Friday, June 17, 2022
Amanda Castro, Brinda Guha and Arielle Rosales come from different traditions but share a reverence for the dancers’ foundation: the ground.
SOURCE: The New York Times Subscription at 03:38PMWednesday, June 15, 2022
Wednesday, May 25, 2022
In a delayed celebration of its 50th anniversary, the Brown company presented two dazzling works she made with Robert Rauschenberg.
SOURCE: The New York Times Subscription at 02:21PMSunday, April 24, 2022
Pam Tanowitz, a deconstructor of the classical, has a new work, “Law of Mosaics,” and a company premiere on the program “Visionary Voices.”
SOURCE: The New York Times Subscription at 05:29PMSunday, April 10, 2022
Marshall’s solo “I & I,” set to reggae, was the highlight of his company’s program at the Chelsea Factory.
SOURCE: The New York Times Subscription at 03:22PMSunday, April 3, 2022
Celebrating its 50th anniversary, Ballet Hispánico takes on a new challenge: its first full-length ballet, with choreography by Annabelle Lopez Ochoa.
SOURCE: The New York Times Subscription at 02:13PMSunday, March 27, 2022
A mixed bill entitled “Dichotomous” brimmed with the hopeful and sometimes unsure energy of a fresh start for this dance company.
SOURCE: The New York Times Subscription at 05:46PMTuesday, February 22, 2022
In his evening-length work coming to BAM, Abraham wanted to focus on celebration and joy in Black culture, “the way we love and love on each other.”
SOURCE: The New York Times Subscription at 02:59PMThursday, February 17, 2022
Paul Lazar and friends recite and move to (most of) Cage’s 90 one-minute stories from “Indeterminacy,” with serendipitous alignments between words and gestures.
SOURCE: The New York Times Subscription at 02:06PMMonday, January 10, 2022
Oona Doherty, a rising star in Europe, brings a Belfast-inspired piece to New York. “This is about kinetic trauma,” she says. “This is about you, as well.”
SOURCE: The New York Times Subscription at 02:39PMWednesday, December 1, 2021
A year of uncertainty was capped by a happy ending: a rush of performances this fall, including standouts by masters (Twyla Tharp) and breakout stars (LaTasha Barnes).
SOURCE: The New York Times Subscription at 09:02AMThursday, November 18, 2021
The starry program “Twyla Now,” at New York City Center, ends with a dazzling premiere featuring dancers who could be the stars of tomorrow.
SOURCE: The New York Times Subscription at 03:48PMThursday, November 11, 2021
In “I Am Also – Monte,” Molly Poerstel and Monte Jones consider how, in dance, the past seeps into the present and into collaborations.
SOURCE: The New York Times Subscription at 02:00PMThursday, October 28, 2021
The artist’s “A Line,” her first New York solo show, sets the tone for the ambitious new 52 Walker, run by the gallerist Ebony L. Haynes.
SOURCE: The New York Times Subscription at 11:54AMFriday, October 22, 2021
A program of works by the former Alvin Ailey member Hope Boykin is about stepping into a surer sense of herself.
SOURCE: The New York Times Subscription at 02:46PMSunday, October 10, 2021
The choreographer Richard Move’s new work, partly inspired by Japanese, Indian and Greek mythology, wends its way across Governors Island.
SOURCE: The New York Times Subscription at 04:20PMFriday, October 1, 2021
These artists doubted Virgin Voyages would want what they had to offer. But their show, part revue, part night out at a club, is about to set sail.
SOURCE: The New York Times Subscription at 10:00AMWednesday, September 29, 2021
“Deep Blue Sea” at the Armory is a colossal undertaking both in subject matter, inspired by “Moby-Dick” and “I Have a Dream,” and theatrical scope.
SOURCE: The New York Times Subscription at 03:18PMFriday, September 17, 2021
In Julie Mayo’s “Nerve Show” at Target Margin Theater, thwarted impulses express themselves both through movement and attempts at speech.
SOURCE: The New York Times Subscription at 02:21PMFriday, September 10, 2021
Professionals and amateurs can leave their living rooms behind as dance studios make a cautious comeback.
SOURCE: The New York Times Subscription at 05:00AMTuesday, September 7, 2021
The choreographer Miguel Gutierrez’s podcast “Are You for Sale?” looks at what he calls “the ethical entanglements between art and money.”
SOURCE: The New York Times Subscription at 04:16PMWednesday, August 11, 2021
Choy Ka Fai’s interest in shamanic dance practices fuels his immersive exhibition at Tanz im August in Berlin.
SOURCE: The New York Times Subscription at 12:13PMSaturday, July 3, 2021
A premier teacher of Merce Cunningham’s technique, she gave equal attention to everyone in her class, not just those destined for stardom with his company.
SOURCE: The New York Times Subscription at 01:23PMWednesday, June 30, 2021
Street performances celebrated the Chocolate Factory Theater, a space that has often seemed inseparable from the work that happens there, as it moved to a new building.
SOURCE: The New York Times Subscription at 01:46PMTuesday, June 29, 2021
This online show, which wraps up its present incarnation on Thursday, became a serendipitous gathering place and a Thursday-night ritual.
SOURCE: The New York Times Subscription at 10:00AMFriday, June 11, 2021
Tuesday, June 1, 2021
Ballet’s strict gender norms put pressure on women to conform. But dancers who don’t are finding they’re not alone.
SOURCE: The New York Times Subscription at 12:00PMWednesday, April 14, 2021
At times, the experience of “SOCIAL! the social distant dance club” felt no more freeing than dancing by myself in my cramped living room, our critic says.
SOURCE: The New York Times Subscription at 03:05PMThursday, March 25, 2021
Devynn Emory’s “deadbird” — a duet for Emory and a mannequin — deals with grief, envisioning “an ideal care team for a body who’s passing.”
SOURCE: The New York Times Subscription at 09:00AMSaturday, February 27, 2021
Online tutorials for TikTok and music-video routines can help prove you wrong. The “WAP” dance is within your reach.
SOURCE: The New York Times Subscription at 11:41PMWednesday, August 1, 2018
Some performance spaces in New York are reminding viewers that the work they see is being performed on Indigenous land.
SOURCE: The New York Times Subscription at 10:18AM 
