Thursday, April 13, 2023
Gutierrez, whose work often calls attention to the precariousness of life in the performing arts, is experiencing a period of midcareer abundance.
SOURCE: The New York Times Subscription at 05:00AMFriday, April 7, 2023
In “Weathering” at New York Live Arts, the performers seem like the last holdouts of a civilization clinging to survival.
SOURCE: The New York Times Subscription at 01:56PMMonday, March 27, 2023
The contemporary dance group Bereishit performed two works by its founder, Park Soon-ho, at NYU Skirball.
SOURCE: The New York Times Subscription at 02:19PMFriday, February 24, 2023
Wednesday, February 22, 2023
“Life of Pi” and Laura Linney on Broadway, Lise Davidsen at the Met Opera, SZA on tour: Here’s what we’re looking forward to this season.
SOURCE: The New York Times Subscription at 05:00AMTuesday, January 24, 2023
Israel Galván brought a new iteration of his visually pared-down, danced-without-music “Solo” to Baryshnikov Arts Center.
SOURCE: The New York Times Subscription at 04:23PMThursday, January 19, 2023
The interdisciplinary Out-FRONT! fills a gap in the dance calendar, showing incandescent works like Jasmine Hearn’s “Salt and Spirit.”
SOURCE: The New York Times Subscription at 02:39PMSunday, January 15, 2023
The Indigenous artist Daina Ashbee’s first group piece, at the Gibney, simmers with tension and offers an approach to healing.
SOURCE: The New York Times Subscription at 04:25PMFriday, January 13, 2023
Sunday, December 11, 2022
Ivy Baldwin’s defiant and poignant work for four dancers at the Chocolate Factory Theater is the outcome of deeply considered collaboration.
SOURCE: The New York Times Subscription at 06:12PMWednesday, December 7, 2022
At 30, Jacquelin Harris is expanding her repertoire, with role debuts in store for the latest Alvin Ailey American Dance Theater season.
SOURCE: The New York Times Subscription at 03:52PMSunday, December 4, 2022
At Kyle Abraham’s premiere for Alvin Ailey American Dance Theater at New York City Center, dancers find intimacy in songs by Erykah Badu and Jazmine Sullivan.
SOURCE: The New York Times Subscription at 05:48PMFriday, December 2, 2022
After a few slow, sad years, the dance calendar returned to something like abundance, with standout shows that leaned into joy and community.
SOURCE: The New York Times Subscription at 05:00AMTuesday, November 8, 2022
The most intriguing aspects of Dimitris Papaioannou’s “Transverse Orientation” arise from a tension between grandeur and simplicity.
SOURCE: The New York Times Subscription at 02:06PMSunday, October 23, 2022
Emily Johnson’s “Being Future Being” unfolds in two parts, one at East River Park, the other at New York Live Arts.
SOURCE: The New York Times Subscription at 03:45PMThursday, October 20, 2022
Wednesday, October 12, 2022
In a joyous program at the Joyce Theater, Barnes and company show the relationships among Black social dance forms. It’s all connected, and it’s all jazz.
SOURCE: The New York Times Subscription at 02:12PMThursday, October 6, 2022
Rainer, who has said “Hellzapoppin’: What About the Bees?,” will be her last dance, tackles race, if at a puzzling remove.
SOURCE: The New York Times Subscription at 02:27PMSunday, September 25, 2022
The annual smorgasbord at New York City Center features dancers from Music from the Sole, the Bavarian State Ballet and Alvin Ailey.
SOURCE: The New York Times Subscription at 03:17PMFriday, July 8, 2022
Friday, July 1, 2022
The choreographer Milka Djordjevich’s work at New York Live Arts investigates regimented movement before opening up to something more joyous and loose.
SOURCE: The New York Times Subscription at 02:02PMFriday, June 24, 2022
On Thursday’s mixed bill, Ulysses Dove’s “Dancing on the Front Porch of Heaven” was the most arresting and emotionally resonant work.
SOURCE: The New York Times Subscription at 03:22PMThursday, June 23, 2022
“It’s not really like we’re dancing. It’s more just like we’re moving,” Heera Gandhu, 13, says of his collaboration with the choreographer Mariana Valencia at Abrons.
SOURCE: The New York Times Subscription at 01:55PMFriday, June 17, 2022
Amanda Castro, Brinda Guha and Arielle Rosales come from different traditions but share a reverence for the dancers’ foundation: the ground.
SOURCE: The New York Times Subscription at 03:38PMWednesday, June 15, 2022
Wednesday, May 25, 2022
In a delayed celebration of its 50th anniversary, the Brown company presented two dazzling works she made with Robert Rauschenberg.
SOURCE: The New York Times Subscription at 02:21PMSunday, April 24, 2022
Pam Tanowitz, a deconstructor of the classical, has a new work, “Law of Mosaics,” and a company premiere on the program “Visionary Voices.”
SOURCE: The New York Times Subscription at 05:29PMSunday, April 10, 2022
Marshall’s solo “I & I,” set to reggae, was the highlight of his company’s program at the Chelsea Factory.
SOURCE: The New York Times Subscription at 03:22PMSunday, April 3, 2022
Celebrating its 50th anniversary, Ballet Hispánico takes on a new challenge: its first full-length ballet, with choreography by Annabelle Lopez Ochoa.
SOURCE: The New York Times Subscription at 02:13PMSunday, March 27, 2022
A mixed bill entitled “Dichotomous” brimmed with the hopeful and sometimes unsure energy of a fresh start for this dance company.
SOURCE: The New York Times Subscription at 05:46PMTuesday, February 22, 2022
In his evening-length work coming to BAM, Abraham wanted to focus on celebration and joy in Black culture, “the way we love and love on each other.”
SOURCE: The New York Times Subscription at 02:59PM 
