Wednesday, September 29, 2021
“Deep Blue Sea” at the Armory is a colossal undertaking both in subject matter, inspired by “Moby-Dick” and “I Have a Dream,” and theatrical scope.
SOURCE: The New York Times Subscription at 03:18PMFriday, September 17, 2021
In Julie Mayo’s “Nerve Show” at Target Margin Theater, thwarted impulses express themselves both through movement and attempts at speech.
SOURCE: The New York Times Subscription at 02:21PMFriday, September 10, 2021
Professionals and amateurs can leave their living rooms behind as dance studios make a cautious comeback.
SOURCE: The New York Times Subscription at 05:00AMTuesday, September 7, 2021
The choreographer Miguel Gutierrez’s podcast “Are You for Sale?” looks at what he calls “the ethical entanglements between art and money.”
SOURCE: The New York Times Subscription at 04:16PMWednesday, August 11, 2021
Choy Ka Fai’s interest in shamanic dance practices fuels his immersive exhibition at Tanz im August in Berlin.
SOURCE: The New York Times Subscription at 12:13PMSaturday, July 3, 2021
A premier teacher of Merce Cunningham’s technique, she gave equal attention to everyone in her class, not just those destined for stardom with his company.
SOURCE: The New York Times Subscription at 01:23PMWednesday, June 30, 2021
Street performances celebrated the Chocolate Factory Theater, a space that has often seemed inseparable from the work that happens there, as it moved to a new building.
SOURCE: The New York Times Subscription at 01:46PMTuesday, June 29, 2021
This online show, which wraps up its present incarnation on Thursday, became a serendipitous gathering place and a Thursday-night ritual.
SOURCE: The New York Times Subscription at 10:00AMFriday, June 11, 2021
Tuesday, June 1, 2021
Ballet’s strict gender norms put pressure on women to conform. But dancers who don’t are finding they’re not alone.
SOURCE: The New York Times Subscription at 12:00PMWednesday, April 14, 2021
At times, the experience of “SOCIAL! the social distant dance club” felt no more freeing than dancing by myself in my cramped living room, our critic says.
SOURCE: The New York Times Subscription at 03:05PMThursday, March 25, 2021
Devynn Emory’s “deadbird” — a duet for Emory and a mannequin — deals with grief, envisioning “an ideal care team for a body who’s passing.”
SOURCE: The New York Times Subscription at 09:00AMSaturday, February 27, 2021
Online tutorials for TikTok and music-video routines can help prove you wrong. The “WAP” dance is within your reach.
SOURCE: The New York Times Subscription at 11:41PMWednesday, August 1, 2018
Some performance spaces in New York are reminding viewers that the work they see is being performed on Indigenous land.
SOURCE: The New York Times Subscription at 10:18AMTuesday, May 22, 2018
The author of “Dance Nation” talks about her play and female adolescence, as it plays out in dressing rooms and daydreams.
SOURCE: The New York Times Subscription at 04:12PMThursday, December 17, 2015
This company will perform choreography by Jerome Robbins, Agnes de Mille and others in a program at the Joyce Theater.
SOURCE: The New York Times Subscription at 11:19AMSunday, November 23, 2014
“The House Is Open,” at the Bard College performing arts center, blurred the boundaries between dance and the visual arts.
SOURCE: The New York Times Subscription at 06:08PMFriday, August 9, 2013
“Then She Fell” derives its fractured narratives, its doppelgängers and mirror images, from “Alice’s Adventures in Wonderland” and “Through the Looking Glass.” &nbs…
SOURCE: The New York Times Subscription at 02:49PM 
