reframes the origins of the invasion of Iraq as a story of bureaucratic bungles and spy games gone catastrophically wrong.

Linked From The New York Times Subscription at 03:48PM
Thursday, November 5, 2020

Escape Rooms in an At-Home Era? Here’s the Key by Alexis Soloski

The immersive games are reinventing for online, at-home play — which is no surprise, an industry expert said: “These folks are deeply creative, and they’re scrappy.”

Linked From The New York Times Subscription at 11:12AM
Wednesday, November 4, 2020

Review: ‘Crave’ Is a Timely Ticket for a World on Fire by Alexis Soloski

Sarah Kane’s 1999 play, performed live at the Chichester Festival Theater and available to stream this week, meditates on power and powerlessness, and makes specific devastation feel unive…

Linked From The New York Times Subscription at 01:36PM

‘Hamilton’ Was Just the Beginning. Hollywood Loves Broadway, Again. by Alexis Soloski

Theaters may be closed, but streamers and studios are flocking to the stage to meet the insatiable demand for content.

Linked From The New York Times Subscription at 06:42AM
Monday, November 2, 2020

Review: ‘What a Carve Up!’ Is Wonderful. But Is It Theater? by Alexis Soloski

Three British companies reimagine a murder mystery for the virtual stage. Except there’s no stage, and no part of it is live.

Linked From The New York Times Subscription at 04:18PM
Sunday, November 1, 2020

David Henry Hwang’s ‘M. Butterfly’ Followup: ‘M. Turkey’ by Alexis Soloski

The goal: a comedy about mistaken racial identity inspired by protests over “Miss Saigon.” The result: a backstage farce that never got to opening night.

Linked From The New York Times Subscription at 11:03AM
Thursday, October 29, 2020

Halloween for Kids: Different This Year, but Still Delightful by Alexis Soloski

In New York, trick-or-treating has been curtailed, and parades called off. But there are plenty of ways to please and spook the little ones.

Linked From The New York Times Subscription at 07:42AM
Tuesday, October 20, 2020

‘Temping’ Is a Workplace Drama for One. You’re Hired. by Alexis Soloski

An immersive work at the Wild Project asks the sole audience member to consider the value of life while role playing as an office worker involved in calculating risk of death.

Linked From The New York Times Subscription at 02:36PM
Monday, October 19, 2020

‘Utopia’ Review: Charles L. Mee’s New Play Is a Frothy Escape by Alexis Soloski

The playwright whips up a virtual ensemble of eccentrics, but his vision feels out of step with the moment.

Linked From The New York Times Subscription at 06:24PM

The Tonys are finally coming! What do this year's nominations tell us? by Alexis Soloski

A strange year for Broadway, with fewer shows than usual eligible for major awards, has brought up an equally strange, if intriguing, set of nominees “What?” James Monroe Iglehart said. …

Linked From The Guardian at 04:03PM

All that Chat

2019-2020 BROADWAY SEASON
Oct 06, 2019: Slave Play
Oct 17, 2019: The Sound Inside - Studio 54
Feb 01, 2020: The Minutes
Mar 12, 2020: BROADWAY SHUTDOWN
Mar 31, 2020: Diana - Longacre Theatre
Apr 19, 2020: Sing Street - Lyceum Theatre
Sep 14, 2021: BROADWAY REOPENS
Dec 16, 2021: Diana - Longacre Theatre